Used price: $2.15
Buy one from zShops for: $1.99
List price: $24.95 (that's 30% off!)
Used price: $11.00
Buy one from zShops for: $17.34
Used price: $5.41
List price: $17.95 (that's 30% off!)
Used price: $8.49
Collectible price: $18.96
Buy one from zShops for: $25.00
Fascinating read for a Lennon fan.
Used price: $196.03
List price: $14.95 (that's 30% off!)
Used price: $7.47
Buy one from zShops for: $9.82
List price: $30.00 (that's 30% off!)
Used price: $20.85
Buy one from zShops for: $19.88
Harvey's rise, fall, and rebirth as Sensational parallels the history of rock itself. As arguably the first Scottish artist to record a rock album (1964's "Alex Harvey & His Soul Band"), Harvey's career swung as wildly as his choice of cover tunes. After fronting the group that inspired Glasgow schoolgirl Lulu to record her first hit, "Shout", Harvey went on to focus on folk, then spent time as a cabaret singer before landing in the pit band of the London production of "Hair". After making several avant garde attempts at psychedelia (including stints with the jazz-tinged Rock Workshop and his own band, Giant Moth), Harvey found his place fronting the former prog band Tear Gas as his own Sensational Alex Harvey Band. As in his previous musical incarnations, Harvey's main strength as a performer lay in making other artists' songs undoubtedly his own, whether the Tom Jones chestbeater "Delilah", R&B stalwarts Lieber & Stoller's "Framed" or those of more obscure composers like Belgian Jaques Brel ("Next").
The main criticism I've heard about the book is that any die-hard Harvey fan will have heard all these stories before. That doesn't really detract from the value of the book -- any die-hard Harvey fan will have to have it, if only for the rare photos inside. Maybe once the paperback version is released Alex Harvey will finally, 20+ years after his untimely death, get the recognition he deserves as a world-wide Sensation.
List price: $13.95 (that's 20% off!)
Used price: $8.00
Buy one from zShops for: $9.00
Her manipulative nature is exemplified in Lennon's decision to include Yoko's pathetic musical material on his last album, "Double Fantasy," which was utterly compromised by having Yoko wail on every other track. Her control over Lennon's decision-making processes is detailed here and is sobering. It's frustrating that John relied upon Yoko so heavily in making professonal decisions when his musical career had benn nearly without parallel.
Ultimately this is an interesting and well-written book with few errors of fact and some new information (rare for any Beatles-related book). One of the most depressing nights of my life was when I heard John was killed, and this book brings back the anguish quite well. Twenty years later, all Lennon fans will eternally ask themselves how much more great music John had within him. Tragically, we will never know because of Mark David Chapman.