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Cathy's take charge and 'take no prisoners' attitude as she battles her HMO with a razor sharp wit, is indicative of the conversations many of us have in our heads, but would never dare verbalize. As a traumatic brain injury survivor, I found her story touching, bold and brilliantly executed.
Reading this book will touch anyone who has ever known someone who has sustained a TBI. It's also a book that should be shared after reading it. I congratulate the author for sharing her story; one that shares the heartache and explores the mystery of dealing with a loved one who survives a serious head injury. It's a world that I hope my family is spared from ever knowing firsthand.
I guess we never know how we will respond to a life changing event, and Cathy Crimmins shows the human side - the ups and downs with a rare openess. This is not anything like the Harrison Ford movie, Regarding Henry, where he wakes up a sweet guy afer a serious accident. This is what really happens! This is a must read.
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Ross King's gift is his ability to bring us, his readers, back through the maze of time and lead us to an understanding of all that coalesced -- politically, socially, and artistically -- to create great art, great history and, for us, great reading.
According to King:
"Pope Julius II was not a man one wished to offend.... A sturdily built sixty-three-year old with snow-white hair and a ruddy face, he was known as il papa terrible , the 'dreadful' or 'terrifying' pope.... His violent rages, in which he punched underlings or thrashed them with his stick were legendary.... In body and soul he had the nature of a giant. Everything about him is on a magnified scale, both his undertakings and passions."
Michelangelo and Raphael as portrayed by King:
"Almost as renowned for his moody temper and aloof, suspicious nature as he was for his amazing skill with the hammer and chisel, Michelangelo could be arrogant, insolent, and impulsive....If Michelangelo was slovenly and, at times, melancholy and antisocial, Raphael was, by contrast, the perfect gentleman. Contemporaries fell over themselves to praise his polite manner, his gentle disposition, his generosity toward others....Raphael's appealing personality were accompanied by his good looks: a long neck, oval face, large eyes, and olive skin -- handsome, delicate features that further made him the antithesis of the flat-nosed, jug-eared Michelangelo."
The stories of these three men during this extraordinary four year period and the art they produced is the story embodied in Michelangelo & the Pope's Ceiling. The confrontations between Julius II and Michelangelo are legendary. "The major problem seems to have been that Michelangelo and Julius were remarkably alike in temperament. Michelangelo was one of the few people in Rome who refused to cringe before Julius."
For almost the entire four years Michelangelo was shadowed by the brilliant young painter Raphael, who was working in fresco on the neighboring Papal apartments. This rivalry the Pope seemed to enjoy and encourage. To help us better understand the friction between these two great artists King introduces us to Edmund Burke's treatise on the sublime and the beautiful:
"For Burke, those things we call beautiful have the properties of smoothness, delicacy, softness of color, and elegance of movement. The sublime, on the other hand, comprehends the vast, the obscure, the powerful, the rugged, the difficult -- attributes which produce in the spectator a kind of astonished wonder and even terror. For the people of Rome in 1511, Raphael was beautiful but Michelangelo sublime."
For me, reading a book like Michelangelo & the Pope's Ceiling is the way to read history. Mr. King transported me back to those four years during which Michelangelo and Raphael created art both beautiful and sublime. I was there with and among the players, engrossed in the anecdotes King skillfully wove into his narrative. This is history -- up close and personal -- and yet far, far away from the pain, anguish, anger and turmoil that pervaded so much of the lives of Michelangelo, Pope Julius II, and Raphael. As I read, I learned, I felt, and I understood. Isn't that what reading is all about? I certainly could not ask for anything more.
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George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.
The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.
GRADE: A
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I am starting my consulting firm and found Alan's book "Getting Started in Consulting" to be an excellent guide. Complete, concise, and chock full of sound advice. For anyone considering a career as a consultant this book is a must read. Many of the suggestions and ideas presented are essential to staring off on the right foot.
I especially found his recommendations on value-based fees valuable. I plan to follow his advice and make sure that I differentiate myself form the pack of other consultants who charge by the day. Your clients deserve more from you and Alan really laid out a strong case for developing a real win-win arrangement with clients through value-based fees and consulting.
Finally, the Q&A with practicing consultants about what they would do differently today if starting their firm and what was their biggest surprise has been very useful. I really like books that include real world examples.
