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I have read this book in both its original French and Derek Coltman's translation. The translation is quite good in keeping the flavor of the original French, although at times there are words chosen in English which are stronger than they were in French.

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In the previous book, called Tournament Crisis, State wins the Holiday Invitational Tournament. However, during the last few minutes of the championship game Chip hurts his knee.
This book, called Hardcourt Upset, begins where the last book left off. Chip is still injured from the tournament. He is sidelined for the first two games after the winter break. Because Chip is such a great athlete and mental leader and cant play, the team loses both these games.
Basketball however, is not his only problem. In Chip's college town of University, there have been several convenience store robberies. His best friend "Soapy" Smith is being accused of committing these crimes. Soapy is taken into custody of the police and detectives to see if the convenience store employees recognize him as the robber. Eventually Soapy gets a chance to explain that he is innocent because he was changing a tire at the time of the robberies. Chip decides to help find the people who helped Soapy change his tire.
At the next basketball game against Tech, Soapy recognizes the people who helped him. The Tech team players tell the detectives they were the ones who helped Soapy change the tire. Now the detectives must look further to find the robbers.
Chip and his pals from college agreed to watch the local convenience stores every night. One night when it was Chip's turn, he saw a man with two flat tires. When he asked the man if he needed help, he responded with a gasp as he heard some police sirens. Then he said in a deep nervous voice, "no, I'll just drive home with the two flats."
Chip thought this was very suspicious and jumped into the trunk of the car. When the driver parked the car in the garage, he jumped out and looked around. He saw a bag full of something he could not make out and got out of there. He called the detectives and they were there with Soapy in ten minutes.
When they rang the doorbell, an old man answered the door. Chip knew immediately that this wasn't the man had been driving the car. He asked, "Do you have a son?" "No, but there is a teenager who lives here." So they woke up the teenager and then asked him a few questions. After a few questions it was clear. This was the thief. He had a red wig and a mask in the garage. They also found all the money stolen from the stores.
Hardcourt Upset was an awesome book. It shows that if you think you can you will succeed in your goals. It also shows that even a small school can be a big school in some things.


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Also, I think that the flaws of the second edition will most likely be remedied in the third edition. I look forward to that edition's publication next year.

then you had better be prepared to try to figure out
why the other reviewers have written what they have written.
The collections of poems for each poet, and the
essay introductions are both excellent. People who
don't know poetry or poets might not find them
helpful, but for knowledgable readers of poetry,
this Norton Anthology is of high quality, indeed.
I especially like the Norton editions' excellent
footnotes. Here is a footnote to Yeats's poem
"To the Rose upon the Rood of Time." "The rose, as
an image of transfiguration and fulfillment, is a
frequent symbol in Yeats's poetry of this period
[1892]. In a note dated 1925, he remarks of it
'that the quality symbolised as The Rose differs
from the Intellectual Beauty of Shelley and of
Spenser in that I have imagined it as suffering
with man and not as something pursued and seen
from afar.' The title indicates, and line 12
confirms, that the rose is here eternal beauty,
which flowers from the cross of time and sacrifice."
(p. 113) I think that note is extremely insightful
and helpful. Of course, it also helps greatly if
you know who Shelley and Spenser are (and were),
what types of works they wrote, and what their
most famous works and themes are. If you have
not had that intellectual and educational background,
then, of course, the note will seem meaningless.
This is an anthology which can be read by scholars
and enthusiasts. Read the poems for their wealth
of value and tones and visions -- read the notes
and the introductory essays for insightful,
meaningful information about the poets, their lives,
their struggles, and their accomplishments.
My own favorites in the anthology are: Emily
Dickinson, Thomas Hardy, A.E. Housman, some of
W.B. Yeats, Edgar Lee Masters, Edwin Arlington
Robinson, Ezra Pound, H.D., Siegfried Sassoon,
Robinson Jeffers, T.S. Eliot, and Wilfred Owen.
Of course, there are many more poets and poems
than these that appeal to me personally.
Here is a brief excerpt from the beginning of
the essay on "Emily Dickinson": "Modern American
poetry [in this anthlogy there are both American
and British poets arranged chronologically according
to their birth dates] -- an expression meaning almost
the same thing as 'American poetry' -- has for one
of its founders and ancestral presences a woman.
Emily Dickinson wrote poems which are not only
excellent but lend a standard of excellence. She is
bracketed with Walt Whitman because, unknown to each
other and almost simultaneously, they all but invented
American poetry."
I cannot understand why anyone could not find that
helpful as the beginning of an insightful analysis
of the poet, her poetry, and her influence.

