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On the other hand, that is exactly what this book is about.
Pasternak's concept of what discerns poets from other people, is that the poet fights to understand the world, while other people don't really care, or have been given all the answers already.
As Zhenia, the heroine of this book, enters her puberty, she has to learn to understand a world that doesn't help her much in her struggle. She has to learn why she should be ashamed of her menstruation, and why no one wants her to know about her mother's miscarriage. Not until she realises the connection between the both - that she, like her mother, can bear children - Zhenia is able to mature into a complete human being.
And just as Zhenia's pubertal existence is like a fever haze, Pasternak's writing is as fascinatingly hard to get a firm hold of. The modernist he is, he has in his writing dissolved all the 'solid patches' of conventional prose.
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Mr. Hoare starts his book out with a solid review of the scientific research done upon the Shroud. This does help for those who want to review what has been studied. And to his credit Mr. Hoare does this rather even-handedly. Where the author really fails is what he does after reviewing the data. And what contributes to his failure is his very poor understanding of Christianity, despite the fact the book describes him as a "protestant". This quote from the book should help explain what I mean:
"Experience and studies have shown that on this earth there are certain laws that operate. Is the only answer really that God stepped right outside those laws in the case of Jesus?" (p. 130)
This short quote fairly clearly shows how the author either doesn't realize that Jesus Christ is Himself God (in the second person of the Holy Trinity) and therefore not subject to the laws of nature since He is the creator of all that is, or it shows that Mr. Hoare does not believe in Christ's divinity. Either way it leads him to draw seriously flawed conclusions about Jesus. He basically suggests that Jesus was in a coma in the tomb and removed by followers who nursed Him back to health!
This brings us back to the basic truth that how we see and interpret everything depends on our belief (or disbelief) in God. A poor analogy might be that if someone saw a jacket hanging on a door and had no knowledge of "hooks on doors" then their entire interpretation of gravity would be incorrect since they would postulate reasons why the jacket did not fall to the ground. This of course would not be reality - infact it is the layman's definition of insanity (failure to recognize and live in reality).
So in essence his book reviews the evidence fairly soundly but draws conclusions from that evidence that simply are far beyond what the evidence is able to say. Mr. Hoare arrives at the correct conclusion about the shroud being that of Christ but simply takes too much liberty beyond that.
Rodney Hoar dared to brake a tabu: Yes - under the shroud lay Jesus, but the man of the shroud was not dead - the evidence for this is clear.
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Why are good Russian materials so hard to find? If you're a Russian guru, make some money and alleviate this problem!!!
font on fine white paper, and it is mostly useless.
I am a native Russian speaker and pretty good in English,
having studied it for good quarter a century. I was looking
for a decent dictionary to look up more difficult words,
and I was specifically looking for one volume two-way
Russian-English dictionary for ease of use.
This dictionary turned out to be a waste of money. It only
has the most primitive words both in Russian and English
sections, no slang (and I am talking standard slang, not
street speak), definitions are poor, very few synonyms.
It may be good for beginners but as a reference dictionary
I would not recommend it to anybody.
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The text is a relatively easy read for an experienced PowerBuilder developer with a good understanding of object-oriented principles. It provides step by step code examples for implementing key PFC objects. Watch out, though, for the occasional typo!
Although I refer to it less frequently now, I still keep the book handy on my desk. More significantly, I refuse to loan out my copy. I tell everyone to go get their own copy from Amazon.com.
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This was my first experience with Niven and if it's representative of his body-of-work as a whole, I can see why he regularly collaborates with others...he's not very talented with the written word.
Most of this book was stilted throughout. Topping that off, it's just not horribly interesting. Perhaps we can give Niven a little credit for being one of the forerunners of the modern fantasy boom, but calling this book a classic isn't something I'll ever do.
The fact that other reviewers have remarked on its similarities to a popular children's fantasy game speaks volumes.
I read this book a number of years ago when I was younger. I decided to read it again because my memory of it was good. I can't say the book was bad, but it wasn't great. There were some interesting ideas about magic and the scene of travelling on a cloud still gets me excited (it sounds like fun). If you're into fantasy and magic this book is for you. It's a quick read and the version I have has fantasy drawings on almost every other page. It's almost like a fantasy comic book.
In doing so, he reveals a level of poetry of language and sensitivity of characterization that is rare in any genre, and unheard of in science fiction. "The Magic Goes Away" is in a class with "The Circus of Doctor Lao" and "Green Mansions": Small, easily-read fantasy novels that will stay in your mind forever.
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If you want to be more creative than you are now you must read this book, it will change the way you aproach creativity
I applaud John Terninko in recognizing the need for such a reference for those of us struggling with using the theory that the other books have taught us.
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Yet Aron expects to get away with it--and based on the reviews of this book, he will succeed. The New York Times has termed Aron's book "a fine, full-blooded portrait of Yeltsin." With the help of ignorant blurbs like that one, Aron's target readers will end up believing that Yeltsin and his friends were doing God's work, or at least Adam Smith's--rather than divvying up the plunder of a fallen empire while its stunned, exhausted people were too weak to resist.
None of the great scandals of Yeltsin's reign are mentioned, let alone explained. Where's the Loans-for-Shares scheme, possibly the biggest single act of embezzlement of the twentieth century? Aron has such contempt for his readers that rather than come up with an alibi for Yeltsin, he never so much as mentions the whole sleazy deal. In fact, Aron has so little respect for his readers that he actually attempts to tell them that the oligarchs are a myth:
"...The secrecy in which the Russian robber barons cloaked their dealings resulted in a vast exaggeration of their wealth and power both by the Moscow rumour mill and by the resident correspondents of Western newspapers and television networks..."
