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In Miles of Experience he tells stories from his travels. Some are short stories, some essays, some travelogues, some are told as personal experiences, some have an aura of legend. They all convey an intense realism. You don't know if you are reading fiction or actual events, and it doesn't matter. And each little piece has its own dark hook, the twist, sometimes horrifying, that makes it unforgettable. These little pieces will stay with you long after you read them.
Unfortunately--alas--this wonderful book is plagued by poor editing--misspellings, wrong words, grammatical lapses. A good proofreader could have caught most of these; hopefully in a future edition they will be corrected. In the meantime, get the book and read it. I promise you will love it. Reviewed by Louis N. Gruber
Zubry writes in a soothing, conversational style--as if he had pulled up a chair next to you in front of the fireplace to engage in a friendly chat. I heard his Russian accent as I read his stories, stories about his childhood in the former Soviet Union, stories about distant lands and distant cultures, stories about persecution, corruption, intolerance. Most of his stories do not have happy endings, yet the reader still treasures them--still treasures the author for presenting them in such a warm, humanistic manner.
By far, my favorite story (although I enjoyed them all) was "Russian Dedication." Zubry provides a hilarious, yet biting, account of a construction project gone awry to demonstrate the hopeless inefficiency and corruption of the former Soviet Republic. It is more than apparent the author has a genuine love for his homeland and its people, but cared nothing for the Communist government. In fact, Zubry renounced his Soviet citizenship in 1978 and became a U.S. citizen in 1984.
Russia's loss is America's gain.
MILES OF EXPERIENCE is highly recommended. As I mentioned earlier, you will get to know Boris Zubry through the pages of this book, and you'll be proud and honored to consider him a friend.
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The pictures tell the story, though. Boris and his group find a treasure chest, filled with treasure and a violin. The crew drags the treasure chest aboard the ship, and divvies up the loot. A boy steals the violin from Boris's room, and Boris seeks the boy out for punishment. The boy plays the violin so well, however, that Boris has him spared. Next, Boris' pet parrot dies, and gets a solemn and appropriate burial at sea, in the violin case. Boris and all the pirates are very sad, and, as the text states, "all pirates cry."
This book required repeated readings with my 3-year old to get the whole story. The simple text says so little, but in the end the text complements the illustrations well.
Kathryn Brown's illustrations are wonderful. The colors are bright, and the renderings of the pirates are fantastic. They are the best pirates I've seen in over a dozen pirate picture books. While I'm at it, I'll salute the author and illustrator together for creating a pirate picture book which doesn't include any battles, swordplay, cannons, or gunplay.
I give _Tough Boris_ 5 stars.
ken32
This book is very similar to the other tactics books out there, but with some improvements that I think are nice. One improvement is that the tactics are labeled with a * symbol to show how difficult the problem is. The more stars the harder it is. This is a nice break from the Reinfeld books which will have a mate in one followed by a mate in ten, and you have no idea beforehand how hard the problem is going to be. I personally like to have some idea of what I am getting into.
Another nice feature is that the answers show where the game came from. I think that this is a nice touch, and gives credit to the people that actually played the game. A lot of books don't do this, and you see puzzles where you know where the game came from - "Oh yeah this is the opera box game", etc, but the author gives no credit where it is due.
I also like that the answers are in algebraic notation, as opposed to descriptive ("e4" versus "pawn to king 4"). Reinfeld's books still have the old school style. One note is that the notation is not really standard. Bxe3 would be Be3, which is a little odd. I got confused at least once when looking up an answer and did not see the "x". I assumed I had the wrong answer when I didn't. But once you know this is the format they use, you can adjust. But it would be nice to see the standard used in the first place.
Overall great tactics book. If you like doing tactics til your eyes bleed, and want something that could be used as part of a "400 points in 400 days" type of study program, this is a good one to add to your collection.
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With her clear text and exquisite photography, she has opened up a new and exciting world to explore!
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And that's it!
Well, he makes it look that easy, anyway. Vallejo let's you in on the medium he uses right down to the fast-drying ordorless turp used by housepainters. This book really disects the methods of an icon of fantasy artwork.
Thanks, Boris
I liked reading about Vallejo's humble beginnings, where we see samples of his early, unpublished work. It was also a relief to know that even this master of the figure uses photographs. Contrary to many student's belief, it is not "cheating". To make his point, Vallejo is convinced that if the Old Masters had had access to photography, they would certainly have preferred to use that rather than rely on a model who gets bored, tired, etc. Vallejo uses both the model and the photograph.
In addition to advice about colour, tone, light, and how to "see", we are also taken through some step-by-step paintings, to show how the image is gradually built. Advice about portfolios comes at the end.
I have a board game called "Hero Quest", a sword-and-sorcery type adventure. The painting on the box looks like it was done by Vallejo, but I couldn't find his signiature. The colours and brushwork looked like his. The main figure was a Conan-type character swinging his sword. If you read Vallejo's "Fantasy Art Techniques" there is a good chance you will also paint like this eventually.
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To summarize; Razumov, the 'Hero' is a university student in Russia post 1905 but pre 1917 who keeps to himself and has no real family and no close friends. A fellow student and a revolutionary, Victor Haldin, assasinates a local oppressive Tsarist autocrat. He then takes a chance and takes momentary asylum with Razumov, asking him to help him get out of the city. Razumov is an evolutionary progressive, not a revolutionary. Not willing to risk association with a radical like Haldin and destroy his entire life, Razumov turns him in to the police, and Haldin is subsequently hung.
