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I am a single father and employ Dr. Vera Rabie- Azoory's techniques on a regular basis. They are simple, and extremely effective.
In my humble opinion her work is both illuminating, unique, and essential in raising children in a healthy manner with maximum self esteem. Her thoughts on children are unique, and far reaching in their consequences.
It is common sense taken to the pinnacle. For the price of a CD., you are getting the wisdom of Solomon.
Adults will also find this compelling reading to help them understand their past dynamics.
I cannot urge you enough to buy this book, and then to implement it's principles.
She also draws you into the inner lives of children and helps you understand what really makes them tick.
This is a fascintating book that offers realistic expectations of family life and a model through which to understand family dynamics. As well, it offers specific descriptions of parental roles.
A must-read for parents who want to understand what all those noisy, irritating squabbles are all about (it's not about who gets the biggest piece of pie but about who gets your love) and why children prefer one parent over another.
The author helps you understand how to recognize and appreciate the different but equally important roles both parents have, whether as the primary (preferred)or auxiliary (supporting) caregiver.
Parents who understand the dynamic of family relationships laid out in this book are way ahead of the game, namely children competing for their love on every front, in every fight.
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'Veruschka' Trans-figurations. Vera Lehndorff Holger Trulzsch. Introduced by Susan Sontag.
In the 1960s there suddenly appeared on the scene a fashion model and actress of extravagant and exotic beauty known to the world as 'Veruschka'. She remained an enigma even when she starred in Antonioni's classic film 'Blow Up'. As we now discover, Veruschka was, and is, Vera Lehndorff, who, twenty years later, emerges in this book as an artist of extraordinary power and originality.
Trans-Figurations. In 1970, Lehndorff met Holger Trulzsch, prominent painter and photographer. Their collaboration - Trulzsch's vision fusing with Lehndorff's resulted in these brilliant, unsettling images: Veruschka transfigured beyond recognition. Their work challenges every conventional assumption about photography, fame and anonymity, beauty and death.
Trulzsch and Lehndorff use her body as the canvas. It can take sixteen hours to apply the theatrical paint that transforms Lehndorff. The artists never resort to technical contrivance. In some images, Lehndorff mimics cinematic beauties like Marilyn Monroe and Rita Hayworth. In others, she denies her humanity - becoming metamorphosed into an animal, a statue, a stone. Most haunting of all are those from the 'Oxydation' series, in which Lehndorff's body appears to disintegrate against the grim walls of a derelict building. Art critic Robert Hughes has called these 'an abandonment of consciousness: akin to being buried alive.'
Whether witty, shocking, or erotic, the images are always intensely beautiful. Or, not merely beautiful, but as critic Susan Sontag writes: ''about' the beautiful... very much concerned with the testing of beauty - through artifice, through distortion.'. Sontag's introduction is a stunning exposure of the issues behind this work. Closing essays by Lehndorff and Trulzsch reveal their method and rationale.
Vera Lehndorff studies painting and design in Hamburg and Florence. She became known as Veruschka while learning to act with Lee Strasberg in New York, and has appeared in many films, including Blow-Up (M. Antonioni, 1967), Salome (Carmelo Bene, 1971), and Dorian Gray im Spielgel des Boulevard-Presse (Ulrike Ottinger, 1983). She did her first body-painting in 1966.
Holger Trulzsch studied painting and sculpture in Munich. he has been involved with experimental music as a member of a group with whom he composed the music for Werner Herzog's film Aguirre (1972), and he has recorded several albums. His own photographs, drawings, and paintings have been widely exhibited since 1962.
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She explains that each dimension to be of higher level of vibration and how the Earth is slowly raising its level of vibration and transmuting itself to attain oneness with God. Back in 1940, she prophesies the future of Man's evolution - the future of government into a world government & the union of various religions, the future of health-care and the future of education. She also explains how science through the development of free electricity will free the world and through etheric photography will stimulate the mind into higher activity.
All these activities predicted here will be the dawning of 'The Golden Age'.