Having assured his readers that Yeltsin's accomplices are mythical beasts, he goes on to deny, without elaboration, some well-proven charges against Yeltsin:
"...equally bizarre [is] the 'theory' that explained Yeltsin's dependence on the oligarchs by the gifts which they showered on his family--as if the President of Russia, should he decide to do so, needed intermediaries in raiding the country's treasury."
What's so "bizarre" about that "theory"? "Intermediaries in raiding the country's treasury" is, if anything, a mild description of people like Berezovskiy and Chubais, who may well be remembered as the greatest thieves in the history of the world. Yeltsin's job was to present a "democratic" face to the West while the robbery was being carried out, not to heft the sacks of cash out to the car by himself. (He's not in that kind of condition.) That's not a "bizarre theory"; that's simple division of labour.
But the sleaziest move of all is Aron's slander of every Russian who objected to Yeltsin's regime. Aron, trusting once more that his audience is totally ignorant of Russia, dares to assert that all those who opposed Yeltsin were anti-Semitic fascists. In other words, Russians who objected to seeing their jobs, their savings, their country whisked away were no more than Jew-baiting racists. What to do, then, with a man like Yavlinsky, the half-Jewish leader of the only truly democratic anti-corruption party in the Duma? Aron, whose tolerance extends to monsters like Chubais, loses control whenever he's forced to mention Yavlinsky's name. In Aron's grovelling tale of the Yeltsinschina, Yavlinsky--virtually the only uncorrupted politician in contemporary Russia--becomes a villian.
Goebbels would be proud to have written this book. Aron was no doubt well paid to string together so many pages without a glimmer of truth. And judging by the response of the American press, it was money well spent.
Stylistically it is fairly readable, though it is probably longer than it needs to be, and a bit heavy-going at times. As you might expect, it is not as readable as some of the journalistic accounts of Yeltsin's Russia. Aron relies a lot on formal sources like Yeltsin's speeches. Although he did go so far as to hunt down and interview some of Yeltsin's old acquaintances in Sverdlovsk, the same kind of intimacy with insiders is lacking later in the book.
One peculiarity of the book is the amount of space devoted to Yeltsin's career before he became president. This is both its strength and its weakness. Aron does a convincing job of showing that Yeltsin was no bumbling alcoholic, but a first-class manager and an astute analyst of Communism's failure. He rose to power because he was the quickest to recognise the irredeemable failure of the Soviet system which Gorbachev was trying to fix. Aron accurately depicts the Soviet economic collapse - something which gets almost forgotten today, when everyone wants to blame Russia's economic problems on Yeltsin.
Unlike the yes-men which the Communist hierarchy bred in droves, Yeltsin also had remarkable political courage. He showed this on several key occasions, most notably during the coup of 1991. Yeltsin correctly foresaw that the coup would fail, at a time when this was far from obvious to everyone else.
While the analysis of Yeltsin's early career is welcome, it could have been trimmed down. It seems a bit eccentric to devote less than a third of the book to Yeltsin's presidency (with only a single chapter on Yeltsin's second term). This compares with an entire chapter on a trip Yeltsin made to the US in the 1980s, for example.
The account of Yeltsin's presidency also makes some important points. Yeltsin's main political opponents were indeed a pretty unsavoury bunch, and not misunderstood social democrats. Yeltsin did launch real and necessary economic reforms - another act of political courage. Under Yeltsin, Russians have indeed become freer than at any previous time in their history.
But Russia isn't entirely democratic either. Aron skirts around some more unpleasant aspects of Yeltsin's rule. While he is surely right that there were many objective reasons why Russians voted for Yeltsin in 1996, several Yeltsin advisers have admitted that the elections would have been cancelled if Yeltsin had believed that he was going to lose. Fraudulent privatisations are mentioned, but they don't get much analysis. Sometimes we find that other inconvenient facts (like allegations of vote-rigging) are confined to footnotes.
As well as the bold (but rather intermittent) reformer, there was also another Yeltsin: the ex-Soviet apparatchik with his bevy of unpleasant cronies. This Yeltsin does crop up in Aron's autobiography, particularly in the second half of his first term. Aron is quite forthright in his condemnation of the Chechen war, for instance. But he regards this Yeltsin as a kind of temporary abberration.
The trouble is that this Yeltsin actually had a habit of recurring. The book ends rather abruptly with the appointment of the Primakov government in 1998, but extending the story to 2000 would probably not help Aron's rehabilitation of Yeltsin. The last year of Yeltsin's presidency was dominated by sordid corruption scandals, a new war in Chechnya, and an unceremonious struggle for succession.
All the same, the appointment of Putin looks a lot smarter than it did at the time (something which can be said about several of Yeltsin's mercurial hirings and firings). And with the political stability that Putin has provided, the economic reforms of the 1990s now seem to be bearing fruit. Despite fears over Putin's authoritarian tendencies, the democratic achievements of the 1990s also seem pretty secure.
A case can be made for saying that despite all the scandals, Yeltsin was guided in many key decisions by a consistent vision of a reformed and democratic Russia. This is essentially the case that Aron makes. Not everyone will be convinced, but Yeltsin probably deserves more credit than most people are inclined to give him these days.