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With the media giving us mainly--and often only--sensation, and seeing law as a struggle by imperfect human beings to create some justice in the world, I liked best the stories told by the attorneys for both sides.
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"The Art of Natural Building" questions the environmental responsibility of a 5,000-sq-foot, 500,000-dollar house. As more and more people begin to make the kind of money it takes to buy their own American Dream house, we must question the feasibility our of contemporary building practices. Would it be possible cover the globe with modern homes? Building companies certainly think so, but aside from what a project of this immensity what mean environmentally, the resources are simply not available.
There is simply not enough lumber, brick, cement, and processed material to go around. Our building industry would gladly sell us into oblivion if it meant a buck or two in the short-haul, but we need to get away from this kind of thinking. We also need to consider the environmental impacts of our current practices. What are these impacts?
As this book reminds us, buildings already account for one quarter of the world's wood harvest, two-fifths of its material and energy use, and one-six of its fresh water usage. In the past 100 years the level of carbon dioxide in the atmosphere has risen 27 percent, one-quarter of which has come the burning of fossil fuels just to provide energy for buildings. During the same period, the world lost more than 20 percent of its forest. Quite simply, our building philosophy is not sustainable; and with a populaiton of 6 billion rising at an incredible rate every year, reconstruction of this philosophy becomes all the more timely and important.
We can start by dropping out of the rat race and getting our hands dirty. Natural building is much more affordable, durable, environmentally responsible and estheticly pleasing than the track homes and skyscrapers advancing on the horizon. We can also avoid the loan-mortgage game which weds us to unfulfilling job and Sisyphus-like existence. We can create spaces that are non-toxic, unique, and ecologically sound. And perhaps most importantly, we can reconnect with Earth and the spirit of artisanship.
Along with the philosophy, you will discover a veritable treasure trove of natural building styles and ideas, from the radically new and innovative - like concept "earthship" - to the ancient and elegant, such as the living roof pictured on the cover. Architects need not apply, nor must you be good with your hands to fashion your own natural house. I consider myself very fortunate to have seen this book before investing in a home of my own. Like many people, I might have ended up working the rest of my life to pay for "a house without a clue."
By far and away, this is one of the most important books I have ever read. Philosophers dabble with theories of justice, beauty and truth, but with this book you will discover how all of these ideas can be BUILT into the very structure and fabric of your life. You will discover the ethics and aesthetics of building design and ecological living.
Filled to the brim with great references, links and some amazing photographs to stimulate your right brain, "The Art of Natural Building" is a must for anybody interested in saving the planet and saving a little money at the same time. The ultimate ecological building encyclopedia! A must read for all dwelling creatures.
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"Kalevala," variously translated as "Kaleva District" or "Land of Heroes," is a nineteenth-century compilation, revision, and expansion of narratives, spells and charms, and proverbial wisdom collected from the Finnish-speaking peasants and fisherman of areas of modern Finland and Russia. It is made up largely, but not entirely, of "runos," narrative songs when even then survived in isolated, "fringe" areas; ballads with clear connections with other cultures also make an appearance. The material is, for the most part, clearly pagan in origin, with hints of roots in the Viking Age, if not earlier, but processed through centuries of Christianity, Catholic and Lutheran in Finland proper, Russian Orthodox in the Karelia district. Fortunately, Elias Lonnrot, the main collector, and the man responsible for this literary version, was also engaged in laying the foundations of the scientific study of folk traditions, and the collections he made or sponsored formed the basis of a major archive, the publication of which was only recently completed. In the meantime, his popularization had become a part of the world's culture, as well as that of Finland.
The contents are various, but the main themes are the military and romantic adventures and misadventures of a handful of warrior-magicians, as quite with an incantation as with a sword. Vainamoinen, "the Eternal Sage," and a kind of demiurge who sings the Finnish homeland into being, is born old, and his attempts to find a wife lead to the creation of the mysterious and wonderful "Sampo" by the smith Ilmarinen, as a kind of bride-price. These two great heroes share the stage with the irresponsible Lemminkainen, a kind of combined Don Juan and Achilles, and the hapless Kullervo. His story, presented as a cantata by Sibelius, is one of the underpinnings of Tolkien's "Silmarillion." (When the latter first appeared, it seemed obvious that the Quest for the Sampo, and its ultimate fate, was a major inspiration for Tolkien; publication of his early versions show that most of the resemblances emerged over time, in the course of endless reworkings.)
There have been a number of abridged or retold versions of "The Kalevala" in English, and two early complete versions in verse, by Crawford (from a German translation; available on-line), and the Kirby translation (Tolkien's introduction to the work). Magoun's translation filled a need for a more literal treatment, with more supporting information. There have been two later translations of the "New Kalevala" into English verse, by Eino Friberg (1988) and Keith Bosley (1989), which many will find more appealing. But for those who want both the story and all of the details, and either don't care about, or don't care for, such things as meter and rhyme, Magoun's translation remains a first choice. For those who know the epic through other translations, it is still worth consulting. I hold it in high regard.
In it we follow the three main heroes - the elderly Vainamoinen, wise in everything except love; his brother Ilmarinen, the presumably middle-aged master smith; and Lemminkainen, the reckless young lothario who causes his wife and mother endless headaches but who we like enough anyway that we worry about him when he gets into trouble.
In some ways, it's a product of it's time. This was written in a time when women had no say in who they married; they had no recourse if their husbands were abusive; and they were virtually their mother-in-law's slaves until their younger brother-in-laws or sons got married and they weren't the low women on the totem pole anymore. Althoug Aino's story offers a message about this system, it's pretty much accepted. This is what life was really like at the time these stories were sung.
In other ways, though, it's surprisingly modern. Although the results usually aren't so serious, we've almost all been taken down a peg by an elder like Joukahainen at some point in our lives when we've needed it. I would imagine that many widowers - and widows, for that matter - can relate to Ilmarinen's sense of loss when he loses his wife.
And then there's Kullervo. He wins the all-time teen angst award hands down. It's fascinating how his cycle deals with a question psychologists have grappled with for centuries - are kids taught to be good, or are they just born good or bad? He's a danger to society, yes - but he may also never have had a chance. No matter what you feel about what he does, the scene where he wanders pitifully among his family asking if anyone would cry if he died until he gets what he needs to hear from his mother, can move you to tears. Just read the headlines about the latest school shooting. There really are kids almost this messed up out there.
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Perhaps it was fitting that McGwire should wind up in a city that is a true "baseball town," and one that could truly love and cherish his accomplishment. I remember watching the game on TV where McGwire broke Babe Ruth's home regular season home run record and even the Cub players stood and applauded him. This book remembers that.
It starts off with pictures of McGwire and a nice foreword by Jack Buck, the longtime St. Louis Cardinals' broadcaster. There's also a brief story about Maris and Ruth, the men McGwire chased for most of that long summer. And then the home runs. Each page is devoted to a description of each one; the date, the opposing pitcher, the final score and so on.
Reading through each page brought back all those wonderful memories of the 1998 season for me. This book is a wonderful treasure and keepsake to celebrate an incredible baseball season by one man.
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The book is superb. But I would love it if the authors made me feel more at home by including jokes, quotes or stories. Or included some real life situations. I intend to get another book to go with this.