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Amongst the way there were many bizzare and tragic stories, which are too many to detail here. Avalanches, sunken ships, freezing winters, con-men, women, children, old men and young, gamblers, dance hall girls, swindlers, dead horses, suicides, -they were all there. The desperate, the poor, the rich, the ignorant, the informed, the millionaire and the pauper alike, rubbed shoulders in a wild human exodus that has seen little like it, before or since. Some of the stories Mr Berton meticulously relates, simply beg belief. It was a time of general insanity, set amidst a terrible depression, which helped spark off the 'fever', or mania being a more apt term. After news arrived of fabulous riches in gold found in Dawson, some tried to get to Dawson on bicycle, others on huge wheeled contraptions, others thought they would walk there with a handful of nuts. What many didn't realise, was that there was a reason this phenomenoly rich gold field was discovered so late in time compared to many others-it was absurdly difficult to get to. Experienced, grizzley old miners would have had serious trouble getting and surviving there over several winters, to the average office clerk, dentist and city type, it was nigh impossible-as they soon found. Many were conned and caught up in a general mania, whilst many others died. All the stories, all the tragedies, the colour, the mania, the lucky and the unlucky are described.
James Michener thought much of the book, and based his novel Journey, another exellent story of this gold rush, on parts of the Edmonton stories contained herein.
It is a story of humanity as good as any. A delight to read on cold winters nights, in the safety and security of a warm fire, a homely house, and a hot meal. Many in this book gave up this and more for a dream that could never be fulfilled, for they were too late, and even though they were willing to die trying.
They didn't know that the past was already behind them....
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The first chapter begins with the personal journal of a sailor who passed some fifty miles from the volcano on the day of the disaster in 1902, then docked on another island to find the burned out hull of a large steamer that had escaped the eruption while 18 other ships sank. Then the scene shifts to Washington, New York, Philadelphia, and Paris, where the first sketchy reports of the disaster are arriving by telegraph. Then the preparations of the scientist and journalists who head off to Martinique to unravel the mysteries about what happened there. No reader can possibly stop here; you have to go on the Chapter 2.
Even though you think you know what's going to happen next, there is one surprise after another. And I found myself really caring about the many of the characters, trying to guess who will die and who will escape in time.
This true story is what I call a "MUST READ!"
a novel or an account... why can't it be both? after all, what is a great story if not a wonderful descripton of a point in time, with characters and dialogue-and truth, at that.
and spelling geographical terms in a different way than we are used to is not a "liberty," it is a choice.
this is a truly phenomenal book. dr. zebrowski is clearly a scientist-and a writer.
But this is not just a book for earth scientists. It deserves a wide general readership.
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Why did I not give this book 5 stars if I like it so much? Well, sometimes I felt the level of difficulty indicators were off a bit. Also, I simply wish there had been more of this book...a thicker book with more ideas. Most crafts would be appropriate only for older children. I wish there were more options for wee ones.
I recommend this book wholeheartedly to homeschooling parents, elementary school teachers, scout leaders, Bible school directors, and the like. Others may want to check it out at the library first to see if it would work with your children. Still, I bet if you bring home a stack of kids' craft books from the library, _The Muppet's Big Book of Crafts_ will be the most creative, colorful, ambitious one in the pile.
"Bel-Ami" is hardly an original premise. How many books written through the years discuss the idea of a rural man heading to the city to make it big? That is exactly what happens with this book in the form of main character Georges Duroy. After a five-year stint in the French army, Duroy moves to Paris to make his fortune. Regrettably, Duroy is languishing in a lowly job as a railroad clerk until he meets his old army buddy Forestier. From this point forward, Georges is on the fast track to success. Forestier gets him a job at a scandal rag named "La Vie Francaise" where Georges rapidly ascends the ranks from lowly reporter to chief editor. Along the way, Duroy engages in all sorts of amorous adventures with women both high and low on the Paris social register. By the time the story ends, Georges is within sight of the highest positions in French society, all accomplished through sheer cunning and social maneuvering.
There are so many themes running through this sordid tale of the decadent Third Republic that it is impossible to adequately describe them all here. The introduction to this Penguin edition, written by translator Douglas Parmee, does a good job of showing how incidents in Maupassant's life appear in the character of Georges Duroy. The protagonist's rural background, his experience in France's North African expeditions, his work as a reporter and the subsequent expose of the seediness of journalism, the numerous affairs, the social positioning, and the philosophical musings on death are all expressions of Maupassant's personality and activities. I do hope, however, that Maupassant was not as big of a cad as Georges Duroy because this character may be one of the biggest jerks in the history of literature.
