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List price: $16.95 (that's 30% off!)
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Out of both books, I believe that White's work is much better and more persuasive. White does an excellent job of delving into key texts and in the process he wrestles with them and examines them for what they are worth. His explanations for Matthew 23:37, I Timothy 2:4 and 2 Peter 3:9, although not the best, are without a doubt good attempts to refute Geisler's point-blank assertions; Geisler takes these verses at face value, while White looks at the the surrounding verses and attempts to clarify what these verses are really stating. Since CBF (Chosen but Free) relies so heavily on these verses to bolster it's argument, White does some serious damage to Geisler's argument when he deals with these texts.
Furthermore, White does an excellent job of providing solid exegesis for some of the standard proof-texts of traditional Reformed theology. His analysis of John 6 and Romans 9 easily eclipses any simple exegesis provided by Geisler. White convincingly illustrates that the believer's coming to Christ comes after they are given to Christ by the Father. Moreover, his work on Romans chapter 9 simply destroys Geisler's main thesis. White does an excellent job of defending the doctrines of irresistable grace and unconditional election, and does irreparable damage to Geisler's argument.
While oveall I was happy with White's work, there were still a few elements which I felt were lacking. First, White does not deal with the doctrine of the Perseverance of the Saints. Geisler, who calls himself a moderate Calvinist, also believes that a believer cannot lose his salvation, but his beliefs are substantially different from those from the Reformed Camp. I really wish White would have devoted a chapter comparing Perseverance of the Saints (POTS), the traditional Reformed position, with Once Saved Always Saved (OSAS), which is the position of Geisler and moderate Calvinism. I believe White could have dealth the death knell to Geisler's theology if he had dealt with this position.
Secondly, throughout the book White continually discredits the Catholic Church as being a system of religion centered on man's work. He discusses how Molina, a prominent Jesuit theologian, came up with the idea of the middle knowledge (scienta media) and salvation predicated on foreknowledge. Yet, White fails to mention that there are also many within the Catholic Church who belong to the Augustinian/Thomistic school of thought. While there are some minor differences, the Thomists and the Calvinists have many of the same perspectives regarding sovereignty, grace, and the origin of salvation. I will admit that most of the Catholic Church is strongly Molinist in it's beliefs, but it would have been nice if White did not generalize and attribute to everyone in the Catholic Church postions which they do not hold.
All in all, White's The Potter's Freedom is an excellent book. Whether one wants to learn more about Reformation doctrines, or whether one just wants to strengthen their convictions, this book is an excellent read. Although it does suffer from a few minor flaws it is still worth your time and money.
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The only quibble that I have with this book is the spelling errors. Calvary Press is a TREMENDOUS publishing company, but they do tend to make mistakes in their editing. But, in this book, it does not dispel the marvelous content of the truth of the Gospel. Like the reformers before, Dr. White believes this issue is the very 'heart of the Gospel.' This is a Tremendous book for anyone studying this complex issue.
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Rick.larson@lawson.com
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The book itself is interesting, but the video shows these people up for the clowns they really are.
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Many books have tried to reverse this ignorance, but many (if not most) have failed. The reason is simple: Hundreds of pages of text don't bring us any closer to the scenes of the crimes, or closer to the people who are either involved in the white supremist movement or who have been affected by it.
But "Blood in the Face" is different. It has graphics on almost every page, mostly White Aryan Resistance (WAR) propaganda posters, and less frequently photos of David Duke, Henry Ford, and other well-known racists and anti-Semites, threatening letters, etc. This is also a primary-source-laden text. This serves to hammer home the point that racism does not just exist in the Deep South. It is EVERYWHERE: South, North, East, West, and especially in the minds of those who perpetuate such garbage every day.
That said, this book is an INTRODUCTION to the culture of white supremacy. It dwells on the surface of the culture and selected individual organizations, occasionally delving into history. But it doesn't do a good job at all of providing a CONTEXT for the terrible things it describes. "Blood in the Face" is a solid introduction for those looking to learn more about racism and the white supremacy movement as a whole, but for discussions of individual people and groups, you must look elsewhere.
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Used price: $14.99
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Along the way, White quotes from Mormon sources to support his assertions about what Mormons believe. He quotes Biblical passages to show Mormon beliefs differ from Christianity. The references are there for those who want to check the context.
Another helpful part of the book is the summary of Biblical teaching about salvation in the later chapters. This information is in other books, but here is offered in a short and readable manner.
Contrary to what was said by cntmyont, White is quite reserved in his language.
