This book is the one book for someone who is joining their first six sigma team. It will give you a feel for the tools and methodology that you will be exposed to and provides handy references of forms, metrics and best practices if you are requested to complete a task in a six sigma project. The material is very well organized and summarized for usage as an ongoing team resource.

A few people have written that they were disappointed in this book in comparison to the original "The Six Sigma Way." However, I couldn't disagree more. This is a terrific book. Where "The Six Sigma Way" served as a comprehensive foundation into the fundamentals of Six Sigma and offered a number of case studies, "The Fieldbook" is a no-nonsense roll-up-your-sleeves guide to implementation. The Bottom Line? If you want an overview of Six Sigma, buy a copy of "The Six Sigma Way." However, if you are a member of the management team (or a black belt) overseeing a Six Sigma program, "The Fieldbook" is definately the book for you.

The Six Sigma Way Team Field Book is a must have for anyone that is seriously studying Six Sigma. It gives you practical solutions for every phase of Six Sigma. This book goes wonderfully with The Six Sigma Way.

If you work in a company that is implementing Six Sigma, or you're trying to advance your career to a Black Belt or Master Black Belt position - buy this book. Buy both books!

Outstanding tools, superb readability, a wealth of knowledge at your fingertips!

This book is a fairly decent book about performance issues and is perfect for the beginner to the world of sys admininistration. However, as an experienced admin I found 85% of the material redundant or just plain common sense. The routine commands and compilation methods are geared to the begginer. There are few case studies and the ones listed were quite bland. The layout of the book was excellent though. Recommend to any one who is a beginner or who has not taken a performance tuning class. Joe Holbrook, CET, CNST Certified HP Technical Proffesional

The only book I can find in the market which talks about HP-UX tuning and an excellent one too ! It does not just cover HP-UX specific tools and methods but performance management methodology as well. I personally find it helpful and I am sure it's not just another "dust-collecting" book on the shelf.

I enjoyed this book. I come from a Solaris background, which doesn't ship with tools such as glance. The authors gives in-depth insight into how to use this tool as well as many others. They also do an excellent job of giving in depth details of how HP processes I/O and handles hardware.

I did not want a book that issued commands and told you how to interpret them. Thankfully, this book doesn't do this. It gives a complete explanation as to how HP uses machine resources, and only then shows you how to use the tools to tune the box. This is great in my mind because you understand how it works and can draw your own conclusions. Overall, it is an excellent resource and is exactly what I was looking for.

i read the other reviews and i'm wondering what book did they read? you get a felling that the author really doesn't perform interventional procedures. i would have to recommend a better book - kandarpa's handbook is much better!

The book is very helpful from basics to advanced topics. This book can serve as the only book needed for IR training in residency and oral boards preparation for radiology residents. Has individual chapters on puncture of IJ, Subclavian v, femoral v, femoral a, brachial a etc. Has individual chapters on all interventional procedures commonly performed in private practice hospitals and most of the IR procedures performed in University hospitals. All authors are fellowship trained at prestigious institutions and are currently practicing IR and Neuroradiology at academic centers. Yes, Kandarpa's book is excellent and covers a some info not in the pocket radiologist book. However, Kandarpa's book does not have any radiographs or color illustrations and tends to have long chapters from which it is more time consuming to get the scoop on focused issues such as how to perform a cerebral arteriogram, how to puncture the RIJ and LIJ, how to quickly drain an abcess or place a nephrostomy, how to perform an epidural steroid injection etc. Also the coverage of venous access and neuroradiology topics is much more thorough in the pocket radiologist book than in Kandarpa's. The pocket radiologist book provides step by step advice to guide physicians for performing procedures quickly and safely.

Very convenient. User friendly. Excellent book for clinical work and Boards preparation.

As the instructor of "Practical Object-Oriented Programming" (a 5-week course that uses Dylan that teaches object/functional application in the software domain), I chose _Dylan Programming_ as the text book. It is well-suited to the methodology of teaching programming: the chapters can be comprehended by people with no programming background (I had two such students), yet the material is stimulating so that even experienced programmers find it useful. Married with the Functional Developer (a Dylan IDE), _Dylan Programming_ makes teaching, or learning, Dylan quick and easy.

