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For example, a passage from his essay on Kafka:
'The definition of it which Kafka has given applies to the sons more than to anyone else: "Original sin, the old injustice committed by man, consists in the complaint that he has been the victim of an injustice, the victim of original sin." But who is accused of this inherited sin - the sin of having produced an heir - if not the father by the son? Accordingly the son would be the sinner. But one must not conclude from Kafka's definition that the accusation is sinful because it is false. Nowhere does Kafka say that it is made wrongfully. A never-ending process is at work here, and no cause can appear in a worse light than the one for which the father enlists the aid of these officials and court offices . . . '
This is not opacity for the sake of being opaque; he is trying to get at something incredibly complex, something that (unlike most literary criticism) actually helps you appreciate Kafka and understand him a little better. Benjamin doesn't peel away layers of an onion to arrive at a single shining insight; he presents a simple idea, expands on it a little, and lets you put on the layers of complexity yourself. Read these essays carefully, and it will be obvious why entire schools of thought have sprung up around single paragraphs, why people have devoted their lives to figuring out the ramifications of a single sentence . . .
Benjamin accomplishes something rare: in writing about art, he succeeds in telling us something about life in modern times. And his insights never seem forced; they flow naturally from what he is discussing. For example, his essay on Leskov, "This process of assimilation, which takes place in depth, requires a state of relaxation that is becoming rarer and rarer. If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away. His nesting places - the activies that are intimately associated with boredom - are already extinct in the cities and are declining in the country as well. With this the gift for listening is lost and the comminity of listeners disappears. For storytelling is always the art of repeated stories, and this art is lost when the stories are no longer retained."
A simple little paragraph on storytelling, but soon you start thinking about how the art of writing has changed since Benjamin's time, and what effect television and the movies have had on the way we live, on "boredom" and mental relaxation . . . anyway, I'm probably starting to get pretentious which Benjamin, thankfully, never does.
Above all this entire collection is filled with something increasingly rare nowadays, a genuine love of books. Forget all the Marxist stuff in other reviews, all Benjamin is really doing, finally, is talking about some books that he likes. That he succeeds in doing much more is a testament to his brilliance.
Benjamin's project was itself outstanding. He aimed at a synthesis of Marxism, mysticism, German romanticism--in a sense, theology, materialist philosophy, and poetry. His critical approaches and thinking embodies the characteristics he praises in literary texts; Benjamin thinks poetically.
This eclectic collection of material, emphasizing Benjamin's later (and more Marxist) ideas, is not unlike a sampler of related but different confections. It's mistaken to think of Benjamin's various intellectual leanings as discrete ideologies or outright contradictions; instead, to borrow from Wittgenstein, consider his ideas to be different members of a family that resemble one another and are clearly related but live different lives in different contexts.
Benjamin's essay "Unpacking my Library," for example, looks on the surface like a confession of self-indulgence, but (in my opinion) deals in a clever and powerful way with the ways in which we inherit, buy, trade, classify, and value our heritage and cultures. This is truly fascinating material!
Allegoresis and collection are the twin foci around which the elliptical writings of Walter Benjamin orbit. The former, as a mode of criticism, transforms the latter practice into a version of materialist historicism. Instead of constructing further barriers between his own practice and the practices of the historical moment he would transcend, Benjamin embraces the underside of his own theories in "The Work of Art in the Age of Mechanical Reproduction." There he proclaims the disintegration of the aura and champions the revolutionary potential which is thus released. It will be of use therefore, to look at some of his other references to the aura. It's as though Benjamin takes more seriously than Marx the notion that capitalism contains its own subversion--the path to subversion is not to resist and revolt, but to accede and accelerate...
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Like Mr. Creme's other books, this one is direct and to the point. It dispells many common misconceptions about meditation and explains the transmission process in great detail. Creme answers many excellent questions about this group meditation in simple English, in that typically good natured, no nonsense manner of his.
The book is essential reading for anyone interested in meditation, from the beginner to the more advanced students.
