We see portraits of Tsar Alexander III, Nicholas II, Pobedonostsev, Lenin, Rasputin, and a host of other generals, officials and ordinary people who shaped that era.

We get an insider's look at what life was like in a peasant community, inside the peasant's izba or house, and their attitudes towards schooling, medicine and religion. We go inside the growing factories and the slums the workers inhabited in the cities with rapidly developing industry. We see the new nobility of the industrial barons, the revolutionaries fighting the tsarist autocracy, the defenders of the Old Order...all come to life in these pages.

Graphic descriptions are given of the vicious pogroms against Jews. The impact of the Trans-Siberian Railroad in both economic and a political aspects is covered. The 1904 war with Japan is there with its criminally incompetent generals and and admirals and the war's impact on the development of the Revolution of 1905 as well as the mood of the populace as the nations slides toward the Great War.

This well written, illuminating, detailed and well documented book is a classic work on the Russian society of those years and fleshes out the soul of Russia as few other books do. 16 pages of photos. Highly recommended.

thanks!

Includes over 800 entries, illustrations, synopses of books and chapters, biographies of Joyce and his contemporaries, bibliography, a very useful index, as well as the text of Jude Woolsey's ruling to lift the ban on "Ulysses." The writing is clear, wide-ranging, and complete without bogging the reader down in minutiae. Not as thorough as the encyclopedic "Ulysses Annotated," but very useful in disentangling Joyce and his works without great effort! Written by a Professor of Theology and English at Molloy College (and vice president of the James Joyce Society), and a professor of English at Marquette University.

Elvis, the Beatles and Marilyn Monroe have received the A to Z treatment in which every aspect of their lives and works have been reordered alphabetically, so it was only a matter of time that the mania would spread to lesser figures in our popular culture, in this case Mark Twain, James Joyce and Virginia Woolf.

This series of three books, originally published by Facts On File and now updated and reprinted by Oxford University Press, combines facts culled from the writers' lives and works, shakes them up thoroughly, and recasts them into easily locatable entries. The result is an addictive pleasure, a page-turning odyessy for anyone interested in learning more about their favorite writer.

At 304 pages, the Joyce volume is the smallest of the trio, but what it lacks in size it more than makes up by offering extensive commentaries on "Ulysses" and "Finnegans Wake." Those who have tried to read these modernist (or post-modernist, the argument still rages) classics have quickly recognized the need for assistance. For "Ulysses," the Joyce volume reprints Joyce's chart that lists each chapter's time frame, location, symbols, technics, organs, art and correspondences to the original. Each chapter is given its own entry, which describes the action, Joyce's intentions, and clairifies points of Dublin's history. As one who attempted "Ulysses" solo, and suffered for his sin, I can speak with authority that this volume would have saved me a great deal of agony. I only wish they had abandoned their schema and combined the chapter descriptions into a single, lengthy appendix.

No detail is too small to escape the editors. There are also entries on Gustave Flaubert, an influence on Joyce's writing style; Throwaway, the race horse whose victory in the Ascot Gold Cup figures in "Ulysses," and the Volta Cinema, Dublin's first movie theater, which Joyce helped to open.

In short, this guide can help the Joyce reader move through the complexities of his work without feeling like you've earned a Ph.D in comparative literature while you're doing so.

Humphrey's 'Argument from Unwarranted Design' turns out to be an incredible analytical tool and he uses it compellingly in a number of contexts. While most author's content themselves with trotting out the litany of scientific disproofs of the supernatural, Humphrey raises logical objections to alleged paranormal phenomena. Why should strange little phenonoma such as spoon bending bother to exist at all? How and why would they have been created in contravention to the rules of science and the dictates of normally parsimonious design? In short, Humphrey makes a strong case that the supernatural is both empirically AND logically unlikely.

One more thing, Humphrey has a very readable style. If the concepts sound complicated and off-putting, they become vivid and immediate as Humphrey gives simple examples and compelling illustrations. Wonderful to read!

Buy the book!

At the risk of waxing quotidian, my only regret is not having read this piece of literature sooner. This is an irreverent, audaciously humorous send-up of Arthurian history -- albeit Arthuriana's numerous manifestations and interpretations (and those are just the "ations," as Trevanian would say.)

Chaucer finds a more than worthy if not altogether brilliant extension of his idea in Seare's work.

The novel, in classic Trevanian-esque jest and joust (similarly used in Incident at Twenty Mile) purports to have had a solid foundation in history -- Rude Tales and Glorious claiming to be a contemporary translation of the author's ancestor's work.

Set in a Welsh knight's castle on a wintry evening, two beggar's claiming to be Launcelot and the Lady Elaine(of 600 years past) regale the dinner party with tales of the "real" Arthurian history in exchange for the orts and leavings of the feast -- "generously" given by a tale-thirsty lord.

Completing the cast at dinner are the typical suspects of this genre; the bungling knight and his warped-sense of valor (along the liberal democratic tradition), a hypocritical lothario of a priest ( also along the same liberal democratic tradition), lusty maidens (thus given to same previously-mentioned political affinity), and the servile servants (as they should be..being of the conservative republican staff). All complemented with similarly-inclined characters in the tale (of Arthur) within a tale.

All this is told in melliflous euphony evidenced in the English gentry's pedant in vocabulary and Twain's subtle comedy. Existent too, are Seare's/Trevanian's distaste for his perpetual foe -- the merchant, coupled with light-hearted jabs (though painful enough) at the Academic Illuminati of which Seare/Trevanian/Whitaker was, for a considerable portion of his life, a part of.

The entire body of work is prefaced with the autumnal sentimentality that Seare/Trevanian allows to epiphanize quite rarely though elegantly (inspired, no doubt, by the aesthete on poetic melancholy, Kawabata Yasunari) in his other works.

The tale is charmingly irreverent, and the telling is valiant and inspired!

Hope everyone has the opportunity and the pleasure to read this fine work.

My quarrels are w. what is left out. What happened to ethnic restaurants?? I know there are many of them & it would've added to the size of the book & the time it took to research it. But a food guide that leaves out restaurants has left out something very important.

Richard

The author has a refreshing sense of humor that makes you grin as you learn. He provides dozens and dozens of hard-to-find applications and tells you exactly what to type to implement the program. The CD includes helpful utilities, entertaining games, and even a full office suite. (Try to get THAT in your Windows O.S.!) Most of the programs on the CD include complete source code as well as a binary executable file. Many of the tools can run right off the CD.

This book is hard to beat if you want to get that "extra edge" in Linux. Your friends will be amazed and exclaim, "Gee, I didn't know you could do THAT with Linux!!!"

Lloyd W. Cary
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Nicholas is able to help the king and at the same time obtain franchises in his dye works and sugar fields. He meets with Katelina, the mother of his only child, only to lose her once more after they reconcile. Finally, once the island is secure to King Zacco, Nicholas is allowed to return to Venice, where he faces once more his rival family, the de St Pol and Riberac.

In this chapter of the story the author makes great use of description in her scenes and they are so vivid! the characters, the settings everything is so masterfully blended with reality and fiction.

I loved this book and I have already started the fourth chapter. Good!