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This is a well-crafted book, filled with radiant images of the Son and bittersweet, personal glimpses into the life of Jesus. It fills the heart and spirit with joy and wonder.
"Love's Face" captures the awe and mystery that we will know someday when we see Jesus "face to face" and we dance joyfully with our Bridegroom.
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On her first trip to Russia in 1930 she photographed not only the industrial expansion of the Soviet Union but the lifestyle of the people and it is from this point in her career that she made the clear shift to being a photo journalist. During the Great Depression she documented the plight of migrant farm workers and sharecroppers. When Luce launched "Life" in 1936 Bourke-White formed the magazine's original photographic staff (along with Alfred Eisenstaedt, Peter Stackpole, and Thomas McAvoy) and her photo of the construction of Fort Peck Dam in Montana was the cover and lead article in the first issue. During World War II Bourke-White covered everything from the German attack on Moscow to Patton's push into Germany to the horrors of Buchenwald.
Bourke-White's work represents the height of the era in which photography was a recognized art form, by which I mean a time when photographs were hung on walls in the same manner as paintings. Her work, like the best of that period by her contemporaries, has a poster-like design. It is fascinating to read how her use of multiple flashbulbs helped her create a more realistic effect. "Margaret Bourke-White, Photographer" lays out her career in clear stages, telling us not only about what she was doing but the hows and whys as well. Whether you consider yourself an aspiring photographic artist or are simply an interested neophyte such as myself, you will have a greater appreciation for both the artist and her art after devouring this book, which contains 160 pages of superb reproductions of her best and most famous monochrome images (some of which are from her personal archives).
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it made the hairs at the back of my neck go all funny the first time i read it. and it still does everytime i reread this achingly beautiful book. i left my hometown, 10 years ago, to work when i was barely nineteen and my grandfather died a few months later- never had the chance to say goodbye. i wished i had the chance to hold my grandfather tight one last time...
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We frequently read this lovely story of Ord's adventure in the Forest of Darkness and how the love and trust of his friends helped him achieve a new ability.
Lovely!
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I ponder the reasons others give such good comments about this book are because:
1) The book is thorough. It covers materials, techniques, color theory, meanings of brushstrokes (for instance, each type of brush stroke carries a certain mood), and apparently a lot of how-to's and do's-dont's.
2) The work done by the author is in photographic style. She uses vivid colors in most of her paintings. Also, a lot of details were rendered in her work; one of the reasons may be because most (if not all) of her work were done from reference photos (single or combination thereof).
From an en plein air and alla prima painter's point of view, unfortunately, I find the book a little dull with full of rules and do's and dont's. Perhaps it is just a very personal thing, but when out there painting "en plein air", a lot of "vibes" and "moods" rendered onto the paintings come from the fact of "being out there with nature", not with pre-defined rules. That is also the reason that photographic style from photos is not my favorite.
Respectfully, I consider this a good reference book on painting landscapes, especially if the readers decide to use photos for his/her work. Therefore, it is given the rating above (4-star).
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At 261 pages this is a fast and enjoyable read, one that I gobbled up in two sittings, letting myself travel to the lush world of Grace's Congo and view it through her child's eyes. Mainly, it's about the people and she stays away from political analysis. She tells her stories simply and creates an atmosphere, and brings the reader right into her world. If I have any criticism at all, it is that some of the characters appear in just one of the short stories and I wanted to hear more about them as the book went on. But, alas, this is a book of stories, not a novel. I loved this book; it was a small trip into a world that is now gone and which I will never get to know except for my reading. And it sure was an enjoyable journey. Recommended.
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This hilarious but sensitive novel is narrated in the first person, like the memoirs of the character, a beautiful and brave woman who married the General, despite his being 20 years older. Mastretta has done a fine job at describing this excellent female character. Living in an extremely "machistic" society, where women's role was utterly limited to household and silence, Catalina never lets her husband overwhelm her. She is a truly free spirit, fighting her way with dignity and malice. Her story develops amidst political turmoil and violence, but she manages to survive, have her little revenges, and come up alive and kicking. Even though the subsequent production of Mastretta has a very inferior quality, this book deserves to be read, and not just by women, but by whoever enjoys a good story well told. Its sense of humor is very good, it has really hilarious moments, and the depiction of Mexican society in the 30's and 40's is superb.
Nothing inspires one's love of God like contemplating His love for us, as demonstrated in Christ Jesus. Margaret Montreuil has acquired great riches by investing in a contemplative relationship with Jesus Christ and has stored them up in heaven. Love's Face is a sharing of those riches and a guide that leads one deeper into the greatest adventure of all time; the most enriching experience of all eternity.
Margaret, thank you for the inspiration!