I have three points where I find the book wanting: organization, exactness/correctness, and completeness.

I found the book's organization a bit puzzling: especially when it came to control structures. In my teaching sessions, I needed to move forward 11.1-11.5 (skipping parts of 11.3 and all of 11.4) before I covered chapter 4 (classes). Also, interspersing the airport example seemed random at times, particularly in the second half of the book. I chose to skip those chapters (for teaching purposes).

The book was incorrect for several of its page references. This was particularly annoying as it happened that I followed a reference on several occasions, only to be led to the wrong page. For example, page 182 (center) refers one to page 172 for the definition of sum (a function), this function actually appears on page 174. Page 183 (center) refers one to page 147 for the use of curry ... this example is actually at the end of page 148. Page 183 (center), again, refers one to page 181 for the use of the function choose, which is not mentioned until page 182 ... and on, and on, and on. Some references were so obscure that I could not find what these references meant on any page near the page they mentioned. Chasing referred pages, then, became a tiresome venture that often disappointed.

As for completeness, I mentioned in the previous paragraph the function choose, a very useful function. However, if one looks in the index, no mention, anywhere, is made of it. The authors took pains to highlight it in the text, explain it, and provide an example. This exact problem exists also for the function apply, another very useful function. _Dylan Programming_ falls down in the index for generalities as well as specifics, as we've seen: no entry exists for first-, or higher-, order functions. Also, the index entries for protocol and efficiency point to one line definitions in introductory sections, where their explanations occur much later in those chapters.

Even though the index has some faults, the references are off at times (too often, unfortunately), and I disagree with the book's presentation of fundamental topics too late, the book shines overall, and shines primarily that it teaches Dylan well.

First, some of the book's explanations surpass those of the _Dylan Reference Manual_ (DRM). It used illustrations, code examples, and metaphors repeatedly to get the point of the section across. Not only that, but it went in depth on some topics where the DRM chose terseness: for example, _Dylan Programming_ has explained modules as namespaces very well. Accompanying many sections were interactive examples in a Dylan listener so that the reader could try out the topic's techniques as they read.

Second, the book unifies the presentation of the language very well. The DRM is excellent at examining language features piece by piece; _Dylan Programming_ is excellent at putting these pieces together at the chapter level. They even have a bulleted chapter summary of the topics covered.

And, third, the book succeeds in a practical way. All of my students were new to Dylan (some new to programming), yet each completed their final project assignments, due in large part to the help this book gave them. One programming neophyte created a final project that computed the possible blood types of a child from known parents' blood types (a relatively simple task), but then created a blood type inference system that postulated a blood type of a parent based on one parent's and the child's blood type ... a more significant achievement. Another created a mathematical symbolic processor (it found, among other things, the roots of quadratic equations).

Overall, then, this book has some minor shortcomings. As a book to learn Dylan, though, it is without peer, and I strongly recommend it as the first book from which to learn the language.

While primarily aimed at people just learning Dylan, this book has some great info for people who already understand Dylan reasonably well (the chapter on performance is especially valuable.) The book is well written, and the information in the book is very accurate.

The book does not attempt to cover all the standard Dylan functions and classes, and thus it does not intend to replace the Dylan Reference Manual (DRM). I often find myself using this book as a reference for language features though.

I think this is one of the better programming books I've seen, in that it is task-oriented. The authors have a goal of building a program to do airport scheduling; while they are building this program, they are teaching you Dylan. Consequently, you are learning how to do a real-world task (well, at least someone's real world task) rather than just a bunch of example programs that don't correlate well or at all. Along the way, they are teaching you how to build classes and methods effectively, which is sadly lacking in most other programming tomes.

The only thing that I considered a "problem" is that it took them until chapter 11 to start discussing control structures (like the loops and decision statements). My attention was wandering and I had to skip ahead to keep my interest.

It also seems to be oriented towards people who are already familiar with C++ or Java (or some other object-oriented language), which is probably not a bad assumption. I can't imagine someone picking this up as their first language, but it is just a word of warning, just in case.

In summary, very, very good book. Don't make the mistake of getting the Dylan Reference Manual as a way to learn Dylan -- "Dylan Programming" is the book to get for learning the language.