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Scott's book can be interpreted as a critique of the Romantic temperament, and I think the book succeeds best when it contrasts reality with the puffed-up imaginings of Edward Waverley's literature-addled perception. He is not quite Don Quixote, according to Scott, but he suffers from a milder version of the same disease; the most amusing parts of the book center around Waverley's naivete toward battle, ceremony, and love. He is feckless, to be sure, and abysmally undisciplined--but he is a decent fellow in the end, and learns from his mistakes. The people that populate Scott's novel are generally civilized, noble, and upright people, even the fierce rebels; while Scott doesn't approve of rebellion, the rebels are portrayed as misguided at worst, and of equal nobility to the English at best. Scott's purpose was to peer into the world "sixty years since" his own time, and helped give birth to the historical novel. It has confusing and near-unreadable parts (especially when the pedantic Baron shows up), but as a historical novel, it certainly sets the template for all other books of its type to come.

Both the author and editor's notes were very helpful and I used them often.
Enjoy!


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Jagged Dreams deals with homophobia and incest, but it's really about love and commitment. It's also about lesbian love, lust and temptation. Though I've read all of C.C.'s novels, this is the first in which she also packs in a 'whodunnit' kind of subplot.
Imagine, Tamara (totally luscious in Risking-me) lifeless, unconscious in a parking lot and Emilie (her lover) is the first to find her there. Gee, did I want to know who had aggressed gorgeous Tamara, or what! The need to know what had really happened had me turning pages late in the night.
What else works in this novel, as in most of her others, is the way C.C. juxtaposes wonderfully sexy and poetic moments like those of Tamara (flashback) and Marielle in the vineyards of Bordeaux with vile abuses performed by males who have the emotional IQ of troglodytes. And it works.
The tenderness, the resilience, the gentleness of same sex love, friendship and comfort is big time stuff in Jagged Dreams...

A sigh of relief. The romance is there. It's all around the 'Who Did Commit The Crime' hook.
In fact, I just love the often delicate but totally sexy loveplay between Tamara and Marielle back in the vineyards. I read this in the train and it certainly provided me with an escape from the dreary landscape.
Tonie Morris

I thought it might be kind of neat if I took time to explain in an off-the-cuff post what this fifth novel is about.
It goes like this: on the one hand I've focused on the sensuality of lesbian love (always foremost in my mind) and, on the other, I've targeted homophobia and incest.
This having been said, the feedback I've been getting so far suggests that most readers still come away from Jagged Dreams thinking this novel is really about tender mind- wanderings, love and struggling to keep one's promise.
I was deeply touched by a post which said that Jagged Dreams' contribution to lesbian writing resides in my 'intelligent and sensitive handling of the issue of abuse.' Wow! Thank you for that, dear Susan from Brisbane!
OK, so ... beyond my mindset to regularly remind myself that the society in which I live is not as peachy-pink for everybody as it is for me, now that I am able to indulge my creativity from inside the emotionally safe life I share with my partner, I wanted to build in an extra layer - something that is very different from what I normally write about which is the overwhelming rollercoaster, mindblasting 'thrill' of being attracted to someone we know we cannot 'emotionally' afford, for whatever reasons. So I wrote the attack on Tamara in the prologue, and proceeded to throw about a couple of red-herrings while not losing my writing's primary focus - lesbian romance that exposes the vulnerable often emotional side of real lesbians' lives, warts and all, through painful introspection.
I'd be delighted to hear how this combo has worked for you so don't be shy. Make the most of free speech and submit-a-review interfaces available either here or from my website and sooner or later I'll get the message!
Do keep safe out there, no matter what!
C.C. Saint-clair
P.S. The star rating is, as it turns out, a required form field hence the 'compulsory' 5 star rating totally beyond my control! :)

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Dr. Jansma includes his actions, thoughts and feelings on the whole process. I found this section to be comforting in a strange sort of way. Perhaps it is comforting to know that there are people who care and will hang in for the duration.
The book jacket did not adequately describe the book. The book focused of the horrible sexual, physical and emotional abuse suffered at the hands of her paternal grandparents and, to a less extent, her parents. Although the jacket advertises that her family was "grooming her from age three to be the high priestess of a Satanic cult", no mention is made of the subject until the epilogue where Dr. Jansma states only that it happened and was not included because it was so "troubling".
All told, I really enjoyed the book and found it helpful to find out what it's like to be an alter.

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That said, there is quite a bit of information packed in here. If you are a beginner looking for historical or introductory information on typography, you may find it here. The book does serve as a decent typographic specimen book also, which is nice. (However, even some of the specimens are not well done--several of the typefaces shown in Chapter 6 show pixellation. The Universal font on page 94 is especially degraded.)
I do hope that many of the book's problems may be worked out for a future edition. I wish they had been worked out for this one.


Type history is presented in context with the prevailing state of civilization (& barbarism). It brings the historical significance of type alive. In addition, much practical information is presented in comprehensible form. Were I teaching a class in typography, this would be required reading. It's self-teaching, therefore, making this immensely valuable information accesible to all who seek it.

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Quebec and Genoa. But that doesn't mean the anti-globalization movement is dead. Cockburn and St. Clair point out the fakers, but they also show you where the true heart of the movement for global social and environmental justice beats. This book is a a much needed guide to what just may be the most important struggle of our times...