As for the definition of truth, indeed White never says, "Here is the definition of truth..." But it is clear enough from the book. He asserts correctly in Chapter 1 that truth is not subjective. He mentions this in the context of being told by Elder Hahn that he had prayed about the Book of Mormon and was told that it is true. White takes up this topic again in Chapter 8. There he summarizes the reasons why he would not pray the same prayer: The Book of Mormon is historically inaccurate, it contradicts the Bible, and it has serious textual problems.
I agree with the blurb on the back cover of the book that this is a "valuable text for Christians who talk with Mormons and is an ideal book to be read by Mormons."
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The book is constructed in a somewhat unusual manner; it's written as a series of letters from Mr. White to a (fictitious) "Elder Hahn," following up on a (again, fictitious) visit to Mr. White's home.
Mr. White does a fantastic job of presenting the major false doctrines of the Mormon religion, and contrasting them with the truth of God's Word. I've done a little studying on Mormonism in the past, but Mr. White brought up some fascinating things that I'd never heard before.
The book is very "readable," and would be a valuable resource to any Christian.
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Used price: $13.22
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on 4 yrs. in the White House!!
GO FIGURE!!!!! I am SO SORRY I had my daughter get this book for me for Mother's DAY!
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She gave some insightfll thoughts about Mary and Abraham that was quite a treat to read.
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to have written other books.
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Used price: $6.46
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Theoretically this is morality. Politicians take note: Read this and learn from it. Everyone could (and should) take a page from this book. It would be a lot smaller. Not to be taken lightly or literally. Scholars will learn the lessons and forget the words.
The final point is: If you can't find someone to blame well then just blame it on God. Perhaps you should buy numerous copies to prop up your life when the good word just isn't working. When did it become necessary for a new version anyway? I guess politically correct has even gotten to the religious right. Did we find any new clues along the way?
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As a watercolor painter, I adore Tricia Guild's romance with color and her exploration of beauty in simple, natural objects. I frequently keep her book open and find that each time I study the photographs of rooms, I get new ideas. The author quite deliberately chose to avoid making a "how to" guidebook. This book is not designed to give ideas for projects, or tell you what to put with what, but rather is designed to inspire and to trigger the reader's imagination and empower a person to tap their own subconscious creativity and come up with solutions for their living spaces. To me, decorating and design are processes that grow and cumulate organically, at different paces for different individuals. In my opinion, Guild is something of a decorating midwife, helping the reader tune into their own design vocabulary and re-imagine their space by being able to perceive space, color and objects in different ways.
Unlike many other books which I have tired of, I regularly look through the pages, which are meditative and relaxing in their beauty and tranquility. If you like Cirque du Soleil, you are going to love Ms. Guild's work. There is a magical quality to all of her work. I view her book much as I view "The Artist's Way" by Julia Cameron, because this is ultimately a visual workbook. Many of her ideas are democratic and easily accessible- the placement of plants, the use of pillows, fabric, wood, ceramics, and the rhythm of color combination. It is a far more right-brained approach, and one that enabled me to look at my space and get past the "stuckness" I had in seeing the same objects in the same way. As a result of using her books and getting a feng shui consultation, I redid my entire apartment, which I veiw as my work-in-progress. My inspriation came in spurts, sometimes in 14-hour long passionate bouts of rearranging. I had many ideas for re-imagining my space, and also was better able to conceptualize room arrangement.
I was able to edit and groom my belongings in ways I never thought previously possible, and found that I had far greater confidence in making purchases of new things for my apartment. Guild's book trains you to see your space as a living, breathing, mutable canvas to which ordinary objects are orchestrated into a symphony of color, form and texture.
The spiritual component of this approach to decorating is that one does not envy what Ms. Guild has or uses. Guild's approach is not to aim for perfection, or to motivate the reader to do the same. If there is a perfection in style embodied in her book, its goal is to coach, to challenge, and to inspire the user to groom his or her belongings, much as one treats oneself to a spa, to appreciate the simple beauty of nature, of flowers, plants, organic forms, and to use these elements - air, light, water, fire - in decorating to achieve a greater sense of balance and harmony in one's being.
My main source of disappointment is that there was not enough information on where to purchase some of the quirky pieces of furniture featured in the photos, and the difficulty in obtaining fabric shown in the book. I wish she had a store in New York City!
Carol Lipton
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As inspiration and setting your mind to work it is assume!
