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Editor Marc Woodworth has done a fine job of presenting these outstanding women as intelligent and wise -- or perhaps it could be said that they didn't need any help from Woodworth to come across that way? Woodworth has given each songwriter a clean slate to talk about themselves and their work, and ech artist shines. The end product is a compendium of "selected wisdom", if you will, that flows fluidly from the pages. To the reader, it feels as though one were listening to each artist chat about life, over a coffee at the local cafe. Gone are the cliched phrases and anecodtes that all too often mar books about artists in the music industry.
The remarkable thing that Woodworth has managed to accomplish is to present these women as human beings, not just as songwriters. While they talk about their craft a great deal, each comes across as being very experienced (or embattled!) in matters of the heart. Very often a given artist chats about her upbringing, how they got into music, and their various influences, topics that I found very interesting. Each artist is very honest about mistakes they have made, not only on a practical level but on a emotional one as well, information that I suspect would be difficult to glean from male singers!
Because the book reads like a "book of conversations", and not a "book of discussions about each artist's individual style", I found even the writings of artists I don't like to be very interesting. For example, I'm not a huge fan of Mary Chapin Carpenter, but she had some very intelligent things to say. Someone else who I don't recognize writes that "I realized it's okay to feel multiple ways about a certain thing," a concept that struck me as being very true and very human. The book is full of these little observations about life and human behaviour.
Overall, I was very impressed with the content of the book and the way in which it was assembled. The layout is very aesthetically pleasing and the photos are beautifully done. Thanks to Marc and Emma on a job well done.
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Throughout this book, I found hope, encouragement, affirmation of love as well as closure that I'd not been able to find through any other way. (I was especially thrilled to know that Albert, like my dearly departed mother, loved hummingbirds too! And mom fed every stray cat around as well!) This book gave me hope -- reminded me that those we've "lost" are NOT gone..... they are just not "seen", and that LOVE, never, ever, dies.
Instead of crying with grief over my "lost" loved ones, as I usually did after reading such a book, I closed Joel's book and literally cried with JOY! For the first time since my loved ones passed on, I felt that they truly were with me and not "gone" forever.
This has been one of the most inspiring and heartwarming books I've read and I am truly grateful to Albert and Joel for reminding me that love is the ONLY thing that matters!!!
We receive another gift from Joel's book. Through his afterdeath experiences with Albert, Joel is taught about the preciousness of life--to live every single moment with full attention and awareness. He also learns the role of attitude in health and healing. Joel attributes his long-standing survival of AIDS to this knowledge. After reading SIGNALS you will never think about the moments that comprise your day in the same way. And, you will want to stop any negative thinking in its tracks!
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The lyrics are the same, from book to book, but the fanciful illustrations in this one are enough to engage adults and children as they read this book together.
The perfect gift for any family whose Christmas tradition includes reading this classic!
The winter landscapes fill our senses and Tasha's own gray tabby cat and Welsh Corgi welcome us into this charming world.
Tasha's Santa that you will meet in this book has been portrayed as the poem describes him...a right jolly old elf. He's not that much larger than the corgi and his team really consists of eight "tiny" reindeer. His pointy ears and his Eskimo mukluks add to the delightful ambiance of the book. He dances with the toys and with the happy animals and we can truly believe it will be a happy Christmas for all.
I hope this book becomes a Christmas Eve tradition for many, many more families.
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1) The Corinthian is in it: my favorite Sandman character second only to Dream himself. I can't quite say why, but I just love this character. Since The Doll's House I've found him absolutely fascinating, a creation of genius. And when he came back in Brief Lives, I practically jumped for joy. Unfortunately, that was only about three pages plus one panel. But now he's back again, and--yes! --He's a major character! And he's way more interesting in The Kindly Ones than he was in The Doll's House--this is a new Corinthian. Yes!
2) Delirium is in it, my second favorite of the Endless. She always brightens up a story; luckily, she doesn't steal the attention from Dream in this storyline, as she did in Brief Lives (although that was the right thing for that story, and not a drawback). Here, she's searching for her doggie and following her fish.
3) Thessaly's back! Dream's mystery lover from Brief Lives, last seen in A Game of You. I adore this character. (I also like her name very much, as you can tell since I stole it for my handle.) I always found her one of the most intriguing characters in the series, and I still wish I knew more about her...This is one of the great things about Sandman. Everyone finds their own favorite things to hook onto, a favorite issue, favorite character, that might not mean much to someone else, but somehow is really fascinating to you. Some people love Death or Nuala or Hob Gadling or Mervyn; for me, it's The Corinthian and Thessaly, and I love Brief Lives 3 and 9, A Game of You part 3 and 5, Season of Mists Epilogue, and Ramadan, to name a few. (Not to mention all of The Kindly Ones.) And you, no doubt, have your own favorites, or will have, once you read the series. If you haven't, WHAT ARE YOU WAITING FOR?