The rest of the novel deals with Razumov's struggle with himself- he betrayed, and he has to live with a lie. Complicating things, he falls in love with Haldin's sister in exile. Raz can't bear it though, and eventually he does the right thing, but things get messy.
Thats the general plot, but the real meat of the novel is in the characters and the ideas underlying the conversations between them. The idea of how you justify revolution, the chaos of revolution vs the order of gradual reform, the unwillingness and helplessness of the individual caught in it all. And there's a continual theme of the diference between East and West.
Razumov reminds me a bit of Crime and Punishment's Raskolnikov- an isolated university student waxing the time away in a single apartment, brooding over Big Ideas and being slowly crushed by a powerful conscience. The stuff of modernity. Dostoyevsky was a little bit better, so thats why Under Western Eyes only gets 4 stars.
"Under Western Eyes" is also an attempt by Conrad to explore the peculiarities of the "Russian character". This is another line of development in the work. I put this in partentheses because such notions of racial character are naturally not so well received now as in Conrad's day. Whether you agree or not, Conrad (who himself was Polish) offers some interesting personal insights into the nature of the "inscrutable" Russian soul - its ability to persevere, its mysticism, its ultimate radicalism. Such issues were particular relevent to the time the book was written (1908), as Russia was then already breaking out in revolutionary violence. The story's narrator - a retired English bachelor - are the "Western eyes" under which Russia is regarded.
I might label "Under Western Eyes" a comic-tragedy, in that the primary factor behind the story's tragic chain of events is a misunderstanding. It is ultimately for the book's central character a journey of personal redemtion. Within the context of this, however, Conrad details some of his views on Russia, its people, and the nature of the revolutionary movement. I did not find it as engaging as some of Conrad's other works but anyone interested in the Russian revolutionary movement, or radical politics of the period in general, or with a bent for stories of betrayal, tragedy, and love should take a look.
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I also disliked the explanations in the front about the construction and meaning of dictionary entries. The explanations are a little too terse for those of us not well versed in Russian grammar. It would be nice to have at least a few examples written out in full. And as far as I could make out, a lot of the information about the Russian entries actually appeared under the discussion of English entries.
It would be nice to have a few more notes about pronunciation. As is, you would think that 'yevo' in Russian was pronounced 'yego' (as it is spelled) if all you had to go on was the information in the dictionary. Nor will you find information about consonants that aren't pronounced.
Other than that, the dictionary is nicely produced and well printed. It appears up-to-date, with lots of internet information. I am not able to make any intelligent comparisons of this dictionary with other Russian-English dictionaries. Although this seems to have a few shortcomings, it may well be a good choice for many readers.
One additional note: although another reviewer mentions conjugation tables, my copy of this dictionary has no grammatical tables of any kind (although they would have been useful).
It is though the heaviest book I carry around daily and sometimes I could wish for a lighter dictionary!
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Although no mathematics beyond the high school level is required, the challenge lies in the ingenious application of even the most rudimentary math and logic necessary to successfully tackle these exercises. The problems range from rather simple to difficult. Some amount to raw logic riddles requiring little or no math while others offer the opportunity to fine tune one's skills in geometry and algebra. In addition to offering a rich variety of problems which will satisfy the needs of puzzlists at many levels, the editors have made a good point of dividing the problems into categories emphasizing different sets of skills including geometry, algebra, arithmetic operations, spatial visualization and logic. Such a delineation makes it easy evaluate strengths and weaknesses so you can focus on areas of improvement.
Given the long history of this publication, several problems will be familiar to some seasoned puzzle enthusiasts but most will still provide a fresh challenge.
It's a short book, but I took my time reading it. Each story was so full with meaning and left me so sad, that I had to stop, put the book down for a few days, and let the story haunt me for a little while. Like a rich meal, only when it was fully digested could I go on to the next one.
It's obvious that Mr. Zubry loves the land of his birth; it's also obvious that he hated the government. His strongest stories take place in Russia - a child's eye view of a beautiful countryside and a loving family. He was also surrounded by political corruption everywhere and the difficulties of life in his homeland. He uses simple words, but brings the essence of life in the Soviet Union home to the reader. I was glad he somehow escaped, but saddened for the people who still live there.
He's even more critical in his descriptions of life in Saudi Arabia, especially for non-Muslims such as himself. Employed as an engineer, he was paid well for the work he did, but was always an outsider. But even though he obviously was not happy there, and he writes scathingly of the government, he still had respect for some of the Saudi people he met along the way. In one of his most heartwarming stories, he writes about some date trees. And then there is a sad story about how a young Muslim boy is horribly misused.
He turns his skeptic's eye on the United States as well, and I couldn't help giggling at his observation of what one woman called "harassment" in the workplace. And I also enjoyed his story about an eccentric neighbor.
In spite of some grammatically incorrect sentences and occasional spelling errors, I completely enjoyed the book. All of these seemingly simple stories ring true. I feel privileged to have discovered "Miles of Experience" and I wish him well in his future writing career. Recommended.