The story told in "The Last Hero" is that of Sir Henry Morton Stanley (of "Dr. Livingstone, I presume?" fame, but that's another story) who, in 1885 organized and led a mission to rescue Emin Pasha, governor of Equatoria, the southernmost province of the Egyptian Sudan, which was surrounded by the Mahdist uprising. Amazingly, Stanley decided to approach Equatoria from the Atlantic side of Africa by going up the Congo river and overland through central African forest. The expedition crossed hundreds of miles of then-unknown Africa, encountering every obstacle and difficulty along the way. The eventual end of the mission is one of history's great ironies, but I don't want to give anything away.

"The Last Hero" is a very well-written adventure story, all the more interesting because it is true. My only complaint (a very minor one) concerns the absence of notes and bibliography which could have given some historical documentation and sources.

Another good book is "The River Congo: The Discovery, Exploration and Exploitation of the World's Most Dramatic River" (nonfiction) which is also by Peter Forbath (a journalist who reported on Africa). Henry Morton Stanley was also a bestselling author, he wrote: "How I Found Livingstone" (1872); "Through the Dark Continent" (1878); and "In Darkest Africa" (1890).

Not many novels have the effect of this one. If I have to pick a 'prequel' to Robert Ruark's _Something of Value_ than it is surely this one. If you like Forbath's, then read Ruark's!

_The Last Hero_ sweeps you away to a time when honor and ego and plain old guts -- combined with the vast heart of unexplored Africa meant adventure. I read this novel in amazement, at the rich characterization, the lavish settings, the graphic narrative; only to be further amazed when I learned that this wasn't a mere work of historical fiction, but rather a fictionalized account of real events.

Read it. You won't find many novels that do this. Serious business, deep in the Congo Ituri rainforest, late 19th century...no one can hear you scream.

Kurt W. Wagner kwagner@gti.net

The best, and I mean that exactly, the best adventure book for adults ever, and I mean that exactly, ever written. My friend and I constantly recommend books to each other, and one or the other of us will say, "It's a good book but..." and the other will always respond "...it's not The Last Hero" Put this book down and you will not sleep until you pick it up again. I am on my fifth read, and I am sure that it will not be my last. There are images and moments that I will never forget. I cannot believe that anyone allowed this book to go out of stock. Find it, steal it, read it, you will not be sorry

While an undergraduate student at Seton Hall between 1997 and 2000, I had the distinct and memorable pleasure of being a student of the author of this book, Robert Mayhew. I sat for 7 of his course offerings over 3 years, and he continues to stand out in my mind as one of the most competent, engaging, and effective instructors with whom I have dealt in 22 years of schooling. Mayhew has the unique ability to satisfy the mildly curious as well as the most discriminating academician. In the years since graduation, I've paged through several of his volumes on the ancient Greeks, and I found them more interesting than any of the work I was doing in law school. You cannot go wrong with him.

Ayn Rand describes the necessary elements to take a theme abstraction and present it as a set of concretes directly related to the theme abstraction - the Romantic style. To help convey her reasoning she analyses examples from writers, herself included, who fit in, and some who don't. Victor Hugo and Isak Dinesen are two examples that are consistent with her preferences. Sinclair Lewis and Thomas Wolfe being two that aren't.

When I reviewed, The Fountainhead, I stated that Ayn Rand had an unfortunate tendency to indulge in 'eye poppingly bad' literary prose, which in this book she goes into great detail to point out its merits. Whilst her defence of these sections is logical, it still doesn't take away from their basic quality: they're still eye poppingly bad. As badly written as the pieces she has chosen from elsewhere to demonstrate how not to write. Unlike Victor Hugo's, and Isak Dinesen's, which is very smooth . When she writes more plainly, as she does for most of the time, her intention is conveyed perfectly well without any need for colourful and distracting prose.

That was the only real contradiction and failing of this book. Everything else is very appropriate for those who have the inclination and determination to write well in the Romantic style.