One other reason why The Kindly Ones is the greatest: Marc Hempel's art. Some people hate it. I love it. I love the way he's managed to capture the look and expression of all the old characters while doing it in such a different, simplified style. I'm really glad that this crucial volume of Sandman was illustrated by someone with such talent, such a particular mood to his work.
I really can't express what _The Kindly Ones_ is in this brief review; read Sandman for yourself and find out. (I can't stress this enough. Read Sandman. Now. If you want me to tell you again, e-mail me and I will rant on and on about it.) However, being the ninth of ten volumes, this is NOT the place to start--go to Preludes and Nocturnes (Book 1) or The Doll's House (2) for that.
Readers of previous Sandman collections will recognize many plotlines and characters finding closure here, but the story is also fascinating for the new reader. In a previous story arc, the Lord of Dreams killed his own son, Orpheus (yes, *that* Orpheus). The consequences of blood-debt, as any reader of Shakespeare will tell you, are terrible; in "The Kindly Ones," Dream, arguably one of the most powerful entities in all of creation, must face those consequences himself.
In contrast with previous Sandman story arcs, Dream takes a much more active role; instead of being a catalyst, he is a central figure who drives the story. This does not mean that other characters who have taken that role in the past are forgotten, however. They're all here -- Hippolyta, Rose Walker, Queen Titania and her royal court of Faerie, Matthew the Raven, Cain and Abel, Lucifer, even Death herself. And the Corinthian...but I won't spoil that for you.
If there is any justice in this world, Neil Gaiman will be remembered as one of the finest storytellers of our times. Sure, it's a comic book -- or, if you prefer, the more adult term "graphic novel" -- but you shouldn't let that stop you. This isn't Spiderman or Mary Worth. It isn't Tintin or the Teenage Mutant Ninja Turtles. Gaiman has taken the medium to a whole different level, a level that demands that you take it seriously to fully appreciate the content. And if nothing else, the covers by Dave McKean are alone worth the price of admission
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Polly Milton is a country girl visiting friends in the big city. Her quaintness charms the Shaws, especially the adults. As much as the Shaw children also love Polly, they think she is unfashionable and even embarrassing. They are shamed by her unaffected wholesomeness and act as children do, by being unkind and unjust. Polly's innocence and pride are bruised by the careless Fanny, spoiled Maud, and gruff Tom. Her modest ways are tested by the temptations of living with the wealthy Shaws, but her sensitivity to this only supports her personal credo to be as good as possible.
Polly is old-fashioned even by Victorian standards, but her honesty and cheerfulness are contagious. Even as a pragmatic adult, every time I read her story I feel a surge of inspiration and affirmation that it's still worth being good. Her charismatic personality will both beguile and challenge you. A moral, but not moralistic character, Polly leads by example by having fun, (eventually) blooming in the face of adversity, and always being true to herself. Polly's gentleness is layered around a steely core. She doesn't aim to convert you, but won't let others convince her to do what she feels is wrong, as Fanny and her trendy group find out. This is the sort of girl every parent wishes for, every girl needs for a friend, and every guy is looking for.
"Good" heroines usually ring false and are burdensome to the reader. Alcott creates a real girl, who happens to be extremely loving. Polly embraces the world with wise, but accepting arms. She's magnetically sincere, drawing out the best in others. It's hard not to be affected. The Shaws and their friends become interesting and layered characters due to her quiet influence. I didn't like the children intially, but as they became increasingly complex and conflicted, I found them nearly as dear as Polly. There isn't much of a plot per se, but small episodes tied together over the course of a few years, often very funny in the end. The last part in particular will be a surprise - even this experienced reader didn't see it coming!
Read this and feel Polly's (er, Alcott's) magic for yourself! A real treasure you'll want to pass on. It will only get better with age. A few books are part of a journey of a lifetime and I've found that An Old-Fashioned Girl is one of them.
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There are clear instructions and good photographs of each exercise. I had to refer to the book the first two or three times I performed the program (which was annoying), but quickly got the hang of it without refering back to the book. There are modifications for every exercise to match your current abilities.
Just so you know, I'm no altheltic, small thing. I'm 30 lbs overweight and was not exercising at all before I began this program. After the second week, I started on the next level, the Intermediate Core. The third and final level is the Ultimate Core with progressively 'harder' exercises. For those who know yoga, Peggy Brill recommends and shows the moves for the sun saluation. For those not familiar with yoga, don't be afraid.
Peggy explains her life experience and physical therapy training. She talks about injuries: how to avoid them, and how to recuperate from them. She walks you through a self-test to determine your own core areas of weakness. One of the last chapters covers weight training (free weights and gym equipment). My only complaint about that chapter was that she did not include alternatives to using gym equipment. She, ever so briefly, recommends healthy eating, sleeping positions, sitting posture, and the standard 20-30 min 3x/wk cardiovascular workout.
