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Quick enjoyable read. Recommended.
Particularly interesting to read while one can watch our own financial markets exhibit seemingly speculative behaviors.
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True, the parallels are there. And I highly recommend the work if nothing more than to highlight in the reader's mind the elements of human nature that insure that we will always have depressions -- every 70 years or so ... secula seculorum... but in a small way, I expected more.
I find Galbraith (author of some 20 works on economics) to lack an emotional, visceral style that should have enunciated a polished telling of this critical set of events - (I say "set" because although October 24, 1929, or "Black Thursday" may have set events in motion... the bottom did not come until July, 1932). To borrow from Trekkies, if I may, I felt like I was following a history lesson from a Vulcan history professor. The chronology was well placed and organized, but there was nothing to help me "feel" the event.
Nonetheless, I appreciated the referral and the read. And I think that this work will have even more renewed interest when the world investment community eventually comes to grips with the lack of rationale in supporting stock values whose P/E ratios stretch well into infinity.
Greg Caton Lumen Foods (soybean.com) caton@soybean.com March 14, 1999
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You have one guy, posting under different names, who has gone through Galbraith's entries on this site, trying to trash the man's reputation through innuendo and outright lies. Read his works for yourself. I think you'll find that Galbraith outclasses the dead apologists for the Hapsburg empire (Von Mises and Hayek)and their modern-day apostles, whose fury rises higher and higher as more people reject their mindless, far right-wing propaganda.
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This is the final book out of 5 in the series. The problem that I have is that the whole book series is very drawn out with various sub plots that could have been shortened and probably bring the series to 3 books instead of 5. I also find this series somewhat more bland then the SG-1 series because of the lack of the other characters. All in all it was still interesting reading and I am glad I did.
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If you are a fan of the tv series and never saw the movie (or like the series more than the film that started it all), then stick with the SG-1 books based on the tv show because this book will not carry over some of your favorite characters from the show - except the originals that came from the film (and will carry over their characteristics, not the ones reflected in the show). If you are a fan of the movie then definitely pick up this series of books.
Unfortunately, some of the other reviews here of this book appear to be by fans of the tv series who expected this book to be a continuation of this show...and actually thought the book was based on the series. The book says right on the cover that it is based on the characters created by Dean Devlin and Roland Emmerich, the writers of the movie. These two creative people are not involved in the tv series (which is too bad because I would probably watch it more if they were).
So if you want a great read that continues the story started in the movie then pick the whole series up. If you are expecting a book that is based on the show then you'll be disappointed.
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There are couple of weaknesses in this text that stand out in my mind. First, there is a section in each chapter that quizes you on conceptual questions but there are no answers in the back of the book making it difficult to be certian about your work. Second, the web page associated with this book is riddled with errors and is not much of a tool. In spite of these problems I would recomend it to someone just starting physics.
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When I started reading this book, I had to check the copywrite date. I know I had seen and/or read the opening scene somewhere before, and more than once. A submarine is hi-jacked. That has been done a number of times before. Most recently in a movie about a German sub (U-571?) and earlier in a Steven Segal movie. And the action is always the same, shooting people coming up/down the ladder, trapping people in the hallway and capturing the crew in the bunks and mess.
But, the book starts out strong as our hero (Jake Grafton from earlier Coonts books) plays detective and follows clues. The detective story is fairly strong. And there is a subplot with a burglar who turns into a spy that is very engaging.
However, the detective story finally loses out when the sub starts launching missiles and causing catastrophic events. Ever since Tom Clancy nuked the Superbowl and blew up the Whitehouse, everyone has to go one better. Threat of disaster is no longer good enough. You have to have destroy something to show menace.
The end really peters out, with the heroes and their wives on the Love Boat while America is being attacked. It is all handled like a light adventure, even after the wives are captured and about to be killed.
What is even worse, is how Coonts tries to make the main Russian badguy and his partner as sympathetic, likeable characters. They have murdered tons of seamen and civilians, but you are supposed to like them because they took mercy on some other people. I am betting that they turn up in future books and eventually become good guys.
In spite of the bad points, it is still interesting to read, especially in the beginning. It is certainly better than any of the latest Clancy books.
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Fortunately, after the debacle that was "Cuba" and the tepid "Hong Kong", he got down to business and wrote "America", which turned out to be a pretty darn good story. The plot that Mr. Coonts lays out - that of a hijacked, top-of-the-line sub and the havoc it wreaks on the Eastern Seaboard - is unique in this genre that has grown to be jammed with Tom Clancy-lookalike plots.
