It's small and not meant to be comprehensive ( the title says it all), but in this thin book, there are makes of places to visit in Scotland, pictures, drawing and a good concise history of William Wallace.

This is perfect for anyone wanting to know without having to wade through large history.

I highly recommend it to younger people just getting interested in Wallace, or those venturing to Scotland in the hopes of walking in Wallace path.

Kids who have some difficulty reading are not usually motivated to pick up a chapter book. This one, however, grabs their attention right away. The antics of Herbie and his friends (especially his trouble getting rid of a girlfriend) capture the reader's interest and maintain it throughout. A great read for those 4th and 5th grade kids who may struggle with reading!

In my opinion, this book isn't for Pokemon fans who want to catch more Pokemon. It's more of a little kid's book. A lot of Pokemon are living together in the forest, when Clefairy loses it's voice. This is bad, because it's Clefairy's job to wake all the other Pokemon up in the morning. The elder tells the Pokemon that someone has stolen Clefairy's voice, so Clefairy's friends go on a search to find it. They look all over the forest for it, but it turns out a little girl found Clefairy's voice, trapped in a bottle. The little gives it to a Ponyta and Clefairy gets it's voice back. I think this is a good book because it teaches two lessons. One, it teaches kids not to give up. Two, it teaches kids that sometimes you need help from others to get a job done. All in all, I think this would be a very good book for kids.

This is a great book. When Indy finds a time bomb on his ship, his father and him get stuck in Hawaii when another vessel fakes the name of their vessel and takes their coal. This just starts Indy's adventures in Hawaii. He meets a young girl named Lizzie who gets him in even more trouble. Then the mysterious appearance and disapearance of Pele, the Volcano Goddess, who the two youngsters give some berries too. The kids then discover a plot to destroy British shiping in the Pacific. When I first got this book I couldn't put it down. It is full of action and adventure. A must-read for all Young Indy fans.

Biographical essays of well-known as well as fairly obscure musicians and industry types. Escott has made a career out of telling outrageous, sometimes salacious, tales -- he gets to the rawer, visceral side of the story pretty quickly, which is relatively easy when you're talking to folks who worked in the scraggly, scruffy early years of country, rock and blues. He's an engaging, consersational writer, and this latest collection is a delight. Includes essays on artists such as Dale Hawkins, Don Everly, Johnny Horton, Tim Hardin and a particularly cruel skewering of Pat Boone. In one of the most fascinating sections, Escott profiles the founders of record labels such as Decca, King, Starday and Hi -- a fascinating and very illuminating appoach to presenting the history of popular music. Beautifully laid out, well written and highly recommended.

This groundbreaking work offers the reader insight to the world of Stax in the sixties and seventies. It allows the reader to understand the forces behind the ascension and eventual decline of one of the greatest recording labels in the history of modern music. In the course of absorbing this wonderful book, the humble reader is able to gain an understanding of the societal, cultural, and racial catalysts for the music produced. In the latter part of the book, the reader sees the painful decline of Stax from their pinnacle to their nadir in the course of only a few short years.

Extremely highly recommended -- the best musical history book I have read.

Also recommended: The Complete Stax/Volt Singles, Volumes I, II, and III (box sets with excellent liner notes by Rob Bowman)

Also -- It Came from Memphis' for a good background on the lesser known, but nonetheless important musicians who originated in Memphis.

This Book was all that.Staxx is as Important as Motown.It's a Incredible Story.especially when A Black Label Blows up Down South in the 60's.you only ever here about Sun Records &Sam Phillips and his discovery of Elvis Presley.so this is Very Important on a Social Front.The Many Great Artists on Staxx.this Book is strong from start to Finish.

It is a great book to have when you need to do some admin job and want to have a checklist of what to look out for. The book mainly draws from the authors personal experiences and so is filled with practical tips and what to watch out for. I really like the replication part...

This book is an excellent start to learning how to use SQL Server v6.5. It gives an overview of the features that the SQL Administrator would need to know for handling day-to-day tasks and problems with it.

I thoroughly recommend this book. Well worth the money! Easy to understand for both beginners and advanced users.

Among the 6 MSSQL-Server books that I have waded through, everyone of them is good but not everybody has the time and resouces to commit the whole book just for a few programmer-related or administrator-related chapters. Like "Teach Yourself Transact-SQL within 21 days" that accomplishes its objectives to deliver T-SQL entirely at the programming level, this book also delivers by devoting itself essentially to administrating MSSQL-Server. There are a few distinctive features that I like about this book: 1) Every chapter is kept small and makes for assiduous reading easy at one go. 2) The presentation style is highly informal and interactive, focusing on the "you" administator and the tasks on hand. 3) Every section has a "hard-to-miss" header for easy identification of sub-topics. 4) The chapter introduction that highlights and the summary that reviews the core of the chapter without "missing the forest from the trees". 5) The size of the book (469 pages) is not intimidating or demoralizing, which is just about right.