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For years, we have been deluged with repetitive texts on how to become a millionaire like your neighbor. Isn't it better to have a manual on how to emulate the titans? There's an old saying in the school yard that if you are going to cheat on an exam, copy off the person who gets the A+, not the C students. Nikki Ross' book has been sorely needed and will prove just as pertinent today as it will in 20 years -- when the memories of these legends grow more faint.
What I liked most about Nikki's work is its translation value -- her ability to condense the lingering, sometimes philosophical synapses of these great men into lingo that lay investors can use practically. She avoids the temptation of delving at length into their biographies (which are rich enough and worthy of a sequel) and instead presents us with step-by-step instructions (almost as if she was taking dictation from Fisher and Buffett themselves).
A savvy stock-picker will quickly pick out the common threads that run throughout the book. All of these titans boiled down investing to a few core principles:
1) They view stocks as pieces of businesses and put all their efforts into determining the value of their prospective purchases. 2) They focus on price but understand that the real value of an investment is procured over time as the company grows. 3) They shun convention and believe today's dissertations on portfolio modeling are recipes for mediocrity. 4) They don't give a hoot about day-to-day fluctuations in the stock market. 5) They are all humble men who delighted in increasing clients' net worth just for the sake of proving it was possible.
It helps that Ms. Ross is a certified financial planner and a columnist. Her experience in giving real-world advice to individual investors lent itself to an easy-to-read, well planned book that any investor -- sophisticated or otherwise -- can use to their advantage. This book successfully bridges the gap between stock-picking and financial planning without coming off as self-serving, as many financial planning books are.
The first step is gathering the information. She shows where the information can be gathered using Internet resources (over twenty-five are listed), SEC reports, annual reports, magazines, and newspapers.
The second step is the evaluation process. Here she brings to life some of the insightful questions applied by Warren Buffett, Benjamin Graham, Phil Fisher, T.Rowe Price, and John Templeton. The quantitative aspects of the evaluation are addressed (such as the company's sales, profit margins, and earnings). In addition the qualitative aspects (the company management's abilities, products and policies, market position, and company life cycle) become part of the investigation that leads to the third step, making a decision. In reading Nikki Ross' "Lessons from the Legends of Wall Street" I found questions of these legends most valuable and applicable in the evaluation of my own portfolio.
The third step, making the decision, requires that the investment meet a personal set of criteria before making a purchase. This also would be applied when making the decision to hold or sell the investment.
Nikki Ross presents these same strategies of the legends (that are used even today by mutual fund managers, money managers, and investment counselors) in an useable format that can be applied by the reader. In comparison to some other investment type books, this one cuts through the complex theory and offers common sense strategies for investing.
This interesting book is well written and timely. I would recommend this book for reading to help develop a solid investment strategy.
Philip Boudreaux, MBA
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The Long Good Boy is sixth in the series featuring Rachel and her sidekick Dashiell, a superbly trained pit bull, with guide dog certifications that let him stay close to Rachel wherever she goes. And Rachel needs help when she enters Manhattan's meat-packing district to help three transvestite hookers find out who murdered one of their friends -- and whether one of them might be the next victim.
Rachel learns that another murder took place nearby, just the night before "Rosalinda" was murdered. Coincidence? Not likely. Determined to unearth the connection, Rachel goes undercover in a part-time sales job at Saks, finds creative ways to, um, release the files she needs from the meat company, and takes to the streets for a brief but memorable stroll.
Benjamin always plays fair. Dogs don't talk or solve crimes. Any top-dog trainer could turn Chi-Chi's tiny dachsund, Clint, into a competent burglar when Dashiell turns out to be the wrong size. Dog lovers will recognize Clint's expression after the first training session: "Thank goodness somebody finally realized I have a brain."
Benjamin's vividly depicts a world most readers would just as soon not know about: "tranny" hookers trying to earn money for dope, getting into strange cars, negotiating with "pimps" who are not much into employee relations. Yet the characters are portrayed three-dimensionally, sympathetically but not sentimentally. And somehow Benjamin manages to maintain the style of a "cozy" mystery in this totally un-cozy setting -- the sign of an author who is very much on top of her craft.