Her Non-fiction follow up is worth reading as a companion volume

The Art of Nonfiction is taken from a series of informal lectures that Ayn Rand gave to students in 1969 on the topic of the art of nonfiction writing. It was not prepared for publication by Rand, but the material in it was culled from these lectures, for which Rand had only an outline to prepare her. The Art of Nonfiction serves as a companion piece to The Art of Fiction, both from an author who wrote some of the Twentieth Century's most important and influential fiction and nonfiction works.

This work aims to teach the reader the principles behind the art of nonfiction writing. The chapters, which follow the order of the lectures given by Rand, cover such topics as how to get ideas for writing, the importance of and how to create an effective outline, the role of the conscious and subconscious in writing, editing, and how to prepare an article for publication. The book focuses on nonfiction article writing (all of Rand's published nonfiction works are compilations of her nonfiction essays), but also offers advice on nonfiction book writing. Rand was convinced of the omnipresence of one's philosophy in one's life and work, and this is evident in this book, which is replete with tie-ins to her philosophy and fascinating philosophical analysis of such topics as the nature of the subconscious mind and how to properly allow one's philosophical convictions influence one's writing.

Although the content is excellent and the progression is logical and persuasive, the reader should bear in mind that the material in it was neither prepared by nor intended for publication by Rand, who did not believe that the material as presented in these lectures would be good enough for publication. Still, it is remarkable how solid the material is, considering that it was done with little preparation on Rand's part.

One need not agree with Rand's philosophy to gain value from this book, so well reasoned and persuasive is her presentation. Both writers and readers have much to gain from this important addition to Ayn Rand's literature.

This book is creatively crafted by Peter Cunningham and Robert Mickey. It is a great primer on the basics of kickboxing and chapters include information on conditioning, getting started, striking techniques and much more. The book isn't just full of photos teaching the reader how to make each movement. No, this book is much more. There contains much information on the ends and outs of this sport.

This book reads at a ninth grade level which widens the appeal to teenagers who have had some karate training and may be looking to expand their knowledge into the sport aspects of kickboxing. Adults in the martial arts (like myself) should enjoy this book as well. Cunningham has done a great job and deserves a lot of credit for this publication.

Like most martial artist, I did some soul searching before I found my art. I bought a lot of books, on many styles. I ordered this one, and it made my mind up for me. This is a THE book for anyone interested in kickboxing.

This book is a must for those people who are interested in doing kickboxing, whether they are newcomers to the sport or intermediate fighters looking for great knockout techniques. The book is written in an easy to understand format with photos showing how to execute the kicks and punches. Before I read this book I knew nothing about fighting. But within two weeks of practicing these techniques I felt confident that I could defend myself if the need arose.

Alter is attempting to capture both the meaning of the words and the poetry of the phrasing. This was a wonderful read. And where his choice of words differs from mainstream translation, he is careful to explain what the Hebrew words are and why he made his choices, so you can make up your own mind. Masterful.

This edition pairs a fabulous translation with commentary that is extensive and erudite without being the least bit boringly pedantic. Alter's running commentary in the footnotes (which constitute at least one half of every page!) alerts readers to centuries of interpretations and re-interpretations of this cornerstone of world literature, in a manner that makes the book of Genesis seem more alive and more vital than ever before, an ongoing and important discussion.

Alter's commentaries help to situate Genesis within the larger narrative arc of the Bible as well as they address even the most current strains of Biblical exegesis (like feminist rethinkings of gender roles in the creation, for example), but this reader found the wealth of fascinating minutiae even more endearing. What did Potiphar's wife REALLY say to Joseph when she tried to seduce him? It's in there. What does Adam's name mean in Hebrew? It's in there.

First-time readers of the Bible can expect a very readable yet faithful prose, while long-time readers can expect the unexpected, as Alter's etymological and socio-historical explanations bring a pleasantly surprising new clarity to a classic.

Between this work and Everett Fox's translation...wow, simply incredible. I used both as priceless resources in researching my own book (Eric Westra, A NEW BEGINNING). Respectful of style, meaning, and presentation. Nice!

