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all in all it's not the work of the century, but genuinely, genuintely worth the read.
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I am leaving for France again this week and I can hardly put the book down.
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I wonder what Elliot Paul would think if he could see today's incarnation of his beloved rue de la Huchette where the action of the book is centered. Before the second World War, when Elliot made it his home, it was a poor street of "mom and pop" businesses, small apartments, a laundry that doubled as a bordello, a third class hotel or two, a few small cafes and, most of all, a place where one sat out on the stoop and visited, or debated, with his neighbors until the wee hours. Not a very high class neighborhood and certainly not a place that had any attraction for tourists.
That portion of the Left Bank that includes the rue de la Huchette is called the Latin Quarter because of its proximity to the Sorbonne University. At one time it really was a place where the students hung out, but no more. Because it has become so touristy, the students have moved their extracurricular activities a few blocks away. I get the feeling that every tourist bus passing through Paris includes in its itinerary a walk down the two or three blocks that comprise the street. Every other door leads into a small restaurant and in front of each is a hustler enticing you to come in for dinner and to have a free "aperitif." If you know where to eat, or are lucky, you can get a good, reasonably priced, meal there. The street is always lively and crowded.,
Paul's rue de la Huchette, as I described it above, was a world, or at least a war, away from what one experiences today. He became such a part of the neighborhood that he was always called on to arbitrate neighborhood disputes. One young girl, Hyacinthe, fell in love with him while she was still a pre-teen, wrote him very adult sounding love letters, and even as an adult still adored him.
He describes a scene when, after a long absence, he returns, and, as soon as the word gets out that he's back, he finds himself the guest of honor at the party to end all parties. Everyone buys him drinks but no one allows him to reciprocate. Sometime during the celebration he passes out. The next morning, not knowing how he got there, he wakes up in one of the two front rooms in the hotel, rooms normally reserved for "couples in a hurry." Because the room was free and the gesture so generous, he doesn't complain about the bed bugs.
This wonderful street and these people that Paul loves and brings to life for us are destroyed by the Nazi occupation of Paris during WW II. The saddest moment of the book comes near the end of the war when Hyacinthe, now grown up and become a famous actress, dies as a result of asphyxiation caused by a charcoal burner that she and her mother were using to keep warm during the cold Paris winter. Her death which, like all the events in the book is a true event, is symbolic of the end of an era in Paul's life and of the life of a more innocent Paris.
I think that I might have liked Paul's rue de la Huchette better than the present one. If you read THE LAST TIME I SAW PARIS, I think that you might feel the same.
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"Dawn to Dusk" sections focus on the best daytime delights, such as terrific watersports, sightseeing, golf courses, beaches and fascinating museums. "After Dark" sections take you to the best nightclubs, piano bars, cocktail lounges and beach cookouts. Hundreds of places to stay and eat are profiled in detail, based on repeat visits by the authors. In-margin icons allow you to see at a glance which activities are being discussed.
I felt, as I turned the pages with some trepidation, that I were right there with Steve as he agonized through the introspection and the staggering revelations forced upon him in his quest for the truth about his life. Arianne's foibles provided a realism that made her character one I could warm to. I can't wait for the sequel.
Geoffrey Parris' scrutiny of matters racially significant and spanning different cultures more than hints at his own diversity of background and knowledge. Even though he surely fictionalized much of Twilight, he had to have poured a great deal of his own experience into the creation of his characters. It worked!
Write on, Geoffrey Parris, and please be prolific!
One hesitates to classify this as a mystery thriller, yet Parris has succeeded admirably in weaving a tangled web which traps the reader into skipping work for a day to find out how it all ends. It draws heavily on the author's own tragedies and successful battle with cancer and has taught this jaded reader a thing or two along the way.
Can you beat cancer on the strength of your own willpower? Can you be proud of being the product of mixed races? Can you aspire to wealth and power from an ordinary background? Of course! All this plus a new look at psychic power is neatly woven into the plot as Steve Houston attempts to find out what really happened to his mother.
You won't regret picking up this book both for its inspiration and suspense.
Parris is new to writing, but this won't be his last book. He compels the reader to race through his story to find out what really happened to the main character's mother when he was seven years old.
The settings are so enjoyable that they act as characters in the book and offer a great escape.
The plot is tightly woven and clever and the ending is very satisfying. What more could you want?
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