The Long Good Boy is sixth in the series featuring Rachel and her sidekick Dashiell, a superbly trained pit bull, with guide dog certifications that let him stay close to Rachel wherever she goes. And Rachel needs help when she enters Manhattan's meat-packing district to help three transvestite hookers find out who murdered one of their friends -- and whether one of them might be the next victim.
Rachel learns that another murder took place nearby, just the night before "Rosalinda" was murdered. Coincidence? Not likely. Determined to unearth the connection, Rachel goes undercover in a part-time sales job at Saks, finds creative ways to, um, release the files she needs from the meat company, and takes to the streets for a brief but memorable stroll.
Benjamin always plays fair. Dogs don't talk or solve crimes. Any top-dog trainer could turn Chi-Chi's tiny dachsund, Clint, into a competent burglar when Dashiell turns out to be the wrong size. Dog lovers will recognize Clint's expression after the first training session: "Thank goodness somebody finally realized I have a brain."
Benjamin's vividly depicts a world most readers would just as soon not know about: "tranny" hookers trying to earn money for dope, getting into strange cars, negotiating with "pimps" who are not much into employee relations. Yet the characters are portrayed three-dimensionally, sympathetically but not sentimentally. And somehow Benjamin manages to maintain the style of a "cozy" mystery in this totally un-cozy setting -- the sign of an author who is very much on top of her craft.
This is a very taut thriller. I couldn't put it down. The characters are bizarre and very real. I can't wait for the next Rachel and Dash mystery.
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In 1988, through a close associate in London's Asian community, Maitreya began to impart a body of lessons for our time--teachings of economic, political, and spiritual import. Central to our future lives, He says, must be an acceptance of sharing--an assumption by all nations of the duty to feed and cloth the brothers and sisters dying of starvation throughout the world. When this burden is assumed, then all of the earth's inhabitants can enter the divine path of self-realization, finding and exhibiting the spark of Godhead within the soul.
Maitreya has given, as well, a series of predictions about world events--the freeing of Nelson Mandella, detente between East and West, the collapse of communism. Their accuracy has proven His keen insight into the affairs of humanity.
An appearance 'out of the blue' in Nairobi, Kenya on June 11, 1988 began a series of similar appearances on a worldwide scale. Wherever He appears, claims Creme, there will eventually be discovered a water source with healing properties. Furthermore, Creme relates, His presence has brought with it a worldwide phenomenon of miracles: healing waters, visionary appearances, crosses of light, the beneficent work of the 'angels' among us. These are transforming the face of the earth. The book offers, in addition, guidance for any who choose to respond to the challenges offered by Maitreya. Of particular import are excerpts from Creme's lectures on 'The Call to Service' and 'The Overcoming of Fear.' Several sections are teachings about group work, described as a necessary emphasis for the coming age, because the energies of Aquarius work most efficiently through groups, not individuals.
This book is a challenge to those who would predict catastrophe and doom for our planetary existence. It offers, instead, a future that is filled with hope. It envisions the beauty of a world in balance and at peace with itself, once again.
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Yasmin Shiraz has written an excellent book filled with everyday wisdom and common sense advice. She openly and honestly shares both her good and bad experiences and uses them to give life to her advice and affirmations. Although this book would be great for any woman to read, it is a must for teenagers and young adults. This book would make a wonderful gift for all the young women in your life. Check out The Blueprint for My Girls, you will be amazed how much wisdom is packed into such a short book.
Reviewed by Stacey Seay
Reviewed by; Dawn
Jan.2003
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Each sentence is a lesson in itself. While some are easy to understand, others will not be so clear in the beginning. I am sure that you will read this book more than once, reflecting on the movements and thoughts behind each form.
I recommend this books to any Tai Chi practitioner who wishes to understand the roots of the discipline.