Of Peter Matthiessen's non-fiction I have previously read only The Snow Leopard, but I have also enjoyed a collection of short stories called On the River Styx. Mr. Matthiessen's authorial voice is very prickly in Birds of Heaven, much more cranky than I remember it in The Snow Leopard, which was written in the wake of the death of his wife from cancer. The Snow Leopard was permeated with sadness and longing. Birds of Heaven is permeated with anger and impatience.

The book is arranged geographically. Beginning in Siberia, Mr. Matthiessen takes through Asia to Australia and then on to Africa and Europe and finally to North America. There are no cranes in South America (or Antarctica).

The author is at his best when he is combining his wry observations of the people and places around him with an enthusiastic and well-informed account of the natural history of a region. I felt that he was less successful when he lets his righteous indignation get the better of him and begins to make snide comments about the absence of a love of the natural world in Chinese society, the wrong-headedness of various bureaucrats and the corruption of local officials.

It is not as if I disagreed with his point of view, but I knew that I already shared it before I even picked up the book. I can't imagine anyone who had any doubts about the importance of cranes as sensitive indicators of the general health of the environment being won over to the crane's side by this hectoring, doctrinaire authorial voice. But then, perhaps this books is really just an extended love letter to the cranes and to the environment in general. As such, it succeeds wonderfully.

The readers of "The Birds of Heaven" should be prepared for joy, awe, geographic and naturalist education, but also sadness,fear and disgust. Matthiessen travels the world in search of the wild cranes. He is not just an observor, he is part of the effort to study and save these amazing birds. Robert Bateman's drawings are beautiful and serve as references as you read.

Peter Matthiessen travels with George Archibald, from the International Crane Foundation, through Asia revisiting places where cranes were previously abundant. They share the wonder of the many sightings of cranes. Yet Dr. Archibald is quoted as saying,"What a species we are!" after "being astonished anew by the destructive and murderous proclivities of man".

I learned so much from this book and recommend it to those who are not afraid to see the world as it is.

If you've read any of Matthiessen's non fiction you'll know that when he's passionate about a subject he has the ability to bring feelings alive with his poetic and vivid command of language. Tie that in with his inclination to be a naturally introspective writer - literally seeking inner truths through nature - and you've got the threads that are woven together here to make THE BIRDS OF HEAVEN a beautifully written book. In describing a glimpse of three Japanese cranes on a misty early evening on the snow covered banks of a river, Matthiessen is at his evocative best. "Sun silvered creatures, moving gracefully without haste and yet swiftly in the black diamond shimmer of the Muri River - a hallucinatory vision, a revelation, although what is revealed beyond this silver moment of my life I do not know."

While Matthiessen is poetic and romantic as a nature writer he is a blunt and critical social commentator. Our species comes in for some stick. We neither stack up well in creation - look at the beauty of an African Crowned crane, the "red-black-and-white head crowned by a spray of elongated feathers on the nape, like spun gold in the bright sun...how wonderful it seems that even the boldest colors of creation are never garish or mismatched, as they are so often in the work of man." Nor do we do so well with what we create - China's Three Gorges Dam will destroy some pristine crane wintering lands and is, according to Matthiessen, "a grand folly of enormous cost." Worse still is that we are such a self destructive species. The dam, he goes on to say, will also cause "social and environmental ruin" in this part of China.

Poignancy, yes, even sorrow at the passing of so many of the last wild and unspoilt areas of the planet, but sentimentality, wistfullness, hopelessness, and inaction are not words that are in this author's vocabulary. Indeed the fact that cranes are the central focus here is cause for cautious optimism. Cranes have always been a vibrant part of our cultural history and remain evocative symbols of our spiritual and creative imagination and are seen as omens of good luck and longevity in many countries.

The fifteen species of cranes (eleven of which are endangered or threatened) have lessons to teach mankind. Matthiessen's recounting of the sectarian squabbling that took place at an international gathering of crane conservationists is illustrative. While economics, politics, and nationality remain common dividing factors among the human participants, more than half of the species of cranes are content to make the Amur River basin in central Asia their common gathering ground.