When one first approaches this book, one can't help but be drawn in by Ginsberg's knowing smile. His life experiences, loves, and tragedies can all be summed up within this book. However, the many monumental poems in this book("Things I Will Not Do", etc.) are spaced apart with lymerics, catchy tunes, and mostly toilet humor. When both reading about Ginsberg, and reviewing his earlier work, a person feels a sense of awe and wonder. A person begins to look upon the world with new eyes. However, I felt a little let down after reading this one. I just felt most of the poems to be far too juvenile, and this really detracts from the over all concept, and sentimentality of the book. I'd really consider this a "half-n'-half" book. Half was good, and half was not. If anyone is looking into this book for a first look into Ginsberg, I strongly advise you read his earlier stuff first.

Ginsberg happens to be the father of the beat generation, a generation that many dismiss. Ginsberg comes to understand death in the pages of political tongue lashing's and calling them out like a showdown at the "OK". Buy this book and understand a dying man's dream of innocent fame.
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I recommend this title to anyone who enjoys good poetry. There is something extremely "real" about Ginsberg, always has been, and he shows that realness in these last few poems before he died. "Things I Will Not Do," which was the last poem he wrote before dying, brings a tear to my eye almost every time I think about it. We could all hope to approach our ends with the kind of dignity that Ginsberg seems to have.

This volume consist 80% of computer generated drawings. Most of the 'drawings' or 'diagrams' are 3-d drawings with lines everywhere (even back lines that should be hidden) which makes them incomprehensible. They look just um,... messy & black! Maybe just for the look of "Complexity"? Well, can't learn much from them! Maybe architects like to collect these for collection sake. A lot of the diagrams are not accompanied by any explainations, which make them even more incomprehensible. This book includes a few essays by Eisenman at the front.

This book is a great resource for those who want to get at what Mr. Eisenman is all about. It is a surprisingly straightforward account of what he has been up to for the past thirty years or more(Straightforward for Eisenman, at any rate). The book does require careful scrutiny, just looking at the pictures will get you nowhere.

This is a must have for any architecture book collection. This book not only contains a very linear timeline of Peter's work but amazing illustrations as well. This is a great book for an architecture student or anyone interested in theory and discourse. I was happy to (uncover and) discover Peter's personal, yet not so personal, relationship with his architecture. His distance and intimacy with his work leads to a very poetic and original linguistic creation. He is truely one of the most amazing architects; coming from someone as critical as myself, this is a great compliment to a man and his work. Read this book and see how Eisenman's work has progressed, developed, evolved, eroded, and digressed in the last 30 years. When you are done reading this book read this book again.

This was the first HWA theme anthology and, from a marketing standpoint, it was brilliant. Vampires are always a hot ticket item and guarantee a certain level of sales and good sales means that there will be interest in another volume and interest in another volume means working writers continue to work. This is a good thing and Under the Fang is a decent enough theme anthology, if you love vampires that is (and if you do you've probably read it already and don't need my review to sway your purchasing opine one way or the other). I don't, in fact vampires bore me terribly.

Boredom with blood guzzlers from the grave aside, I found Under the Fang an entertaining diversion. There is little terror to be found, though McCammon's apocalyptic opening did come close to unleashing shivers up and down my spine. The only other stories that really did anything for me were the tales by J.N. Williamson and the late, great Richard Laymon. Strictly for vampire fans.

This book is broken down into a number of short stories with the same premise. That is, a post apocalyptic explosion of vampires. They rule our world. They've enslaved mankind as their food source. I found the story of the freedom fighters in the antartic holding out against a military made up entirely of vampires to be engaging. The tired vampire colonel who wishes to have the bloodshed stop was a great character that I wish could have been explored more indepth. The stories are unique and show a mad world where humanity is 'under the fang'.

This book is by far one of the greatest anthologies of vampire stories I've ever read. Picture these blood-suckers taking over the world, and how you would re-act as one of the few mortal men left.

The Marat Sade is truly misery made beautiful, where else can the hero be made to suffer as much as Marat does. Through the course of the reading one can not help but desire to emulate the characteristics of Marat, this and the conflict between Marat and Sade are the elements of the story that keeps interests and stimulates thoughts. Weiss argues both the points of view of Marat and Sade well and ultimately delivers an interesting message.

