In the earlier stories, Sturgeon was still trying to find his ideal voice. Much of the prose was forced, and some rather simple plot devices (especially irony) were common. In this volume, though, he is coming into his own.
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Paul R. Williams.
Yet it was known in many circles that descendants of servitude were making strives in many a pursuit and occupation. Scientists, inventors, publishers, congressmen, and diplomats, the list is extensive. However, there is relatively très très peu known about the quality of Paul R. Williams, the architect. His granddaughter, Karen E. Hudson, the director of the PRWs archives, documents a veritable gold-mine of history within the annals of these pages. Although troubled by the "driving while black" phenomena, Paul R. Williams took the Booker T. Washington "bootstrap" premise to heart and created an empire of structures on the West Coast (Los Angeles in particular) and universally.
A Legacy of Style is a collection of Williams' work from the 1920s to the 1960s. Prefacing with a conspectus on his life and continuing with a preliminary from David Gebhard, (architectural historian and curator), that traces PRW from his beginnings and interprets the style and significance of his life's work. Splayed throughout the pages are brief narratives from voluminous articles and books of Williams' writings. Through the photographs, illustrations, captions and dreams, the reader unearths the flavor of this architect's nearly six decades of elegance and polish, signature homes, characteristic PRW curves, sleekly designed molding and particularly his "refinement and high taste". Williams' affinity with the traditional and sensitivity to the modern allowed for a lasting style of moderne classique. Yet his style expands further, from Byzantine to European Gothic, to Colonial to the Pueblo, from Romanesque to the English Tudor, Paul R. Williams envelops it all. In the 1930s, Williams reprised the neoclassic style of the relationship between interior and exterior, as in his Jay Paley residence in Bel Air. With this, the inhabitants would embrace a sense freedom. He was at ease in working with diverse styles and locations, from the Beverly Hills Hotel to the Compton Housing Project.
The advances Williams made despite the impediments would inspire the reader. The skills, such as drawing upside-down at a desk for his clients and developing the psychology of marketing his work were all elements of his craftsmanship, acumen, restraint and his concentration to detail. Being Black, he had faced difficulties that made him a " . . . far better craftsman today than I would be had my course been free." The reader will absorb his thoughts and hopes of being seen as an individual and his metamorphosis of his politicization of "being a Negro".
Unfortunately, Williams was unable to complete some of the wishes he had for building in Nigeria nor did he complete the autobiography of his life, but Hudson fulfills an exquisite task in this preservation. Yes, a little known book that should be in everyone's home is also an essential chronicle for the student of architecture. Paul R. Williams, an exceptional man of character, has left us a legacy of style.
Yasmain Broady-Soya...
This book is really two books in one. On one hand it is an excellent biography. But, it is an interesting look at the homes of surprisingly, Movie Stars from the Golden era of Hollywood.
A movie about Mr. Williams would be far better than the movie the Fountainhead, where an architect name Rouke blows up a large building project because of his hurt arrogant pride. And an American court of law finds him not guilty in the end. Hmmm and the setting for the Fountainhead was New York City. Daaa
There are many books about Wright's arrogants. But the times in America today call for the integrity of Mr. Paul R.Williams to grace the coffee tables and personal libraries of the land.
Conrade C. Hinds, Architect
Describing the James Island Creek he played in as boy, Mr Bresee writes: "The tide was far out and we stood still for a few moments trying to see everything at once. To have this shoreline for a playground was almost unbelievable. This living, warm thing before us and a stream of moving water! The sloping plane of mud, popping in the hot sun; the black surface skimming with fiddler crabs that vanished like raindrops when we approached."
Those fiddler crabs vanished then -- but they are here, now, caught for us in the fragile but enduring net of langauge.--Andrew Harvey
From The Library Journal-- "Often humorous and even bittersweet, the book is a poignant reflection of the Southern customs, family life, school and race relations."
From the Cleveland Plain Dealer -- "Bresee's prose is cadanced and flowing...a moving look back at his formative years in an alien place."
Cole provides an easy-to-use chart to calculate the dates of your natal houses. For instance, my "rising sign": occurs at 25 degrees Libra. According to Cole, this is equated with the day which occurs 25 degrees (or days) into the sign of Libra - or October 18th. Every year, this is the day when the Sun crosses into my 1st house & spends approximately 30 days there. Working with the solar progression as a process of "bringing to light", I would spend this time focused on "1st house issues".
Assigning 365 days on the 360-degree circle of a natal chart is easy, when Cole provides you with the key. His system allows you to spend approximately one month per year in each of the 12 houses, working to bring to fruition a set of goals you chose on the appropriate day.
Actually, I have blended Cole's system with the annual choosing of a tarot card to create an integrated and personalized magickal pattern of self-actualization, which I have taught to others.
Cole's book is fun to work with and each individual's house-seed system is unique unto themselves. You do, however, need to have an accurate natal chart to use the book since it does not provide you with one.
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Much of what passes today for the Luke story was published between the 1920s and 1940s, and for the most part this body of work is fraught with error. Luke has always been a romantic figure, and a great deal of his legend is simply that. Legend. The authors of September Rampage not only did a good job of developing new information about their subject, but they also do an overly exhaustive job of trying to put Luke in his proper historical context.
My notes from my pre-publication review copy of the book indicate some areas of conflict with my own research, but they also point out well-documented facts that I missed in my studies.
September Rampage is not the definitive work on the 27th Pursuit or Frank Luke, but it is the best history available. Not only is it recommended reading for those interested in Luke (along with Hartney's "Up and At 'Em" and Hall's "The Balloon Buster"), it is the first book one should read on this topic. September Rampage is to be applauded as the first significant advance in this field in the past 50 years. I sure wish they had published this one years ago - it would have saved me a LOT of time.
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Finally, this book is divided into 9 parts, one for each author, each one got his own way of coding and that is funny to see how they solve different problems, they got their touch !!
So, designers, coders get this book !!!!!!!
Particularly, I found the chapters on video and 3D, runtime 3D, "bezier creatures", and the set interval enticing. You should see the chapter on runtime 3D! A _full_ library of 3d code that is extremely easy to use (including incredibly insightful comments in the code). You do not need to know much math to make some crazy effects. Also the chapter on video and Flash enlightened me as I did not know of flash's capabilities in this field.
So, in the end, get this book! It is awe inspiring.