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You will quickly find yourself in the pages and you can't help but wonder if you'd pass every level of hell yourself.
I've read this book three times and each time I pick up more insight into human nature and justification.
You'll think about this book often.
You will quickly find yourself in the pages and you can't help but wonder if you'd pass every level of hell yourself.
I've read this book three times and each time I pick up more insight into human nature and justification.
You'll think about this book often.
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i thought it was a moving story and I have grown to love MaryAnne's character. I look forward to reading "The Locket" witch is the final book in this series.
I have become a fan of Mr. Evans writing, and look forward to reading more by him.
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Just like Borges and Natsume, Thomas Bernhard was a taste that I acquired due to Glenn Gould mania. Still in Holland Cornelis Hofman, then head of the Glenn Gould Society, offered Bernhard's Untergeher, the Loser, to the fans of the "oracle of Toronto". Hooked on Bernhard from page one, I next read alte Meister and Holzfallen, old masters and woodcutters, resp.
Thomas Bernhard was a person who often came close to the level of misanthropy. Yet, this writer followed in a line of the likes of Shopenhauer, Strindberg and Celine, who led the readers into the darkest recesses of the tunnel never to forget the pay off by the light at their metaphorical ends. Bernhard will always be defined for me by one short moment in a rare television interview. Bored by the interviewer he walked over to his record player and started a recording of Bach's 2nd Brandenburg Concerto. After the music had played for a while he asked his interviewing victim "Do you know what is happening here?" The victim remained mute, invoking a look from Bernhard that was a mixture of disbelief and disgust to the nth degree. After some more music, while shaking his head answered himself with "everything".
Wittgenstein's Nephew is an archetypical Bernhard novella, both in content and style. The book contains a detailed analysis of the relationship between the writer and his best (and only true friend) Paul Wittgenstein, nephew of the famed philosopher. The first part of the book focuses on Paul and the friendship, while Bernhard uses these ingredients in the final part of the book as a "mirror" for self reflection/analysis. The book begins when both Bernhard and Paul are treated, for cancer and depression resp., at separate but close institutions. At the climax of this part, the writer who was so much looking forward to meeting Paul, finally meets what is left of his friend, and is devastated. Next, Bernhard looks back at the history of their friendship and pays special attention to the support Paul gave him on the occasion of receiving two literary prices and the premiere of one of his plays. In the end, Thomas, gives a brutally honest description of him avoiding Paul around the end of the latter's life and not attending the funeral of the very person who was so important for Bernhard to overcome a longtime suicidal depression. In the act, Bernhard leaves a wide array of casualties: the charlatans of the medical profession, the Austrian press/government/writers/actors and last but not least himself.
The prose is of the vintage Bernhard style that is easily identifiable after the very first sentence. Especially at the start, there is the favorite technique of providing a statement that is cut to the "philosophical bone" to later become the vehicle of a spiral thought of "evolution". Later on the style becomes more linear, without losing any of its poignancy.
While I read the original version, get it at the German Amazon site, I did compare it with this translated version. I would give the translator a 7 on a scale of 10. David McLintock has chosen textual accuracy over a translation that puts more emphasis on delivering the same type of "punch" as the original. You could say he prefers the letter to the spirit of the law. While the resulting translation is precise and careful, it is definitely "Bernhard Lite". Thinking in musical terms, you get Weber instead of the original Wagner.
As a novice to Bernhard reading this review, you may wonder whether the late Thomas would really be your cup of tea. All his anger, gloom, doom and hatred. Yet, Bernhard's dark vitriolic virtuosity gives the short intermittent moments of happiness a striking serene beauty, not unlike like the little flower in Picasso's Guernica.
It has been said that Gaddis' Recognitions is a more mature version of Salinger's Catcher in the Rye. Extending this metaphor, this as many of Bernhard's books represents a version of Holden, who while severely doubting the sense of the act, still hasn't given up on catching all together.
Truth be told, the reader has to like Bernhard's style to get far with him. Bernhard's rephrasing of mundane thoughts and incidents may seem tedious at first to the uninitiated, but he turns the same phrases over and over as if assessing their content and structure. Is it better to write the thought *this* way? That way? Both? Neither? All? How many writers do *that*!?
Bernhard had a genuine love of words (which I share), phrases, sentences and the way they all form an imposing BLOCK that fills the pages (no paragraph breaks). It doesn't seem to matter much that his topics are mundane: I sense he knew that, despite the adventures most of us have, a large part of life is spent alone with our thoughts. Who was it that said, "The mass of men lead lives of quiet desperation." Bernhard expands upon this bleak thought and comes up with art of very high order, indeed.
I have read all of Bernhard's work that has been translated into English, and I can recommend them all with 5 stars. I think this book (or perhaps _Concrete_) is the best starting point for those unfamiliar with this author. I especially love this book because the topic - friendship - is so touching and sensitively handled. Not a word seems wasted.
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it will change your view on what is real and what is not.
I recommend this book a lot.
If you only would buy one book about psychics then this should be the book.
sincerely,
Ole Olsen
In contrast to the West, the Eastern understanding of mind and its powers has always been vastly more sophisticated. Largely because of the influence of Buddhist thought, the nature of mind has been a central subject of investigation by some of the keenest intellects in Asia for over two millennia. These investigations, it should be noted, have been pursued in a thoroughly scientific manner by, as it were, using the human bio-organism itself as a laboratory.
According to Ingo Swann, Soviet research into PSI-Power began in the early 1920's. By the 1960's possibly as many as fourteen major scientific institutes were involved which together had an annual budget of over $500,000,000. Following the collapse of the USSR in 1989, complete copies of the Soviet research archives were sold by the cash-strapped Russians to both Japan and China. Today over one hundred of China's major universities and scientific institutes are actively researching PSI-Power. This should tell us something.
What it tells me is that the Official Science of the West, despite its pretensions, is a reactionary type of science which effectively serves to block progress in many areas, particularly in those which would advance human development by helping to form healthier, less neurotic, more intelligent and more spiritual human beings; by helping us, in short, to enter into our total inheritance as humans.
PSI-Power is not, as some seem to think, about tricks. It's about turning oneself into an extremely powerful person. PSI-Power is an opening of oneself to the larger reality, and it is claimed by the author of 'China's Super Psychics' that China today probably holds more PSI-adepts than the rest of the world put together. Perhaps it's time we rejected our outmoded mind-set and began trying to catch up.
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