The Marat Sade does have a captivating message, but much of the beauty in the delivery of the message may have been lost in the translation. Translations are difficult to accomplish, especially when many words do not translate from one language to another, and when verse or meter is concerned, especially verse or meter that rhyme it is nearly improbable. However, the story did have its moments of intrigue especially some of the monologues. To be truly understood The Marat Sade needs to be seen. This realization is probably what inspired someone to make the play into a film.

The film about was not stimulating aside from a few moments of irony in the simplest form made out to be humorous. The story is meant to be seen on the stage. The time period that the film was made in was not equipped well enough with special effects ,not that there was need for this in the Marat Sade but it could have made some kind of impact. The Low budget appearance of the film added to the melancholy of the film that appeared worse than the disorder of the mental patient playing Charlotte Corday and defiantly makes the viewer experience moments of sudden and involuntary sleep. If done today and well budgeted as well as directed the play could be portrayed through cameras in a most pleasing manner. Still, the play is meant to be seen on stage, this is the true way for the audience to feel the experience that Weiss wanted otherwise he would have written a film script.

I do not claim to be an expert on Marat Sade or some official critic or well read for that matter but neither is the general public and that is who an artiest should want to reach considering they are the majority, even though they fall to rule. This play is a product of the past. I feel that most American people would not be able to relate to it and they would fall to be lured into the story. The martyr roll has been over used - after all many people were force fed a similar story since birth.

When the character of Marquis de Sade shouts out at Marat, "Can't you see this patriotism is lunacy/Long ago I left heroics to the heroes/I turn my back on this nation/I turn my back on all the nations. . ." the reader can truly sense what the play of Marat/Sade is all about. As the reader gets lost in the production of a play within a play, the idea of surrealism presents itself almost at once. The reenactment of the killing of Jean-Paul Marat by Charlotte Corday seems to be a secondary plot alongside of the chanting and screaming of idealism concerning the revolution and liberty. A division of strategies regarding revolution develops between Marat and Sade. Marat advocates fast action, while Sade preaches that it is hopeless or fruitless to even bother to act. Of course, the cries of the asylum patients tend to distract, but it all adds to the surreal, bizarre nature of the play. I felt that one of the aspects the play touches on is how the revolution affects those living within it. The ideas of liberty, freedom, and revolution all make for interesting debate, but I felt one of the themes that struck me was the reality of revolution as it affects those who live around it day in and day out. One of the more striking scenes of the play, for me, came when Charlotte is in the middle of a monologue, describing children playing with toy-like guillotines. The very idea of children treating such a deathly object as a toy is disturbing, but also brings to life the desensitization that revolution brings about. The play reminds the reader that the death of masses makes the value of life and the impact of an individual death meaningless. That alone is a very somber and surreal thought. There are literary techniques throughout the play that seem to remind the reader that the dramatization depicts things which took place in the past, but threaten to become a part of our future. Marat/Sade attempts to mock the aristocratic classes that seem to catalyze such mass movements of revolution in the first place. The play seems to slap the hand of those in power through the action that takes place throughout. Every time that the characters in the play (the asylum patients) seem to become too excited or outspoken, when the truth behind their madness seems to get out of control, the "Herald" of the play speaks out to placate Coulmier, the director of the asylum. I believe that Weiss tries to make the play more socially acceptable by presenting it in a way that mocks and brings out the weakness of the debacle of government that followed, in this case, the French Revolution, but actually cuts across so many more layers than just one isolated revolution.

Our society will always have people who have large amounts of material wealth, and those who do not. That is an injustice that we must rise above, and change ourselves. Whether our means of change is reached through violence and upheaval or through escape within oneself, this is the core dialectic that the play tackles. Although at times this play is a little hard to follow or even outlandish, the play offers a look at how society deals with its corruption and injustice once it escalates to what may seem to be a point of no return. The element that seems to be the most surreal in my mind is that the ranting of the characters within the play, although they are asylum patients, reveal more truth and brutal honesty than the audience would like to admit. I think Weiss is clever to choose some very clear and controversial themes and present them in a way that is socially appropriate. He does this by blatantly speaking out against established forms of government and rule, but discrediting the characters speaking by placing them in an insane asylum. It is true to say that there are many elements of the play that never seem to completely gel in the end, or come together nicely as in most plays. But to be honest, if the story had come together neatly in the end, the essence of the play would have been lost. I think the point of the play is to show that although people may have conflicting ideals of how to handle a revolution, whether of government or ideology, things do not always work out as we had hoped. People may preach liberty and justice, but when the reality is murder and riots, there are two conflicting messages being handled at once. I believe that is what this play shows rather well. In a very surreal and bizarre way, Weiss enables the reader to see that society hardly ever practices what they preach, and although our goal might be change, in the end, upheaval and disarray may be the only things truly achieved.

