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Zola weaves a strong plot line along with a multitude of characters. The hallmark of this novel is the wealth of people who populate the pages. The miners are not the noble poor but men and women who live day to day, cruel in some ways, generous in others. The managers are owners are not evil, greedy men but complex characters who in some ways envy the freedom of the miners from conventional morality.
As with most Zola novels, don't expect a happy ending. But the reader can expect to be transported to a world and a way of life almost unimaginable for its brutality and bleakness. Like other great works of literature, the novel explores the thoughts and actions of people who suffer the daily indignities of poverty and injustice. Germinal is different however because the thoughts and actions are not noble and the consequences of their actions are felt by all. I would strongly recommend Germinal as one of the major novels of the 19th century but one that transcends time and place. The issues evoked in the novel regarding labor versus capital are just as relevant to today's world.
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Great stories about how creative collaboration can lead to radical innovation in any business, political breakthroughs in the Middle East, transforming your local school system.
Our elected representatives in Washington could learn alot from the simple, powerful how to principles and techniques offered here!
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And thats just the movie novel.
Pilgrim Stars takes place immedately after the movie (I suggest reading the movie novel adaption as enough has been changed to make some minor confusion) and takes off at incredible speed. In fact, the Pilgrim heritage scenario that was bandied about in the film for no particular reason (other than bad plot) is incredibly (and trust me when I say that) brought to breathing, pulse pounding life. Things that were mentioned for twenty seconds in the movie are suddenly alive with movement. Much of the dialouge is sly and a bit cutting in some scenes, especially with the AI character Merlin.
I recommend this book to those looking for an interesting read and anyone willing to give the WC: Movie world a second chance.
Oh and Mr Telep? I'd like help on my script!
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The book was a quick read (it took me less than a day), ranking in at 154 pages. Regardless, I enjoyed the story and felt my time was well-spent. This novel is definetely best classifed as a Young Adult story, and was certainly more elementary than what I usually read-not that this is a bad thing; it's just different.
Joey, a pre-teen from Los Angelos, unassumingly works at Papa's Music shop until a strange boy visits the store, hoping to sell an equally strange blue horn. After hearing the instrument, Joey is enraptured; she cannot get the music from her head, and when she begins to hear it at night, she leaves her bed to follow the melodious sounds. Her short quest brings her to Shel'rah, a mythical land populated by unicorns, pheonixs, and water-jalla. There, she meets Shel'rah's inhabitants and learns of their problem-one which only she can solve.
I'd recommend this novel to anyone who enjoys the fantasy novels and is in search of a quick, mindless afternoon read.
Joey Rivera is a reclusive young student, who is something of a music whiz and who prefers the company of her sharp, elderly Abuelita and crotchety Mr. Papas to that of her peers. Her life is changed when an eerily beautiful young man named Indigo comes into the shop, trying to sell a long pointed flute to Mr. Papas. And he wants gold for the fluted horn -- lots of gold. Mr. Papas can't give him all the gold he wants immediately, and so Indigo puts the offer on hold.
The music of the horn follows Joey throughout her day. That night, she finds herself in a near-idyllic land called Shei'rah. In it live water spirits, kindly satyrs, tiny dragons -- and near-immortal unicorns called the Eldest. Except the Eldest are becoming blind, as an unknown affliction robs them of their sight. Joey travels from one world to the other, but begins to see flaws and problems in Shei'rah, and learns more about the mysterious Indigo and what he is doing.
This is a nice story, not the best or the deepest (since parts of it are obvious from the very start, such as what Abuelita is going to do), but very well-written and true to life as a fantasy book can get. It raises some good questions as well: Is it better to be good and pure, or to have human choice? Is it better to believe a beautiful lie than an ugly truth? Beagle handles these questions delicately and without ham-handedness. He also adds a few extra dimensions to previous creatures like satyrs and pheonixes, by also giving them different names than we do.
Among the introspective scenes is Joey and Indigo meeting a former unicorn who lives as a homeless human in our world; Beagle gives us a view of both sides of the issue, both what Indigo feels and what Joey feels when they see her. And the blindness symbolism is so subtle I didn't notice it at first.
Joey herself initially seems like she'll be the usual disaffected loner teen. But as she spends time among the Eldest and with Indigo, we see her gradually maturing in personality. It's not an easy transition, but enjoyable to watch. Most of the Eldest except for Indigo and the kiddie unicorn don't have much personality; they're ancient, wise, and good, and there isn't much more to them than that. Abuelita is delightfully spicy in personality, the kindly and wiser-than-you'd-expect grandmother we'd all love to have, as is the crotchety, sharp Mr. Papas (who may be my favorite character in the book). Ko is a fun sidekick, even if we take a long time to know just where in life he is; the water creature really could have used a purpose in the plot, since she really seemed like page filler. Indigo is the weirdest and most unique; his motives are cloudy and his demeanor is unusually cynical, but he becomes sympathetic to the reader nevertheless.
Finally, Robert Rodrieguez does an amazing job with the illustrations. Both realistic and dreamy, they fit the action in the book perfectly. And the Eldest, the way he draws them, are subtlely different from the usual visions of unicorns (especially those HUGE eyes).
A charming little coming-of-age story, and one that fans of "Last Unicorn" may enjoy.
Overall, I was very disappointed in this book.
The book begins with devastating attacks being carried out on Federation colonies. At first the only point of the attacks appears to be the destruction of Federation sites. However, after a great deal of investigation, the purpose turns out to be much more sinister. The Enterprise engages the raiders and just manages to defeat them after learning of their origins.
This is one of the better books in the Star Trek series and I found it difficult to put it down.
As Kirk and crew, minus Uhura, speed off to save another Federation world suffering from an unknown space attack, only to find the worlds completely devastated. Ready adventure is apparent when the attacking fleet severly damages the Enterprise and make their escape.
But, Spock finds something of great interest that could make a difference in the fate of the Federation, let alone the Enterprise. Uhura is on a mission of her own... making this a two story adventure... working the plots of these stories together, the readers get a better picture of the adventure.
This is solid classic TREK told well and written to keep your interest with an ending only found in the TREK universe.
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In reading the book I think a little bit of a democratic bias comes out, just a little, but enough to notice. I also thought it interesting that they had far more details of the Gore group then the Bush camp, it follows the perception that the Post is somewhat liberal in its views. The book is an overview that came out almost 10 minutes after Gore hung up the phone on the second concession call so there are a few more details out now that they did not get in the book. Overall it is a good effort and a readable book, but not the end all be all on the subject.
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Though often accused of giving too much credence to non-biblical writings the authors only use non-Scriptual sources (Midrash, Talmud, etc.) which support Scripture. Christians, do yourself a favour, read this book.
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The story of Germinal is about the struggles of the working class in a coalfield of France during a time when industry was taking over. Lives were changing, and this class suffered greatly. The Maheus are the family that is the main focus of the story (the struggle). Etienne Lantier is a young man who comes to the coalfield searching for a job. He represents the guiding force throughout the novel. A complicated mass of events are occuring, and Zola does a great job making it sound realistic. By the end of the novel, few have survived, but that adds to the reality of the story. I love his writing style, which is illuminated by imagery and stunning metaphors.
I found Germinal difficult to read, so if you don't read a lot of these types of books I recommend that you watch the movie first- you'll follow it a lot better. I found it hard keeping focus on the main theme in the midst of all the characters and happenings. But all in all, it is a classic and I would suggest it to anyone interested in european historical literature.