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I'm a longtime crook, er, cook, and I found that the thoroughness and thought behind these recipes elevated it into the small realms of "best cookbooks I've ever read."
Yeah, I know. From some "rat fork" like Henry. But it's good, really, really good.
He goes through a money-laundry list of typical Bronx-Italian recipes--all the standards, like Sunday Gravy, ziti, pizza, even the infamous scungilli--each one embellished with some anecdote of his life on the run. From supreme wealth and access to the finest authentic ingredients on his home criminal turf to the handful of homogenized American choices from Middle America while penniless on the run. And they're all forkin' good!
Christ, his handlers even get addicted to Henry's cooking, and I can see why: every recipe I made with this book--and I've been around the world a few times--was a hit.
Nothing criminal about that.
Joe Dogs, watch your back.
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When I found out that Andre Norton was female (when I was a teen) I was amazed that she was able to get inside of Fors' head (who's male) so well. The mark of writing genius, if you ask me.
This book is truly is one of the classics of all of S/F. And this is the story that totally hooked me in the genre.
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I like the way the story teaches children to conquer their fears. The Boy Under The Bed is imaginative and fun. A great bed time story.
No, this isn't another monster book. This is a book that I cannot recommend enough to mothers and fathers of small children. Why, you ask? My son is four years old and afraid of monsters under the bed, actually he was, until I read him this book. After reading him The Boy Under The Bed, he asked me to let the monsters come in. He wanted to meet them.
The Boy Under The Bed is a cute picture book about a monster named Giles and a little boy that crawls out from under his bed every night. Giles is afraid of little boys because they will make "Monster Pie" out of him. His parents repeatedly tell him there is no such thing as boys. (Like we tell our children about monsters)
One night Giles talks with the boy and becomes friends. He shows the boy back home and meets his other friends. They play all sorts of games. This is a story of monsters and boys, a story of how we got the phrase, "Monsters under the bed."
The illustrator, Nicholas Dollak has also added to this fun book by adding or changing something new to every page. Look at the illustrations and try to figure out what is different. This is a great learning game for the little ones and even fun for adults.
After your child reads this will he be asking to play with monsters? ...
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The quotes from students are very helpful and you get an honest opinion of what students are thinking about graduate school. It might have been nice to have a longer chapter about the application process itself, how the schools notify you if you'ce been accpeted, how long you should wait before you can assume you didn't get in etc. All in all though, this is a very informative book. Although I haven't actually started graduate school yet, I would reccomend this book to anyone considering applying.
Being a graduate student in the sciences can be very isolating, and reading about other students' experiences that echo your own (especially in other universities around the country) provides a sometimes much-needed perspective on both your feelings and your attitudes about your current work and your upcoming career. If you are considering a Ph.D. in the sciences, READ THIS BOOK.
It is perhaps ironic that it does give some insight into the mind of Islam, given current world events. If you, like me, find tales of heroism in the face of unimaginable odds to be irresistable, this book fits the bill.
One thing I would have liked to have seen was more background on the knights and their motivations. (Read it and you will see what I mean!) Very good historical fiction, nonetheless.
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Medea has one problem, however. Aside from the fact she is a witch, she is a barbarian, a non-Greek. The Greeks used the word "barbaros" to refer to all people who weren't Greek, because if they didn't speak Greek, it just sounded like "bar bar bar" to the Greeks.
So after Jason and Medea settle in together back in Greece, his homeland, he decides that his interests (and Medea's) are better served if he marries the daughter of King Creon of Corinth. Medea gets jealous, poisons the woman, and then kills her two children in revenge.
Medea is an absolutely riveting character, whose tragic problems are those of all woman who have left their homes and families to follow men to foreign lands, only to be scorned by them in the end. The speeches of Jason and Medea are remarkable point-counterpoint presentations which reflect the deep influence of the sophists of Euripides' day. Medea sounds, at times, like a proto-feminist. She is one of the most enduring dramatic creations of all times, revealing with each line the remarkable genius of Euripides, the most modern of the three great Greek tragedians
Another important thing to remember in reading "Medea" is that the basic elements of the story were already known to the Athenian audience that would be watching the play. Consequently, when the fact that Medea is going to kill her children is not a surprise what becomes important are the motivations the playwright presents in telling this version of the story. The audience remembers the story of the Quest for the Golden Fleece and how Medea betrayed her family and her native land to help Jason. In some versions of the story Medea goes so far as to kill her brother, chop up his body, and throw it into the sea so their father, the King of Colchis, must stop his pursuit of the Argo to retrieve the body of his son. However, as a foreigner Medea is not allowed to a true wife to Jason, and when he has the opportunity to improve his fortune by marrying the princess of Corinth, Medea and everything she had done for him are quickly forgotten.
To add insult to injury, Jason assures Medea that his sons will be well treated at the court while the King of Corinth, worried that the sorceress will seek vengeance, banishes her from the land. After securing sanctuary in Athens (certainly an ironic choice given this is where the play is being performed), Medea constructs a rather complex plan. Having coated a cloak with poison, she has her children deliver it to the princess; not only will the princess die when she puts on the cloak (and her father along with her), the complicity of the children in the crime will give her an excuse to justify killing in order to literally save them from the wrath of the Corinthians.
This raises an interest questions: Could Medea have taken the children with her to her exile in Athens? On the one hand I want to answer that obviously, yes, she can; there is certainly room in her dragon-drawn chariot. But given her status as a foreigner, if Jason goes to Athens and demands the return of his children, would he not then have a claim that Medea could not contest? More importantly, is not Medea's ultimate vengeance on Jason that she will hurt him by taking away everything he holds dear, namely his children and his princess bride?
In the final line of the play the Chorus laments: "Many things beyond expectation do the gods fulfill. That which was expected has not been accomplished; for that which was unexpected has god found the way. Such was the end of this story." This last line has also found its way into the conclusion of other dramas by Euripides ("Alcestis," "Bacchae" and "Andromache"), but I have always found it to fit the ending of "Medea" best, so I suspect that is where it originally came from and ended up being appended to those other plays sometime during the last several thousand years. However, the statement is rather disingenuous because one of the rather standard approaches in a play by Euripides is that his characters often deserve their fate. In a very real sense, Euripides provides justification for Medea's monstrous crime and his implicit argument to the Athenian audience is that the punishment fits the crime. However, Athenians would never give up their air of superiority; at least not until foreigners such as the Macedonians and the Romans conquered the self-professed cradle of democracy.
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I read the book cover to cover because it is kind of in a story form. Hill will tell a few stories about a particular place he lived and then give recipes for the food he ate there. I highly recommend this cookbook. It is a must have.