A powerful book for Matthiessen's writing, the beautiful paintings and illustrations offered in support, and the stories of the cranes themselves - Saurus, Crowned Crane, Brolga, Siberian and the rare Whooping and Japanese Cranes - two of the most endangered species that Matthiessen says are "heraldic emblems of the purity of water, earth, and air that is being lost." We need to conserve, appreciate, and learn from these birds of heaven, and heed the "horn notes of their voices, [that] like clarion calls out of the farthest skies, summon our attention to our own swift passage on this precious earth."

This book takes strategic planning off the shelf and into the realm of implementation. It makes strategic planning an inclusive, usable, adjustable tool to manage the growth of an organization. Too often, we hear the complaint that organizations have spent considerable time and money on creating a sophisticated strategic plan only to have it sit on the shelf for years without any action taken. Simplified Strategic Planning is just that, a process that retains the complexity inherent in creating a comprehensive plan for an organization while breaking it down into small, clear, actionable steps. Perhaps the best part of this book is that in addition to creating a strategic plan, underlying the process is a deep understanding of how to involve people in the work of gathering data, analyzing the data and then creating a customized strategic plan.

This book, the product of extensive work by its authors with small and medium-sized businesses, presents straightforward, concise guidance (right down to hardcopy/softcopy templates) and a rational sequence for developing a strategic plan without a large staff. It draws heavily on the academic work of leading researchers James Brian Quinn (Dartmouth/Tuck) and Michael Porter (Harvard). Its hallmark, though, is its firm grounding in the environment of businesses that cannot ignore daily operational requirements for the sake of planning.

"Simplified Strategic Planning" presents particularly clear, explicit guidance on selecting a corporate focus amid operational chaos and the temptation to serve all comers.

I highly recommend this book for managers at businesses of any size. It will inspire a discipline and sequence--and therefore a useful result--in planning.

Finally, a book on strategic planning that makes sense! Bradford's process for helping organizations think about, plan for and implement strategic planning is straightforward and completely accessible. Whatever size your oganization, and whatever your background in strategy, this one is a must-read. Bradford offers an action-oriented approach that allows you to customize the process to meet your needs. In these days of leaner budgets, take advantage of this gem--it's almost like having Bradford in your company as you work through the process. His focus is on results, and his success with all kinds of organizations is very impressive.

This book is REALLY for coursework : someone who is going to sit down and read and work thru this book sequentially, not randomly like a reference book.
Other than that caveat it does what it promises ably but be aware that it is MATHS heavy and REQUIRES the programme work.

I read a lot of books about complexity analysis. And this book is a state of art in the field. Easy to read, and well done.It cover the necessary staff that every new commer to the field should know, can be used as a refference,and it make a good teaching material for graduate student.

This is an excellent book on the analysis of algorithms. More specifically, it is a book on the mathematics needed for the analysis of algorithms. Quite a few algorithms are presented and analyzed in great detail, but the emphasis is on the analysis techniques rather than on the algorithms.

This is in contrast with Cormen,Leiserson and Rivest, or Sedgewick's own "Algorithms" series which emphasize the algorithms rather than the analysis.

If you're looking for a catalog of algorithms along with explanations, you want a different book, but if you want to know how to analyze that bizarre code (which Fred in the next cubicle wrote) and prove that it works well (or doesn't) then this is an excellent choice.

The book is aimed at advanced undergrads/graduate students and assumes a certain amount of mathematical sophistication - i.e. calculus, discrete math, probability, etc.

On the spectrum from "Mathematical Techniques" through "Analysis of Algorithms" and ending up with "Catalog of Algorithms", I would start with Graham, Knuth and Patashnik "Concrete Mathematics", travel through this book, on to Knuth "The Art of Computer Programming", then to Cormen, Leiserson and Rivest, and finally end up with either Sedgewick's "Algorithms" or Skeina's "Algorithm Design Manual".

I've owned this book for a number of years & I find it is DEFINITELY a "keeper". My wife can"t understand why I drag it out & re-read it every Fall. I'd read & enjoyed Ruark's fiction in my younger days, but when I stumbled across "The Old Man & The Boy" it reminded me of times in the woods & on the water with my own father & the life lessons I was taught at those times. Both books together are simply a double treasure.