Weiss does an admirable job, pointing out not only things that you need to do (Marketing, Pro Bono Work, Outsourcing etc.), but also what to avoid. The latter is possibly even more important as it covers things that could "kill" you before you even get under way. This category includes things like: becoming a consultant in the first place (if you haven't got the right set of attributes), taking on much personel without them carrying client-aquisition weight, pricing to low or per day etc.
The book mainly aims at consultants starting out on their own. However, being a member of a larger consultancy group (Detecon if you must know), I found that the book contained a number of helpful hints for me when I first started out too. For more experienced consultants, it might help re-focus their minds, although for them I would recommend "The ultimate consultant" by the same author.
This is a great book to get when you're even thinking about entering the field of consulting.
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Ramona's life is turned upside down by her father's unemployment. Her father is cranky and depressed, her mother tired from overwork, and older sister Beezus, the funloving tomboy of the Henry Huggins books, is now a temperamental teenager. The book chronicles Ramona's attempts to deal with this difficult situation, and results are touching and very often hilarious. Despite its serious subject matter, the book still retains Mrs. Cleary's comic touch. This is one very funny book! The chapter about Ramona's hope of becoming a TV commericial actor, which she believes will end her family's problems, is one of the funniest Mrs. Cleary ever wrote. If I had to pick one book from the entire Henry Huggins/Ramona series "Ramona and Her Father" would be the one. Ramona's experiences with a difficult family situation are told with humor and candor.
In this book you'll meet Ramona, Beezus her big sister, her mother, her father, and Picky-picky the family cat. Ramona is a second grader who is full of joy, until her father loses his job then all of her family is miserable. Beezus starts getting a little grouchy, her mother starts getting worried, Picky-picky won't eat his [food], and her father starts smoking! Will Ramona's father ever get a job? Should Ramona help her father get a job or should she help her family be happy and jolly? You'll just have to read it and I'm telling you it is fabulous!
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It is easy to read, practical and lists easily and clearly on how to work on improving yourself. You will be amazed at the resuts proven ideas. Till today, I still believe in the adage, "Ask Lakein's Question" whenever you are not sure on what would be the next best course of action and priority.
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The book was written by students of foreign languages and they approached the subject of math as a foreign language. They have distilled Fourier to its essence as simply as possible. I found their treatment of subjects I already knew (such as trigonometry) enlightening as they approached them with a fresh and unbiased approach aiming to truely understand what is going on.
The book is not a text book, but a book to read through slowly, mediate and open new horizons.
I wish I had something like this when I was labouring through Fourier maths over two decades ago! It really cracks the nut of the concept of the whole thing. It is also useful to people who have been through Fourier maths but want to firm up their fragile knowledge of it or any of the more fundamental maths underlying it.
Lecturers should read this too for pedagogic reasons.
What impressed me more, however, was that I understood why there are only five vowels in the English language, why an infinite vector space is equivalent to a Fourier expansion, and why Heinsenberg's uncertainty principle makes perfect intuitive sense. This book is nothing if not eclectic, and the range of topics discussed is immense.
If I hadn't already studied calculus and linear algebra in college I would also, for the first time, understand differentiation, integration, vector spaces, Euler's formula, Maclaurin series and the number e, all of which are presented with unusual clarity. This book is a tour de force, a summary of almost everything that is interersting (at least to me) in mathematics.
You have to get beyond certain things when you read this book. Understand that it was written by a bunch of kids and is replete with cartoon characters saying things like "Good grief!" and subbplots in which, for example, the "Non-periodic kid" sends taunting messages to the Magistrate and his constables. I found this obnoxious at first, but later I found it inspirational. If those kids could do it, I could do it. Thus inspired, I read the book three times, until I finally understood it. The Transnational College of Lex has its own theories of leaning, and it looks like they're right.
I cannot recommend this book too highly, or to too many readers. Even (or perhaps especially) if you don't like mathematics, you should check it out. You'll learn something.
