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What is also apparent as a feature of this book is that Gnedenko often notes the details of history. He spends a 70-page-appendix for this purpose besides many little footnotes. The author often integrates historical evidences as a part of the treatment. I believe one still benefits a lot from this historical notes, even if already familiar with the subject.
This book has chapters on the author's specialty topics: limit theorems and infinitely divisible distributions. This book also has a chapter on stochastic processes and elements of statistics, the latter which Feller's first volume does not touch. However, these brief treatments are only for introductions to each subject.
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The plot mostly traces the life of one "stalker", Red Schuhart, who goes after this stuff at various periods over several years. While the storyline is not really a nice tidy recounting of how he starts out and how he ends up, it provides a very allegorical account of the oppressive conditions in Soviet Russia (early 1970's). Indeed, the real meat of the book is the discussion of issues about life and freedom expressed indirectly through tracing the development of the lead characters.
The book is not really a typical sci-fi thriller that entertains with weird beings, strange places, and made-up gimmicks. Rather, this is a thought-provoking probe of a (to us) foreign way of living and a controlling society that governs everyday social interaction. That the authors could pull this off 30-some years ago, in a tightly censored environment, makes the book all the more amazing. For sure not a light reading session, "Roadside Picnic" may not entertain as much as some might like, particularly with the fairly abrupt ending, but insight into the human condition awaits.
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I know that Charles Finney's novel "The Circus of Dr. Lao" is a cult classic and loved by many, but I have to offer the other side of the coin, as the book was a huge disappointment to me. The basic plot has a mysterious asian man appearing in the town of Abalone, AZ, to put on the strangest circus the residents have ever seen. Far from being populated by clowns, acrobats, and animals, Dr. Lao's circus is full of mythological beasts that provide insight into human nature. We are introduced to a cast of cardboard locals who, while serving as a vehicle to introduce the oddities of the circus they attend, play no worthwhile part in the story. Finney's writing style is uneven in the extreme - there are a few bits of brilliance that completely overshadow the predominantly unpolished text. It's almost as if the book is a collection of notes for what would have been a much larger novel, and it could be a work of art if expanded upon and given some direction. As the story is only ~100 pages, expansion would have been appreciated instead of the pointless appendix of characters, creatures, items, and study questions (!) which is oddly in-depth for a story with such lightweight content. The ending of the story is very abrupt and has no real explanation. Nothing is solved, and there is no conclusion: did anyone learn anything from their encounters? We never know.
As a final note, think twice before throwing this one at your kids: this is not a book for children, and while some of the situations may seem somewhat tame by today's trash novel standards, it's obvious that the objective was to titillate readers in 1938. So, if you want something with real focus and a message, I recommend that you view the movie "The 7 Faces of Dr. Lao" instead of reading the source material. The only reason I hold on to this book is because of my love for the movie, as well as the beautiful illustrations by Boris Artzybasheff.
The book develops as the residents of the small town visit each of the exhibits. Each exhibit opens up a world of magic. The author attempts to satirise the residents of the town by contrasting their mundaneness with a world of passion and mystery.
The one exception to this is a dialogue between a sea monster and an office clerk. The sea monster is so large that it could destroy any other creature with a flip of its tale. Its power is dwarfed by the power of the clerk who is unremarkable but representative of the power of humanity as a collective mass.
The climax to the book is one of the most humours pieces of writing in science fiction. This book is now sadly out of print and will probably never be published again. Yet it is a work that deserves to endure for ever.
This is a truly fantastic book. It's amazing that something written so many years ago can make such an engaging read today. The relevance and staying power of this intriguing book is a testament to the author's brilliance. In fact, there are few contemporary American authors I have read that can match Finney's skill and mastery of the English language. The subtleties in the dialogues, the multi-faceted characters, and Finney's brilliant economy of words make it difficult to put this book down.
The story is a timeless one, it is set in an unknown small Arizona town but Finney brings the events magically to life.
I found this a brilliant work that doesn't necessarily fit the modern science fiction genre. It's a refreshing and intellectual break from tired "classics" like Lord of the Rings, Harry Potter, and Star Wars.
I first read "The Circus of Dr. Lao" as a teenager and it's characters and events have stayed in my mind all these years. I'm very pleased to see it in print again, and I hope to see more of Finney's works on the shelves soon. He obviously deserves to take his place among the "greats" of American literature.
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Starling lets us follow the thoughts of both Red Metcalfe and the serial killer ... which is both very interesting and thought-provoking. I would say that this is a very well made study of man's mind in general - only most of us are neither serial killers nor detectives. Still, Starling has much to teach us about the darker side of humanity, the side that most of us successfully suppress. Aside from the psychological part, this book is a real page turner and actually a very quick read although it is almost 500 pages long. It is very hard not to read just another chapter ...
The end actually surprised me, and I am not easily surprised. I have read lots of detective stories (although this is more of a thriller than a detective story) and it is seldom one gets really surprised. I have never seen an end constructed like this one, and I would say that it is as inventive as the end of The Murder of Roger Ackroyd.
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As one of the managers employed by the world's largest bookstore chain I am exposed to, and actually find the time to read, a great number of mystery books. As such, and despite the need to overlook some of the far-fetched aspects of the plot (but hey, what's a secret agent story without a bit of unreality), I hereby pronounce this book to be A CUT ABOVE THE NORM (that's an officially copyrighted term-of-art, of course).
Seriously, though, I found this book to be quite enjoyable for, mainly, three reasons: Beautiful language, such as the opening sentence, "On Monday the thirteenth of May in the year 1876, between the hours of two and three in the afternoon on a day that combined the freshness of spring with the warmth of summer, numerous individuals in Moscow's Alexander Gardens unexpectedly found themselves eyewitnesses to the perpetration of an outrage that flagrantly transgressed the bounds of common decency;" the exotic historical settings (1876 Russia AND England); and, most importantly, superior characterization. The author does a good job of evolving a likeable but naive and pampered low-level agent (Erast Fandorin) into a more experienced but still wet-behind-the-ears, high-level agent (keep in mind the Fandorin adventures will span 12 books and many years in Erast's life, so there are probably better showings to come from our hero). Where Mr. Akunin (whose pen-name translates from the Japanese, or so I've read, as "villain" or "evil") really excels is in his creation of likable/sympathetic/ruthless "bad guys." In my opinion, nothing completes a work of violent entertainment like a great villain (think Alan Rickman in Die Hard, if you'll pardon the switch from books to movies). While it is, admittedly, pretty easy to spot the bad guys from a jaded-reader point-of-view, I can understand why Fandorin doesn't suspect them earlier given his level of experience in things cloak and dagger. Regardless, Akunin is able to overcome minor weaknesses in the story through positive characterization and interesting plot twists.
On a final note, just so you don't think this book is just for mid-thirties, male, computer-chair Jim West's, the Winter Queen was also read and enjoyed by one of my co-workers, a book-devouring, semi-retired, 70+ year-old woman.
I hope you like the book.
I was sad to see this book end and hope the rest in the series get translated NOW. If you like reading Tolstoy or Dostoyevsky (is that spelled right?), give this a shot. It's not as deep as those authors, but it captures their styles well.
Also, this had one of the most shocking and devastating endings I've read in a book in a LONG time. I am still trying to deal with it.
Also, a good book to learn about Czarist Russian.