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However, I was disappointed with this book. The main reason for this is that I thought this book wasn't far reacing enough. According to the Werewolf universe, the Umbra is populated with thousands, if not millions, of different kinds of spirits, each with their own personality archetypes, wants, desires, interests, etc. But this book focuses mainly on the small number who serve the major tribe totems. This small slice of the spirit world is hardly fulfilling.
Another problem is that the book makes no attempt to describe how the spirits interact with each other, how any of the hierarchies of the totems work, or how any other spirits really behave or act out in the day-to-day life of the Umbra. Spirits are described as if their only purpose is to interact with the werewolves and not as if they are each self-sufficient entities.
So this book is good for what it is, but like many other White-Wolf supplements it fails to be all it could be. A much better book would have given more over-arching spirit information on a macro level so us creative-types could use the information they provided to populate our games with interesting individual spirits on a micro level.
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Though never ranking with a Heinlein or Asimov or Niven in popular acclaim, White compiled an impressive body of work. Best known was his "Sector General" series, set in an interstellar hospital whose multi-species physicians found their ingenuity challenged by the strange ailments of some of the weirdest patients ever imagined. THE WHITE PAPERS includes four Sector General stories, plus the author's account of the origin and development of the series as a whole. The problems presented range from caring for a half-ton alien infant who has to be sprayed with food every four hours to treating a shape-changing amoeboid's catatonia to preventing a young human doctor from falling in love with his crustacean counterpart. All cleverly turn the superficially bizarre into narratives that are sometimes funny and often moving.
The non-Sector General stories likewise maintain a high standard. The gems are "Custom Fitting", which addresses the question of where the centaur-like first ambassador from the Galactic Federation is to find suitable garments for his audience at the Court of St. James, and "Christmas Treason", in which a gang of telekinetic toddlers tracks down Santa Claus. One story, "House Sitter", appears here for the first time. We are not told when it was written, but elements of the theme would not have been welcome in most science fiction outlets until very recently. The other two stories are "Commuter", a clever time travel yarn whose only weakness is an unsurprising surprise ending, and "Sanctuary", where Irish nuns protect an alien explorer from the attentions of a 60 Minutes style "attack television" program.
In general, it should be noted, White is a somewhat "old-fashioned" (that is, Campbellian) writer. Faster-than-light travel, instantaneous communications, anti-gravity devices and even "stasis boxes" (long before Larry Niven exploited the concept) are taken for granted. The plotting is careful, and the characterization vigorous, if not always subtle. The are no experimental literary techniques, no sexual banter, no casual obscenities and nothing suggestive of drugs, New Age-ism or cyberpunk. Readers immersed in the latest SF trends may find this mix a bit stodgy.
The fan writings that make up the second part of the book represent a good sampling of one of the great times and places of amateur science fiction enthusiasm: the Irish Fandom ("IF") created by Walt Willis, Bob Shaw, George Charters, John Berry, Chuch Harris, White himself and others. IF flourished in a less than salubrious clime, the tension-wracked Northern Ireland of the 1950's and later. The contrast between IF's wacky, good-natured, effervescent worlds and the stark reality round about is captured in the nostalgic nonfactual essay, "The Exorcists of IF". White's own role in cultivating this garden of sanity and cross-tribal friendship (he was a Roman Catholic; most of the rest of IF were Protestants) is portrayed in a memoir, "Fester on the Fringe".
Other pieces fall into distinctive fannish genres: the "trip report" ("The Beacon, or Through Darkest Ireland Carrying a Torch for Bea Mahaffey"), the "con report" ("The Long Afternoon of Harrogate" and "The Quinze-y Report", the latter title being a Walt Willis pun that requires a quarter-page explanation), the fannish history ("A History of IF, Chapter 3") and the unserious personal invective against pretended enemies ("The Last Time I Saw Harris" and "The Not-So-Hot Gospeller"). Whatever the nominal topic, all of these sketches are light-hearted, pun-filled and witty. The nonfan may stumble over an occasional obscure reference (to, e. g., Roscoe or the sawing of Courtney's boat), but the argot is not so thick as to be unintelligible, and the meanings of the most frequently used terms, such as "egoboo" and "BNF", soon become clear from the context.
Rounding out the volume are a Sector General timeline and catalogue of alien species, both prepared by the late Gary Louie, a talented and deeply missed Los Angeles fan.
James White died not long ago, and his fiction is becoming hard to find. His fan writings were always ephemera, of course. Happily, NESFA Press keeps its backlist in print, giving another generation the opportunity to sample the writings of one of the field's stars.