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The book begins with a chapter about early attempts at songs, where Stipe's early lyrical stylings and methods (if you can call them that) are analyzed. We see how Stipe went from writing what the author calls "skeletal" lyrics which were banal and lacked heart to writing more emotive, sensitive lyrics. Of course, as has always been the fashion when it comes to discussing all things Stipean, the author theorizes that Stipe's dubious sexuality played into this transition in writing style, but acceptably meditates on this idea for no longer than a single paragraph.
Chapter two begins to get into the meat of Murmur. Each and every early song that made it onto a recording is discussed here, as well as several that merely appeared in live sets. Stipe's painfully cryptic lyrics are discussed far more heavily than any info about how the actual musical arrangements came about, but it's insightful enough that you sort of forget about what these song descriptions may be lacking.
Chapter three details all the early recording sessions for what would become Chronic Town and Murmur. Unless you're into knowing about studio trickery and all the embellishments and effects that were thrown into the mix for the finished product, you may find this chapter a tad boring. I enjoyed reading about most of that stuff, but some might be inclined to put the book down at that point.
Chapter four details the recording sessions for the actual Murmur album. Here we learn about the recording of new songs that had been written for Murmur as well as those that had been recycled from earlier sessions for their appearances on the fully-realized record. We learn of the disastrous "test session" with producer Stephen Hague, the sample of Bill Berry playing billiards being added to the mix on "We Walk", and even the story of Bill's chance involvement in a 1983 Dodge commercial.
The coda of the book consists of a brief smattering of reviews of the record, a selected early discography, and a bit of info on bootlegs where cast-offs from the early recording sessions can be found. All in all a highly informative book on a landmark album that no one who calls him or herself a music fan should overlook.
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Lydon has nothing to hide in this book and that is evident when you are reading it. He gives his honest feeling towards the Pistols, former band members, record executives, British royalty, the music business in general, etc. However, what many people don't realize without reading this book is how intelligent Lydon is and how right-on he is with his views.
Lydon has always been comical to me. He says funny things and acts in outrageous ways that always makes me chuckle. This book maintains Lydon's wit while also being upfront with many issues (i.e. Sid's death).
I would highly recommend this book to fans and non-fans of the Pistols. This book is more a history of a movement and what it was like to be involved in the chaos. Great job Lydon!
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