You cannot help but hate Duroy. He has little self-control except when he realizes that holding off on a conquest might mean self-advancement. Georges takes his mistress to the same theater where he picks up prostitutes, takes money from people without paying them back, corrupts women of high moral standards, sleeps with his boss's wife, seduces his boss's daughter, and physically assaults his mistress. There is just no way to sympathize with this guy, and the fact that he gains riches and fame is particularly galling to anyone with any sense of decency. But that is the message De Maupassant is trying to convey; that the complete decadence of French society during this time allows the likes of Duroy to succeed, and to succeed with a smile. Witness the scene towards the end of the book when Walter, Duroy's boss, grudgingly accedes his daughter to Georges's slimy scheme. "He will go far," says Walter, with more respect for Duroy's distasteful achievement than disdain for his lack of morals.
Another theme in the book, and one that runs through the pages like a 400-pound gorilla, is hypocrisy. The propensities for backstabbing, lying, and blatant disregard for self-realization in "Bel-Ami" is laugh out loud astonishing. These are shallow, manipulative people without a shred of decency, and Maupassant never passes up an opportunity to expose these despicable people. The hypocritical stance of the characters and situations often vie with powerfully descriptive passages of Paris and the French countryside, which are truly beautiful to read and have probably accounted for thousands of tourist trips to that country. The characters in "Bel-Ami" may be of no account morally, but they move and live in an environment of unsurpassed beauty.
Maupassant's knowledge of his own impending death weighs heavily in the story. Two sections highlight his musings on mortality: the monologue of the poet Norbert de Varenne and the death of Forestier. For the author, his slow deterioration from a disease made death a daily reality. What seemed to worry De Maupassant the most about death was not punishment from God but the idea of nothingness and being forgotten by the living. Of course, death makes no impression on Georges Duroy, who experiences only a moderate twinge over the passing of Forestier before making a play for that man's wife in order to improve his social position.
I am elated that I discovered this author. Guy De Maupassant is a brilliant writer whose early death robbed the world of a great talent. Although his short stories are considered some of the best ever written, do not pass by this novel. I have rarely seen an author who can write about mundane, daily situations with as much aplomb (see the scene about the fencing party as a prime example). De Maupassant's masterful abilities make this ordinary plot strikingly original and I will revisit this author again in the future. You should too.
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In a few short sessions, I have been able to reduce swelling from a deep hematoma in a horse I work with who suffered a recent fall, just one example of improved circulation. He is more relaxed, moves more freely, is comfortable in his own skin now, and more able to learn. It also does wonders for deeper bonding and improving your relationship.
This book is well thought-out, easy to use, and the spiral binding is very useful. Mr. Hourdebaigt is one of few masters in the relatively new field of ESMT. One does well to learn from him.
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Richard Clifford, a deaf boy living on a farm with his mother, arrives home after a motorcycle ride.THE SILENT SCREAM is a fast read, blazing through the pages with the speed of a falcon in a dive. The main character, Tom Casey, and his wife are in a sense, the modern version of Nick and Nora Charles, only with their own unique bent. Tom's disfigurement for example only adds to his likeableness. Plus he's caring and compassionate, and almost non-violent, which are very rare elements in the modern PI story. The only downside though, is the ending, which slowed after the climax, though thirty pages remained! Despite this minor shortcoming, the novel is an amazing read, going back to the age where the PI often referred to his mental skills, got along well with the police, and often assisted them in the investigations. A delightful read for any mystery lover, though especially for those who miss the golden age of the thinking PI.
Seventeen-year-old Richard Clifford returns to his isolated ranch home from a motorcycle ride to find his mother and dog both slaughtered in their kitchen. Not having a telephone, he rides his motorcycle to the Zanker house ten miles away. The Zankers are gone and the only other neighbor, old Jerome isn't home either. Richard is deaf, his father died of cancer a year ago, he doesn't know where his only uncle is, he knows of no other neighbors but the Zankers and Jerome.