After a prologue that will eventually tie into the main plot, Mr. Coonts doesn't waste any time diving headlong into the action, leaping right into a gripping opening sequence in which the submarine "America" is hijacked. Enter hero Jake Grafton, tasked to find out who the bad guys are and to figure out a way to get the sub back. Grafton begins his sleuthing amidst the missile attacks, and deals with a Russian operative who may not be all he seems to be. The pages fly by as the plot unfolds, leaving the reader wondering how everything will tie up in what is sure to be a riveting conclusion.
Except that the conclusion sort of fizzles out. I would echo the sentiment of another reviewer in that the final 100 pages seemed to be written as if Mr. Coonts had run out of gas and was coasting the rest of the way home on vapors. Suddenly the pace slowed, and some of the side stories are mostly wrapped up in an all-too quick and "tidy" way as a means of falling into the solution of the main plotline. This is followed by the climatic confrontation with the bad guys, which is curiously set aboard a cruise ship and leads to a "happily ever after" sort of ending that seems all too clean and sterile, given the story that had led to this point. The cruise ship element felt way out of place, and only seemed to serve the purpose of making sure the characters of Callie, Toad, and Rita had some print space in this story where they were otherwise largely ignored (and not missed by this reader).
I wavered back and forth on rating this at three stars or four; it really could have gone either way. In the end, though, I gave "America" four stars because - conclusion aside - it was an entertaining book. Additionally, when evaluated with his other work, "America" was a far better effort by Mr. Coonts.
I can only hope that his next book is as good or better, but given his track record over the years, we'll have to wait and see. The good ones tend to be few and far between.
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Good story with good characters. Nice intrigue and countermoves. The climax on the cruise ship and America rocked!
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Locke begins the "Essay" by rejecting and dispensing with the notion of "innate ideas," which basically says that we are born in possession of certain principles, elements of knowledge, or maxims that help us orient ourselves in the world. Through long and drawn out (one downside of Locke is his insistency on detail and repetition) examples and arguments, he attempts to prove that when we are born, we have absolutely nothing intelligence-wise, to recommend us. This is what is popularly referred to as the 'tabula rasa' theory, that when first born, our minds are like "empty cabinets" or "white sheets" of paper - which experience and experience only furnishes with our ideas about the world. His goal here is to get people to question their assumptions about the world, to ask questions and decide for themselves based on reason and experience, how best to interact with the world.
Locke says that the only two sources of all human knowledge are sensation (that information which is passively thrust upon our senses) and reflection (when we consider and think about that sense data, and about our own thoughts). From these "simple ideas," we are able to combine and recombine thoughts to form "complex ideas" and use clear and distinct language to express them to other people. This social aspect of this philosophy is something that really fascinated me about Locke. While focusing on the individual's growing base of knowledge, he is all the while trying to orient people to functioning in society. Saying that the end of all knowledge serves two purposes, viz., honouring God, and being morally responsible, Locke goes on to show how human life often works counter to these goals, with a view to correcting them.
Another of his famous formulations, one all too familiar to Americans, as part of our national idealism, is that the basic state of nature of humanity consists in the "pursuit of happiness." Compared to Hobbes, for whom the state of nature consisted in the attempt to attain greater and greater power over others, Locke's state of nature seems relatively benign - however, he goes to great lengths to show how the pursuit of happiness often leads to reckless and wanton behaviours, ultimately destructive both to self and society. The idea that we must examine our desires and discipline them to the greater good is something that many of us lose sight of, and is an element central to his system.
Briefly then, a couple of other items that might be of interest to someone thinking about picking up Locke's "Essay": His philosophy of language is one that still has currency and influence on linguistic theory all the way to Saussure and the post-structuralists; Locke's manner of addressing cultural and gender diversity is progressive, but vexed, which makes for fascinating work in trying to determine his stances toward non-white European males. Locke's constant invocation of gold in his examples can be maddening, which can only mean that there is some significance therein; and finally, his other hobby-horse, so-called "monstrous births" and their status in the human race bears heavily and still importantly on the debate over a woman's right to choose. All this and so much more awaits you - over 600 pages of Lockean goodness. Beware though, Locke is extremely repetitive and can get bogged down in what, for us to-day, may seem common sense notions. But this is quintessential reading, nonetheless, for everyone interested in the formation of the modern self.
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Its not that Locke got everything right, but he does at least point us in the right direction.
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A social scientist who argued the changes of the last 200 years were not relevant to analysis would be laughed at in any other field. Unequivocably our economic priorities have changed during that time. The Affluent Society provides a history of that change, a look at how our failure to adapt has led to a number of social problems, and suggests how we might better organize economic priorities in the present. It is no small acheivement.
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C. Clark