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There is a boy named Peter Pan. He sprinkles fairy dust in Wendy and her two brothers. Then he shows them how to fly. He takes them to Neverland and shows them to the Lost Boys who live there. Wendy becomes their mother. She makes up rules, like any other mother would do. The boys have to follow these rules. Everything was fine until Captain Hook came with his crew to where the boys and Wendy were. While Wendy and the boys were at the lagoon, where they go every day after dinner, they see a girl named Tiger Lily, princess of her tribe. She was captured by Smee, one of Captain Hook's men. Then Peter saved her. A few days later Wendy and the boys were on their way to Wendy's house when they too were all captured by Captain Hook. Then Peter saves them. Then the lost boys, Wendy and her brothers go home. All except for Peter.
It is mostly about what the people in the book think is right with childhood. The kids in the book think that if you grow up it is bad, but in our case it is actually good.
Peter Pan is a violent book not really made for children under the age of 10 but people 10 and up can read it. It is violent because of the language that is spoken and the idea that killing could be fun. Also, the vocabulary is very difficult for children under 10 to understand. Even if you're older it is difficult to understand.
Overall, it is a good book but watch out for the violent ideas if you are reading it to little children.
It's difficult to know what to say about a book like this... everybody knows the story. But I guess that unless you've read this book (not just seen a movie or read a retelling), you don't really know the character Peter Pan, and without knowing the character, you don't really know the story. So read it.
By the way, if you enjoy this, you probably would also like "Sentimental Tommy" and its sequel "Tommy and Grizel", both by Barrie. There are differences (for one thing they're not fantasy), but there are also compelling similarities. Anybody who found Peter Pan a deep and slightly bittersweet book would be sure to enjoy them.
-Stephen
One of the best books any child, young or old, can read is Barrie's Peter Pan. Although written in the past century, it has something for any generation at any time. Its humorous views at the world from a child's mind left me rolling over the floor, laughing; the exciting storyline kept me busy with reading until the end; and the serious undertone made me think of whether the world wouldn't be a better place if we realised that deep down, however deep, we are in fact all children. So if YOU are a child, which you most certainly are, get yourself a copy and enjoy your ongoing childhood.
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However, as a "thriller" it is relatively thrill-free (even when compared, as it often is, to the novels of LeCarre). There were only a few (short)instances when I was quickly moving along in the story, eager to find out what happens next. It was much more likely that I was eagerly turning pages to be done with a drawn-out section which "bogged-down" the progression of, in retrospect, a pretty clever story.
As mentioned in numerous reviews here, characterization and mood/atmosphere are terrific. Does Furst give a genuine feel to his recreation of Pre-war Europe? Absolutely. As a history primer, is it informative? To be sure. But is it a compelling story? Well, that's a more difficult question.
Unfortunately, for every scene of "authentic spy-craft" or short glimpses of "the big picture", there is a much LONGER description of the ruts in a Polish cart trail or the way your back feels after sleeping on a hay matress. I was left at the end of the book thinking, "This was a great story, and in someone else's hands, it could have been a great book, too" Hey, I even liked all the background on the inner workings of the Communist party and NKVD, but I really expected more tension and excitement (not explosions, gore and mayhem - but more intrigue and danger) and could have done without some of the tangential side-trips.
Maybe if I hadn't heard so much build-up, I'd have thought more highly of this book (though certainly NEVER would have thought it worthy of 5!!), but I expected more, a lot more.
Dark Star tells the story of Andre Szara, a Polish Jew working as a correspondent for Pravda. Of course, Szara is much more than a journalist but is also pressed into service for the NKVD. Szara eventually runs a Soviet spy network in Paris, and 'controls' a Jewish German industrialist turned agent for Moscow. This is the simple version of the story... Szara's story is in fact a human story set against the horror of the purges. People drop around Szara, be it from Stalin or from Kristalnacht.
Furst also uses Szara as a personal foil against which to paint Stalin's guilt in general. Stalin is shown to be as much a partner or twin of Hitler than an innocent victim. Well, a lot of this is established history... the purges are painted as an anti-semitic pogrom, a way to clear the intelligentsia and Soviet government of Jews. In this, I think Furst is stretching. Sure, a lot of the Bolsheviks were Jews, and most of them died in the purges, but they had a lot of company. I think this is trying to paint order on something that was in fact largely random and arbitrary, except for a very small percentage of individuals.
In any case, Dark Star is not pretending to be a history book but instead a historical novel set against the backdrop of WWII. In this, the book succeeds. Furst does what he does best: he drops the reader head first into a highly detailed version of Europe on the eve of war... of the fear and horror of Hitler and Stalin.