The smell in the house becomes nauseating. Richard buries his dog under his mother's favorite tree. After washing his mother's violated body and dressing her in a clean dress he wraps her in a quilt and a plastic table cloth and seals her body in a granary to protect it from rodents and insects. Richard cleans up the rest of the mess in the house and anxiously awaits the return of his neighbors. As soon as the crime is reported to the authorities he can begin to search for the murderer himself.
Private Detective, Tom Casey, better known as Hawkman assists the sheriff's office in their investigation. He alone is convinced of Richard's innocence. The boy does show an unusual ability with a knife, proven when he's attacked by a mountain lion and kills it, skins it and tans the hide. He becomes a focal point of abuse by an gang of outlaw bikers and since he can't hear, he can't anticipate the approach of predators whether two or four legged. Richard does perform his mundane chores as usual, milks the cow, does the chores, tends his mother's garden-appears to be going about life as usual, intent on staying on his own land. But he's a minor and unless his uncle can be found Richard will become a ward of the court.
Once again Betty Sullivan La Pierre has involved me in the lives of her characters to such an extent that after beginning, I didn't have the option of closing the book until the surprise at the end. Having a hearing disorder myself, I can attest to the authenticity of her character's struggles. This author consistently writes good clean, captivating mysteries peopled with substantial characters in sensorially credible scenes and settings that live in the reader's memory after the solution. I give THE SILENT SCREAM five stars.
Reviewed by ©Evelyn Gale 2/2002
After a motorcycle ride in the hills, one afternoon, Richard opened the front door, of his home, to find his beautiful mother, and his pet dog, Ruffy, laying in pools of blood on the floor. Both had, had their throats slit.
Richard didn't know what to do. There was no phone in the house. The Zanker's ranch was at least ten miles down the hill from the Clifford's little farm, and the only other person living anywhere near, was an old hermit named Jerome who lived up the hill from them. Both were not home. What could he do other than to try and preserve all the evidence he could, and protect the bodies from predators until help could be found.
And so begins the story of a remarkable seventeen year old, and the people who came forward to help him.
After what to Richard seemed like months, but in actuality was only four days, Herb and Elsie Zanker returned home from a visit with one of their daughters. Herb thought he should take up some supplies to the Cliffords as they were probably running low on things since he and Elsie had been gone longer than they expected. Upon arriving at the Cliffords farm, Herb found out what had happened.
Herb called the police. While the police were examining the scene for evidence, and recovering the bodies of the dog, and Richard's mother, Tom Casey, Private Investigator, otherwise known as Hawkman by his family and friends, was training the new falcon that his wife, Jennifer, had given him for his birthday in the woods nearby. He soon sees all the commotion up at the farm and decides to go investigate.
Standing in the shadows, and listening to the police talk to Richard, and to Richard's explanation of what happened, Hawkman decides that this young man needs someone to help him. Otherwise he doesn't feel that Richard has much of a chance against the legal system at all.
Ms. La Pierre has written a story that you absolutely will not be able to put down. She gets your total attention on the first page, and continues to hold it until you have finished the last page.
Her characters grab all of your emotions, from compassion to complete, and total hatred. I went through whole spectrum. I also went through a box of tissues before I finished the first chapter; it was so compelling.
I can't recommend THE SILENT SCREAM enough. To miss this wonderful book is something no one should do. You will not forget it even after you have finally put it down. It will stay in your memory for a long time to come.
I can't wait to read more of Betty Sullivan LaPierre's books. She is a very talented author, and I am so glad that she has decided to share her talent with the world. Her talent is one that should never be hidden, and she sure displayed it at it's best in THE SILENT SCREAM.
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Mourier and Smith provide real-life advice, obviously learned from years of practical application of these tactics. This book is "real-world" - not just philosophy and theory.
I also liked the emphasis on both tactics for new change projects AND tactics for reviving efforts that are stalling. The many checklists are helpful and the focus on what Change Sponsors must do, what Project Team Members must do, and what Change Agents must do is quite appropriate.
I would have liked a little more focus on how to manage people in the organization who resist change.
I will be advising my clients to get copies of this book.
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This is not Camus' The Plague; If the author had some profound message to share with his readers, he sure didn't develop it here, but it is a nice and interesting novel nevertheless.
What I loved the most is the chilling possibility -- quite realistic -- of the premise ... that a superbug could spread havoc on humanity. Although this possible future is different from the one proposed in the movie The Matrix, it is equally compelling and thought-provoking. Not only did this book entertain me thoroughly, but it has kept me thinking. Bravo!
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