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Anyone with a keen interest in the Aloe vera story will find the hard science contained in this book of great value. I strongly recommend it.
Jane Davis
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It's a wonderful story of a very lovely young lady and her quest to be the best person she can be inspite of tremendous adversity during the beginning stages of her life. She was adopted four times from birth to age eight. The joy of the story is the young girl's relationship with her grandfather, who gives her the moral foundation to accept all people and to follow her childhood dream to become a writer.
I personally met Ms. Yancey at a book signing. Not only is she a good writer, she is personable and friendly. I highly recommend this book.
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BUTTERFLY BURNING is set in a Rhodesian township in the late 1940s - long before Independence from British rule. The black citizens (who, in reality, weren't recognized as citizens in their own country) were reviled by most of the whites, looked upon as a source of cheap labor and criminal activity. They weren't even allowed to walk on the sidewalks with the 'imported' white citizens. The heroine of Vera's novel is a young woman named Phephelaphi - orphaned as a young girl and raised by a close friend of her mother, she is filled with a burning need to always become more, to see her life expand without limits. This longing became widespread in the hearts of women in the West many years later with the rise of feminism - women sick of being relegated to cooking and cleaning, aching for more of an education and more of a chance to find their place in the world. Phephelaphi's yearnings lead her ever forward - emotionally, socially, and with respect to a potential career. When her path crosses with that of Fumbatha - an older man with a kind heart and a bruised and battered past (as many in Rhodesia were) - she finds love and security, and, for a while, satisfaction and fulfillment. With all of the love he can offer her, however, Fumbatha cannot fulfill all of Phephelaphi's needs - and her search to meet these needs brings her both joy and sorrow. The joys she experiences will raise your heart to the heavens - and her sorrows will break it.
As in her newest novel, THE STONE VIRGINS, Vera breathes palpable life into her characters - they are immediately acceptable and accessible to the reader. The physical settings - both the natural world and the world of the township and city - spring to life as well through the careful brush-strokes of the author's words. All of it blends together into a style that entertains on one level, certainly - but this writing will affect the reader on many, many levels. There is a depth and beauty here - and a natural grace - that is a rare thing in writing. Vera's novels are short (two of them, WITHOUT WORDS and UNDER THE TONGUE, are contained in one volume), but don't be deceived - once begun, they expand exponentially, and they will resonate within you for years to come.
The story of a young woman's longing for selfhood in an Arfrican township during the 1940's speaks volumes to all of us who have felt, at one time or another, trapped in the seeming bleakness of our surroundings.
The writing is startlingly beautiful in its imagery, rich and full of bittersweetness like chocolate. The words come in floods and tides, you are literally overwhelmed by her words. They, alone, give their own experience.
The story of Phephelaphi is visceral: you do not merely read about her life, but feel it through her pain. Vera writes with the African closeness to nature and being; it is not an easy read, but one that will stay with you long after the last page is turned.
It cannot escape any intelligent person no matter how ill equipped he(she) is in the skill of reading how much intuition, talent, sophistication, elegance, charm delivered through the entire body of those rhymed lines, how much intellectual power possesses author of these thoughts who overcome immense hurdles in order to excavate and bring to reader in such an eloquent form all flayers of subject that occupied her mind.
Introduction by H-J Gerigk is a very prominent recognition of author's achievements in its entirety and speaks from the prospective of the circle of intellectuals where author is clearly belongs. Yes, I believe that there is significant strata of heavy weight learned thinkers (sometimes they are slanged as eggheads ) who are starving to get this kind of intellectual food on a table, the only one that they can recognize and consume. In that sense this book of philosophical poetry catapulted huge potent rocket into that camp and I will not be surprised if these poetical tractates will become milestone in their circles. Lets wait and see.
My congratulations to the poet,
Mark Averbukh