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It is, however, the accounts from the later years and the tales from his famous and infamous Fillmore Auditoriums from insiders such as Jerry Garcia and Eric Clapton that really make this book come alive. They make feel like you were there (or at least wish you were) for many of the most crucial events in the history of Rock and Roll- Altamont, Woodstock, etc... Fantastic for the unabashed music fan!
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The first section focuses on Akhu, the dead magics of Egypt which the Setites have become so well known for. While not exclusive to the Followers of Set, the small handful of other Egyptian vampires who practice Akhu still honor Set in their practices. This chapter goes into great detail on Egyptian mysticism and beliefs, explaining important Egyptian Gods and Goddesses (yes, including Set) and beliefs in the underworld. Most of the Paths used in Akhu are already existing Thaumaturgy Paths called by Egyptian names (Sutekh's Valor and Path of Anubis for example), but there are lots of specific rituals for Setite mystics as well. There are also a couple new paths, such as Ushabti (creating working servants) and Path of Duat (underworld magic).
Assamite fans will be pleased by the next chapter, covering Dur-An-Ki, the magics of the ancient Middle East. Drawing on everything from ancient Mesopotamian, Hittite, Persian and Assyrian rites to Jewish qabbala to Christian and Islamic mysticism to Neo-Platonic philosophy, this is a pretty potent collection of traditions (both living and dead). Although dominated by Assamite sorcerers, it also is known by some Middle Eastern Brujah, Hajj Nosferatu, Mithraic Ventrue and many other Mid-Eastern ashipu. Special notice is made that there is a schism between older practicioners, who lierally worship Mithras, Marduk, Dagon and so forth, and younger practicioners, many of whom are Jews, Christians or Muslims. Again, most of the paths and rituals are regular Thauamturgy with names made more "Arabic" or "Mid-Eastern". Alot of the names come from the revised Assamite clanbook. However, there are some new rituals, many based off Arab folklore and Mesopotamian mythology. There are also some new paths, like the Evil Eye (self-explanatory) and Covenant of Nergal (disease magics).
Sadhana, tantric blood magic of India, is explored next. This magic is steeped very heavily in Hindu belief, which isn't too unusual. However, the way that vampires interpert Hinduism is somewhat different from the way that living Hindus do. Nonetheless, this is still an excellent chapter. This magic, is should be noted, is the exclusive property of the Brahmin class and, as such, is unique almost entirely to the Setites, Ventrue and Ravnos, the ruling castes in India. Notes on Hindu beliefs (and vampiric perversions thereoff) along with Hindu Gods and various Indian symbols and beliefs are given. Again, most paths are already existing Thauamturgical paths, though there are plenty of new rituals (some of which are quite potent). New Paths, including the long awaited Path of Karma, and the Blood-Nectar Path (which, incidentally, the Assamites know a variation of) are given.
Finally, we also get a look at Wanga, blood magics that were spawned from Afro-Carribean traditions. As might be expected, Wanga is used primarily by the Serpents of Light, Samedi and other Kindred from that region. The section explores the beliefs of various Afro-Carribean faiths, with the majority being devoted to Voudon, Santeria and Palo Mayombe. As could be expected, Wanateurs need to believe in one (or more) of these religions to use Wanga. Important Loas, Orishas and Nikisi are explored, along with commmon tools in Voudon. Again, most common Thaumaturgy paths and rituals are used in Wanga, along with some unique rituals. New Paths, including Voice of the Wild (an animal based path), are given. This chapter does briefly mention that similar magics are used in Africa, but it doesn't go into details. Presumably, more on African blood magic will be explored in Kindred of the Ebony Kingdom.
The book closes out with a Storyteller section, which gives some more Rituals for both Koldunic Sorcery and Voudon Necromany, and some odds and ends. There is alot of information on "spontaneous talismans" and how to use them in your Chronicles. There is also a write-up for the Tlacique, an Aztec/Mayan/Incan bloodline of Setites, and their own blood magics. Drawing from Olmec, Toltec, Aztec, Mayan, Incan and other traditions, this is pretty dark and gruesome stuff. The Path of Xipe Totec is pretty nasty!
All in all, this is an excellent book. Players of Assamites will definately appreciate how fleshed out Dur-An-Ki has become, while anyone who wanted to use Setite blood magics will appreciate the fleshing out of Egyptian, Indian, Voudon/Santerian and Aztec/Mayan/Incan blood magics. Given the heavy focus on Egypt, the Middle East and Africa, this could also be appropriate for running "Year of the Scarab" games or Mummy-crossovers (or you could use the Tlacique and their magics if you want to crossover with the South American Capacocha). Regardless of how you use it though, this book can be very useful for both players and STs.
This one lets you sink your teeth into some quick, sometimes chilling, sometimes humorous, sometimes just plain weird vampire stories. It will also introduce you to some incredible authors, and I bet you'll race to buy more of their works. Wolf breaks down this collection into categories: The Classic Adventure Tale; The Psychological Vampire; The Science Fiction Vampire; The Non-Human Vampire; The Comic Vampire; and The Heroic Vampire. Horror and vampire fans will recognize some of these stories (King's is an excerpt of SALEM'S LOT) from other novels or collections. But this one is a tasty treat (yes, all puns intended) that I found delightful!
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Its author, Mr. Friedman, deserve among others to be recognized as a brillant pedagogue. The topic is complex but the text is clear and the simple words well chosen, like in his other excellent book: The Hidden Domain. As a reader you are able to think fully about the concepts expressed, without wasting any concentration on sentences analysis. Depending on your learning style, you may prefer like I did the tape version: it lets you think with your eyes closed.
You may have enjoyed David Bohm's unusual interpretations of our world through his master knowledge of quantum physics. You may have been puzzled by Jane Roberts connection with the strange entity Seth. In Bridging Science and Spirit, not only do you get a summary of the most important and philosophical aspects of the above, you are also launched into such powerful explanations of the physical roots of our world that some wild imagination may be needed to fully grasp them.
This book makes you think and almost not believing yourself the potentials of what your mind is trying to visualize: this is why I found the book outstanding.
This book is book one of the postcard series for exposing your child to art. This book is just postcards of different artists and styles of art. There are multiples of some of these postcards that you can use for matching.
If you do nothing else except look at these postcards with your child, you have done a lot.
If you follow her easy to do 'program' of matching, buying and sorting postcard sized art, this book is a must. It sure beats trying to find your own postcards and mount them.
As an added note, it is well worth the extra money to get the parent/teacher book explaining why and how to complete these easy activities with your child.
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