My grandfather gave me a paperback edition of the "The Old Man and The Boy" when I was about twelve. I am thirty three now and this book has never left my side. I have since acquired "The Old Man's Boy Grows Older." This work has similiar flavour. For those sporting people who long for the days of ethics and morality in the field and in the home this book is a must read. You can virtually smell the campfire, hear the Quail calling and learn some important lessons on life and sport.

As a success in my field, I was questioned by my trade organization what management books I kept on my desk. Only one: The Old Man and the Boy.

This book is good for getting a general view of genetic programming. Nevertheless, I think it neglects many details. For example, it is very hard to from the book how a simple selection strategy (tournament selection) works in practice.

I do not think this book is useful for someone intending to code a genetic programming algorithm.

I skimmed the Koza books (GP: I & II) and this one at the store. Using the layout, chapter names, and the introductory chapters as my guide, I decided to buy this book to introduce me to the current state of the art in GP. The strengths of this book are its textbook format and the informal exercises that are presented for the reader at the end of every chapter. There is also a great deal of compilation from other relevant gp works presented in a localized, intra-chapter basis. The book is thus highly digestable to a newcomer, and is a far less time-consuming way to learn about GP than through the "expert" papers on the web. Having now almost finished the book, I feel that I am ready and able to author and apply GP techniques in a wide variety of applications and languages, having spent less than 20 hours in study time. A terrific achievement by Banzhaf and company, highly recommended.

We all know that kind of books where the author likes to show how much he knows making things intentionally complex....well...this is the opposite side of the spectrum.
The book is very complete and detailed yet easy to read, even after a day of work.
The first part of the book contains introductory information on background areas like probability, biology and computer science as a general discipline.
Getting into the topic, it clarifies some of the differences between evolutionary systems and genetic algorithms and shows how all this contributes to the theory of genetic programming and the evolution of computer programs.
It explains how things are done with different types of individuals (tree, linear, graph, etc) and gives valuable insight about the implementation process.
Although you may need other sources for formal treatment of some topics, this book is a very good acquisition.

This lovely short novel was written in 1939, and made into a movie with Joseph Cotten and Jennifer (appropriate name!) Jones in 1948. It's an odd, very haunting book. At times it is extremely beautiful and moving, though I don't think Nathan quite manages the ending: which isn't to say I can see a better answer. It's about a young struggling artist who meets a mysterious little girl playing by herself in a park. He befriends her and learns that her parents are high wire jugglers. Then she disappears, but reappears a few more times, always a few years older. After a while the artist realizes how strange things are (Jennie always seems to know). Basically, she seems disconnected from time. The artist's sketches of Jennie give him the break he needs to make his career, but before long Jennie is all he cares about. The book moves quickly to the inevitable ending. Parts of it, as I said, are haunting: the images of the lonely girl in the park bring tears to my eyes as I type. And there are some very fine lines as well. Really a very good book.

I first came across Portrait of Jennie in a BBC "Boy Meets Girl" play in about 1969, with the utterly wonderful Anna Calder-Marshall playing Jennie, and fell in love with both her and the story on the spot. (I found out later from the BBC that "the recording of this play is no longer in existence" -- vandals!)

I found a second-hand copy of the book in 1970. I foolishly lent it (complete with pasted-in treasured press pix of Anna Calder-Marshall as Jennie) to someone a year or two later, and didn't find a replacement till twelve years later. NO ONE borrows that. The author Robert Nathan (1894-1985) normally churned out (I'm told) undistinguished romantic novels; Portrait of Jennie (published 1940) was a one-off in its strangeness, wonder and beauty.

...

Do yourself a favour: read the book, and be haunted for the rest of your life.

This is one of the most wonderful love stories ever written. I first read this in 7th grade, and since then Robert Nathan has become my most favorite writer and "Portrait of Jennie" has become my most beloved book of all time. This is a timeless classic novelette. I am usually able to read this in one sitting, because the haunting story keeps me so hooked. The climatic, yet tearful ending only proves that love endures all things. If you ever feel depressed or hopeless, read "Portait of Jennie" and let it be your muse for inspiration as Jennie Appleton was Eben's muse during his time of hopelessness.