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The German illustrations are definitely an improvement on the ones published in the bilingual edition of Vermillon Press. A must reading for all those who think that war is a senseless enterprise. An outstanding demonstration of what faith and the belief in God can do to a warrior. Ian Cameron, University of Michigan, Ann Arbor, MIchigan.
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Klossowski's work is founded on the problem of the image. In Old Testament texts the image is banned, but the new testament via Luther, re-sacralizes it.
Klossowski is in-between, struggling with the heavy weight placed on the image. He creates a kind of sacred pornography (his brother was the infamous child porn painter Balthus).
The taboo is sacred, breaking the taboo leads us into the divine. The logic of this text is that Acteon, a sinner, becomes sacred through being torn apart by his breaking of the taboo surrounding the perception of the image of Diana, goddess of shame. Actaeon's shamelessness leads to his own exposure, and subsequent dismantling at the paws of his hunds.
Ha ha.
It's better in French. There's a cushion beneath the words in his original tongue that isn't here in the rather matter of fact and rather worldly English.
The Women of Rome sketch is the foundation, I believe, for all of Foucault's studies of Sex in Antiquity. Klossowski was a genius. Foucault a colonizer, a settler, a ham-fisted twit, who had not one-tenth of Klossowski's brilliance, but was much better at putting in stakes with his name on them. Klossowski was there first, but only for his own curiosity and interest, rather than to colonize and capitalize, which was what Foucault had in mind.
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The Candadian author describes Tecumseh's defeat and death during the Battle of the Thames in the War of 1812. The book brings an insightful Canadian perspective of Tecumseh's role in the War of 1812. Although the book is written for adolescent readers, anyone with an interest in early 19th century American history will enjoy this book