Marat/Sade, by Peter Weiss, is a play centering on the murder of Jean Paul Marat. Weiss sets the play in the Asylum of Charenton, where both Marat and the Marquis de Sade are inmates. Before reading this play, I did not have much knowledge of Marquis de Sade or Jean Paul Marat. The French Revolution was a topic that I had studied, however not these members specifically. For the reading of this work, not much understanding of these ideas is needed. Some knowledge of Modernism would be helpful for insight into the motivation and reasoning of the play, however that is not needed either. The plot of the play is very thin and does not do much for the reader. There does not seem to be much action involved in the play. The characters mainly discuss and wax philosophical about the French Revolution and whether or not it was successful. It is the characters themselves and the dialogue that are most intriguing. Characters that are patients in the asylum are the driving force of the work. Many off the wall topics and rants are shouted by any number of patients. Clever use of the director of the asylum gives the reader a better sense of how a play produced in an asylum might work out. The format of the work is what seems to be an extended poem. The rhyme scheme, which is at points non-existent, can be carried from one character to the next. This is at times confusing, however it does give the work a somewhat psychotic feel. The work is a relatively easy read, however it does at times get to be a bit confusing. Because the plot is so thin, the reader is bombarded with confusing dialogue, rather than constant flowing action. The work leaves something to desired, as the reader waits for some twist of fate or action that may create some interest. Personally, I was not impressed with the work as a whole from an entertainment aspect. However as a writer I could see the work is definitely that of a talented author. There is a political aspect to the work that focuses around Sade. The many conversations between Marat and Sade focus on the Revolution and its positives and negatives. Commentary is given on the state of affairs during this time, as well as the idea that revolutions do not work on a general basis. Other such ideals are discussed throughout the work, however Sade seems to be more of a reactionary and Marat seems to be more of an idealist. On a whole this work does accomplish its goals in discussing sadism and other such ideas. Modernistic works such as this, often do not have much entertainment value, however they are quite intellectual and original; the two best points of this work.

The Ultimate Dinosaur is an ambitious book, one that seeks to alternate sections on the latest theories on the origin, lives, and deaths of dinosaurs as well as pterosaurs and prehistoric marine reptiles, all written by such noted experts as George Olshevsky, Sankar Chatterjee, and others, with dinosaur-themed science fiction short stories by such authors as Charles Sheffield, Gregory Benford, and Harry Turtledove. A great concept.

Unfortunately it was rather unevenly carried out. The non-fiction sections are quite good, though a few are relatively dry to read. I did learn a few things reading these sections, and alone they just about make the book worthwhile. There were some interesting discussions over the relationship of prosauropods and sauropods for instance, and there was a great article on migrating dinosaurs.

However the short stories vary alot in style and quality, some quite good, other more moderately decent, and a few frankly terrible and hard to get through. The short stories and non-fictions are paired together, and it looks like they found it difficult to find a short story to put with some of the non-fiction sections.

Though this may only apply to the hard-cover edition which I have, I feel I must point out the book was either poorly edited, which I find suprising, or poorly published. The book was replete with words that were run together, misplaced punctuation, odd gaps in sentences, and even misspelled words. They were so common at times that it was jarring and irritating. While many books have one or two such errors, there were many of them in this work. Hopefully the paperback version cleared this up.

Having said that though this was still not a bad book and a worthwhile one to get, though frankly I would not place at the top of the list of books to fill your dinosaur needs. Still, wouldn't be bad to have either.

I have always been a big dinosaur lover, and in this book, Silverberg, Dobson, and Zimmerman really bring these creatures to life. I loved every page. This is a book for both kids and the paleontologist.

big names in science and sf coupled with top paleoartists!