One thing that I noted right away with her introduction was that she didn't say you "should" or "might" feel better, but that you "will" feel better. I cannot deny that, for me, that is so true.
I took my body measurements at the end of the second week and then again at the end of the third. I've lost 3/4" in my waste and 1" in my hips in one week. That's all the motivation I need to do this for 15 mins 5x/wk. I'm actually doing it closer to 7x/wk because I've felt so much better since I started.
I don't know you or your lifestyle, but I'm recommending some of these exercises to my 85 year old grandma who is hunched over from osteoporosis. She'll be so thrilled that I am activly seeking a way to prevent that disease from affecting my future!
Good health!
Then I saw an article about Core Training in my running magazine. It explained how strengthening your "core" could improve your running and reduce injury by 'shoring up your foundation.' It made sense!
Then I stumbled on Ms. Brill's book and decided to give it a try.
Well, I have been doing the program for 4 weeks now (I am up to the intermediate level) and absolutely LOVE it! I feel so much stronger, I have no aches and pains, and my running HAS improved!Now I feel fit ALL over.
This is DEFINTELY something that I will do for LIFE.
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Anne Shirley is a twelve-year-old girl who is brought to Green Gables only to find they were expecting a boy. The Cuthberts however, are one over by this queer, imaginative girl with bright, red hair and decide to allow her to stay.
Green Gables is a lovely, little farm just outside of a small town on Prince Edward Island called Avonlea. It is surrounded by fields and forests, which hold many surprises for adventurous Anne.
Throughout this book Anne's fierce temper and wild imagination often get the better of her, but she usually manages to squeeze out of these scrapes.
Anne's melodramatic nature and fiery temper keeps you interested as you read this marvelous book.
Montgomery's humorous writing style gives life to the characters so that you feel like you are meeting them in person.
I think that this was a wonderful book filled with humor, drama and tears. I would recommend this book to anyone that has ever had a dream and loves a good book.
This book portrays a stunning sketch of Canadian History and Culture in the late 1800s to early 1900s. The character personalities are so real and so amazingly "human" that one cannot help but fall in love with them. You really get a taste of PEI in its glory.
This story is set in Avonlea, Prince Edward Island (Canada), a fictional settlement which is really Cavendish, Prince Edward Island, the place where Lucy Maud Montgomery, the author grew up.
The main character is Anne Shirley...and eleven year old, enigmatic, imaginative, sparkling, highly intelligent orphan who is sent to Green Gables, a farmhouse in Avonlea, under the impression that she was to be adopted by a pair of elderly siblings, Matthew and Marilla Cuthburt. But, apon arrival to Green Gables, Anne discovers that there had been a horrible mistake...the Cuthburts never wanted a girl...they wanted a boy who could do the chores and help Matthew with the farm. Anne was was in the "depths of dispair". Matthew, on the drive home from the train station had taken a great shine to Anne and had his heart set on keeping her, regardless of any mistake. Marilla, however, was not so easily enchanted. She agreed to let Anne stay at Green Gables on trial, to see if she would behave herself and lend a helpful hand to Marilla. After the trial, Anne is welcomed to Green Gables and flourishes under the love of the Cuthburts and all Avonlea folk. Anne, however, has one big problem. Her Hair. It is a hopeless shade of carrotty red and Anne felt that it was the ugliest hair anyone could imagine. She was extremely sensitive about it and she was horribly embarrassed about it. On her first day of school, Anne's hair was made fun of by Gilbert Blythe, the smartest and handsomest boy in school. "Carrots! Carrots!" he said. Anne's temper got the better of her and she was so angry she broke a slate over his head. After that, for many years, she snubbed Gilbert every time he spoke to her and he developed a boyhood crush on her.
Ah, but to keep this review interesting and the book mysterious, I will stop telling you the story and begin reviewing. The characters in the book are so well-defined that it seems to you that you know every character personally, like an old friend or neighbour.
And by all means, don't let the age recommendation fool you either...this book can be read by all ages alike...and I have no doubt that this book will still be my avid favorite at the age of 85.
The book is not boring, contrary to many opinions of those who read the first chapter of small print and historical settings. The discriptions will place you right into the heart of the story and you find you will laugh and cry while reading this story. Every time I read it I cry at a certain part which I'm not sure if I should reveal to you for fear of spoiling the good parts in the story, but it is dreadfully sad. If you read the book, then you will know what part I am talking about. The one saddest part in the whole story.
Although this book has some old ideas and ways of expressing them, you will learn a great deal of Canadian history through them and there's no doubt in my mind that this book will still be popular decades and most likely even centuries to come.
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This movie was worthy of a best picture nod, perhaps not as much as Life Is Beautiful, and should be considered a classic in centuries to come. You would have to be completely dense to not like what this movie stands for--love at first sight.
As for the homosexuality of Shakespeare--did anyone ever personally ask him about his sexual preferance? Even if he was homosexual--who cares--THIS IS A MOVIE!
And a great one at that!