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The book is well-organized and thought out, and presents its information in an understandable, easy to follow fashion. I particularly like the inclusion of the test and capacity planning forms in the appendix. This gives readers the chance to put the information to work, instead of just giving case studies or presenting only theory.
A highly recommended and informational book.
The authors are evidently experienced and write in a nice confident, but not overly technical, manner. They don't make any assumptions about the readers skill level in Java or web servers. Each step is explained well from the reasoning for the change to the finished product. They do an especially good job of helping you identify improvements to your site.
Highly recommended.
Important to note is that it's also valuable for those developing ASP, ColdFusion, or PHP web sites, because the performance analysis approaches used by the authors (and tool discussions) are rather generic. You don't really need to understand Java to benefit considerably from their excellent explanations of the fundamentals of web application performance analysis and tuning.
That's not to take away from its unique value for Java developers. Clearly there are many specific aspects for them, but other developers will find that 80% of the book is perfectly useful and deeply informative.
I rate a book by how many notes I take as tidbits of useful info. And though I've used several load testing tools and even given seminars on the subject, I still learned much in every chapter.
/charlie
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I also think this would be of use to people whose childhood was similar to the TCK's. Especially children who had little stability while growing up. Divorce, parential deaths, and especially children shunted off to boarding schools.
Many boarding schools provide a fairly good life and a substitute family, but when it's over, it's over. and then who am I?
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workplace that allows such behavior to multiply. Government organizations where executives prefer to isolate themselves from frontline workers are particularly vulnerable since the lies that bullies pass on to executives are accepted as de facto truth. Managing by walking around is unheard of in these places.
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That said, this book is an interesting mix of truly beautiful paintings (its a pity there isn't a picture of the cover on this webpage, as that always puts people off buying products) and a traditional, predicable story.
After a beautiful kingdom becomes plauged by a drought the king sends his three sons Edmund, Owen and Galen to find the Heart of the World that lies within the Enchanted Wood to restore the kingdom - in finding it their purpose will be magically achieved. Successively the three head off, and individually come to a cottage on the verge of the forest, where an old woman warns them not to wander off the path no matter what. Well, you don't really need to be told any more to know exactly what happens. The two older sons succumb to temptation, while the youngest remains true to his quest and succeeds, inheriting the kingdom and marrying the old woman's beautiful daughter Rose who accompanied him through the forest (for both mother and daughter had been unwilling gatekeepers of the forest, though eventually liberated by Galen's nobility). It is an old formula, encompassing all the cliches of a beautiful maiden, the threefold trial, the cursed kingdom, the virtueous youngest brother... Even though children will certainly not be bothered by this, seasoned fairytale lovers will know the tune oh-so-well and be frustrated at its predictability. Thus the title 'original fairytale' is somewhat misused.
On the other end of the scale however, some points of the story are quite confusing. It is unclear why finding the Heart of the World restores the land to its former glory, nor how it actually manages to achieve this. Furthermore, though Edmund and Owen's submissions to temptation (respectively to hunt a white stag and engage in battle with a Black Knight) are indeed vices, we are never really certain whether Galen did the right thing in turning his back on his own brothers when witnessing them in peril. Lastly, the meaning of the silver key that Rose drops into the Heart's waters and the 'ceremony' that she performs is unclear in its meaning and point.
However, *please* don't let my grousing over this feature stop you from finding this book as they pale in comparison to Sanderson's exquisite oil paintings, and are in fact (in my opinion) her best. In no other book of hers has she reached the level of detail and realism that she does in 'The Enchanted Wood'. She captures motion perfectly, her animals (deer and horses) are beautiful, and all little girls be satisfied that the heroine Rose is stunning. The best part however is Sanderson's illustrations of the forest - their misty, mysterious, shrouded depths are gorgeously created, from their forbidding entrance at the iron gates to the Heart of the World - three treetrunks intertwinging to make one.
The illustrations more than make up for the story and make this book a must-have for all lovers of great art, children's books, fairytales or beauty in general.
It is unfortunate that it has such a well-used title, as I know of two other books by the same name (Enid Blyton's, and another 'Enchanted Wood' by the Australian writer and illustrator Shirley Barber) but the illustrations *are* worth the effort to tracks this book down, either from Amazon or your library.
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