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The remaining three articles are still worth a quick read though. I found in one article, "How the Right Measures Help Teams Excel," ideas that I hadn't seen anywhere else (for example, the team "dashboard"). And, the "How High is Your Return on Management?" article might give managers a moment of reflection on whether or not they have a good ROM and what they can do to improve it.
As I stated before, much of this is merely highlights though. Do not expect to be able to use this book as a primary source to implement any of the measures. It's a tease that gets you excited (at least it did me), but doesn't provide much of a game plan for bringing it all about.
Still, if what you want is a quick overview and a few case studies where these principles and tools have been applied, by all means, read this. It's worth at least that much.
So many books are merely ONE GOOD ARTICLE embedded in a thicket of verbiage. Chopping away through such a jungle of verbosity for the gist-of-it-all often proves tedious and disappointing. (Blessed are the laconic!) This book, on the other hand, just serves up a bunch of 'gists' -the pure meat and potatoes of ideas. Happily, the HBSP has published several other collections of this sort on such topics as knowledge management, change, and strategies for growth. Each of these is collection of first-rate 'gists'. Reviewed by Gerry Stern, founder, Stern & Associates, author of Stern's Sourcefinder The Master Directory to HR and Business Management Information & Resources, Stern's CyberSpace SourceFinder, and the Compensation and Benefits SourceFinder.
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However, most botanist may not be pleased to know that little attention was paid to plant viruses. Again, many potential buyers may be demoralized by the rather high price that this virology-set demands.
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Most of the early chapters deal with Joseph before he conceived how to create THE BOOK. Here he is shown to be lazy, shiftless, unreliable; but he had the gift of a colorful storyteller and the ability to fool people; for example, he deceived many into thinking he could find buried treasure if they paid him a fee. Though illiterate, he tried with great persistence to produce a writing that would make himself wealthy;
and he was able to use several contemporary sources and the BIBLE to borrow many ideas and even words and phrases. Persuitte does a marvelous job of tracing the manner in which Joseph plagiarized concepts. He uses the newspapers, journals, letters, affidavits, and court records of Joseph's times to back up his conclusions. And although it is not his major thesis to attack Mormonism or ridicule current-day believers, by his thorough scholarship he (in effect) makes it clear that the foundation of the Mormon Church is based on a scoundrel who cheated on his own wife, cheated acquaintances out of their money, and died in prison at the hands of a public that could no longer tolerate the threats he made to society.
It's an account that is both fascinating and convincingly presented by Persuitte.
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I recommend this particular version of the novella because it contains a variety of essays, which discusses some of the main issues in the reading and historical information. Issues like racism and colonialism are discussed throughout many essays. It also contains essays on the movie inspired by the book Apocalypse Now, which is set against the background of the Vietnam War. I recommend reading Heart of Darkness and then viewing Apocalypse Now, especially in DVD format which contains an interesting directors commentary.
Heart of Darkness -- heart of virulence. Conrad takes us to a land of death -- a hundred-page trip through a tropical tumor. "The horror -- the horror." Yes! The horror fills every page, every twitch of every character. All is corrupt and dirty, like slime on the edge of a desecrated grave. It is the genius of Conrad that he can so deftly deliver his reader from the most opulent ivory tower of modern comfort, to where the darkest places in nature meets the darkest places in the human soul.
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"The Secret Agent" begins early one morning in 1886. Mr. Verloc, a secret agent for a foreign embassy, who lives in a small apartment with his wife Winnie, her mentally ill brother, Stevie, and their mother. Keeping an eye on a particularly ineffectual anarchist community in London, Verloc pretends to be an anarchist revolutionary himself. As the novel opens, Verloc is called in by his new employer Mr. Vladimir. Vladimir, discontented with the apparent lack of production out of his secret agent, and even further with the lackadaisical English police, wants Verloc to act as an agent provocateur, and arrange for a bomb to spur the English government to crack down on the legal system. As religion and royalty are, according to Vladimir, no longer strong enough emotional ties to the people, an attack must be made upon "Science," and he selects the Greenwich Observatory as the appropriate site for action.
The novel introduces us to a range of wholly unsympathetic characters. The anarchist collective roughly consists of "Doctor" Ossipan, who lives off his romantic attachments to women barely able to take care of themselves; "The Professor," explosives expert, who is so insecure, he is perpetually wired with a detonator in case he is threatened by police capture; and Michaelis, the corpulent writer, engaged upon his autobiography after a mitigated sentence in prison. Conrad's portrayal of this cabal is wholly ludicrous - a band of anarchists that are better at talking than doing anything to achieve their undeveloped goals. No better than these are their nemeses, the London police, here represented by Inspector Heat, who identifies so much with the common criminal element, you'd think he was one himself; and the Assistant Commissioner, who is so dissatisfied with his desk job, that he would do anything to get out on the streets - but not so ambitious as to upset his nagging wife and her social circle.
At the diffuse center, if it has one, of Conrad's novel, is the Verloc family, held together by ties no less tenuous and flimsy than any other community in the work. Verloc and his wife communicate and interact by monosyllables and the broken bell of their front door. Winnie Verloc knows nothing of her husband's secret life, and tries desperately to prevent him from taking offence at having to support her infirmed mother and practically useless brother by forming a society of admiration amongst them for her "good" husband. Lack of real communication and sympathy amongst the Verloc household is at the heart of Conrad's satire against late Victorian England.
As the Greenwich Bomb Outrage is an early, but central moment in the novel, it would not be spoiling anything to tell you that this is where Conrad really earns his paycheck. His mode of bringing all the disparate characters and subplots of the novel together throughout the rest of the book is both reminiscent of and radically undercutting the influence of Charles Dickens in Conrad's social critique. "The Secret Agent" is a clever novel, but exceptionally bleak. Thinking about other early 1900's British novels like Samuel Butler's "The Way of All Flesh" or Virginia Woolf's "To the Lighthouse," Conrad's "The Secret Agent" is another of these works where a British writer tries to assess the state of the Empire in the aftermath of Victoria's demise - examining past follies to be overcome, and peering without optimism at what lies ahead.
This novel also focused on a broad range of characters, unlike some of his novels that set out to tell the story of a particular character (e.g., Chance, Heart of Darkness, Lord Jim).
The story involves espionage and deception, as secret agent Adolph Verloc executes a mission to bomb a place of science (supposedly the Unabomber's inspiration). Adolph the spy/family man, Stevie the slow brother in law and unknowing pawn, the Professor with his suicide bomb, and the deceived wife Winnie are just among the unusual characters Conrad creates.
I especially liked the character Winnie, as her mounting suspicion and eventual realization of her husband's profession and his horrible act provided a moral viewpoint from within the novel (more or less in the form of revulsion and outrage).
Conrad's style of writing can be difficult at times, as he often provides lengthy narrative that can be overwhelming at times. However, acclimation to his style mitigates this, and the results are rewarding.
I really enjoyed this book, and highly recommend this and Conrad's other works.