Sam's TEACH YOURSELF C FOR LINUX IN 21 DAYS is the ideal book for the total beginner wanting to program in Linux. C is the dominant language on Linux, as the kernel and most GNU and GNOME apps are written in it, and this book teaches C in a clear manner without expecting the reader to already know programming concepts.

The book opens with a few chapters of basic C program structure and the mathematical functions needed to perform tasks. After that, it immediately introduces three key programming concepts: strings and streams (inputing from and outputing to an external source). While most programming books don't discuss these concepts until late in the book, keeping the reader caged in mere theory without being able to make a useful program, TEACH YOURSELF C FOR LINUX introduces them early so that the learner can immediately start producing useful programs to solve common tasks.

While Sam's guide to C++ programming on Linux is actually just its generic C++ guide with a few token Linux references, happily Sam's TEACH YOURSELF C FOR LINUX is really solid on Linux and its authors are have actual experience in open-source design.

My only complaints are the limited coverage of structs, which can really make C programming easier and more powerful if used correctly, and of the GNU C Library. The glibc info documentation is so concise and difficult to follow that beginners need a better guide, and it's a shame that this book didn't provide it. The book is also three years old, so its chapter on GUI programing with GTK is somewhat out of date now that GTK2 has been released, although porting a GTK+ app to GTK2 is not a lot of work.

Linux is a platform where luckily all the tools one needs to get started programming are shipped free, and contribution to free (or "open-source") is encouraged. If you want to capitalize on the advantages of the platform, Sam's TEACH YOURSELF C PROGRAMMING FOR LINUX is the way to go.

Before I read this book I had already some experiences in Turbo Pascal, Delphi and little Visual C++. But since I recently switched to Linux as my primary operating system I decided to learn C.

This book does an excellent job explaining C from the very basics. It does not assume any previous programming experiences!

Although this was helpful to me, I am sure I could have understood the presented concepts without knowing other programming languages. You also do not have to know much about Linux itself, mostly is explained in the book in a very direct and clearly understandable way.

It teaches you almost everything compiling your code with gcc, how to use pointers (one of the most difficult aspects in C, I think) to programming for the GUI (Graphical User Interface) with gtk+. Although the chapter about GUI and gtk+ is existent it shows only the very basics. If you consider programmming with gtk an additional book will certainly be required.

The book is devided in 21 easy to read chapter that each cover one aspect of C. But it seems like some chapters, which are suggested to read one at a time,( especially 13, 14, 18), cover a little bit too much for just one day, while others like chapter 1,2 and 19 could be joined with others.

The book also claim to teach you how to acces the printer with C, but it simply does NOT. It mentions the possibility to redirect a "stream" to the printer, but does not actually tell how to achieve that.

To learn C the way the book teaches it you seriously need to invest some time and stay focused.

Since the chapters build up on each other you sometimes wil have to go back and reread some sections. After you learned C with this book you may want to buy a "refernce" that explaines more functions and commands in order to look the syntax of some commands up for which this book is unsuited. O verall the book does a good job teaching the C language with specifications for the Linux environment (it also tells you what to do in order to make your code portable!).

If you are new to Linux and want to learn a powerful programming language this is definetelly the book for you!

I gave the book only four stars because of some editing errors and the nonexistent printer-acces feauture. If this is revised in the second edition it absolutely earns FIVE stars!

I have been learning C++ for a while on a linux platform, and started to look at some C stuff in the kernel and other programs to broaden my knowledge. I saw that that although C++ is derived from C it doesn't necessarily do stuff the same way, so I picked up this book. It was right on the mark! and explained some peculiar C stuff right away and in a good easy to read style. It consolidated my knowledge well an added to my understanding, particularly with pointers to pointers by including well thought out text and pictures well done. It also provides a good tutorial into basic GCC usage and the peculirities of programming for Linux, I recomend it.

. . . to really achieve its full potential, this play needs to be acted out on stage. Still, highly excellent, involving twins, cross-dressing, love tangles, sword-fighting, secret marriages, music, disguises, mistaken identities, high speech, and lowbrow humour.

The entire play takes place in Illyria. In the main plot, Orsino is in love with Olivia, who unfortunately does not return his feelings. Viola is shipwrecked on the Illyrian coast, and dressed as a boy, comes to serve in Orsino's court, where she of course falls in love with Orsino. Meanwhile, in Olivia's court, some of her courtiers plan a cruel--but funny--practical joke against her pompous steward Malvolio. There is also a third plot later on involving Viola's twin brother Sebastian, who has been shipwrecked likewise. Naturally things get quite confusing, but, true to Shakespeare's comedic style, everything gets worked out in the end.

This is an enjoyable book to read, and the notes are very helpful. However, it is still better as a performance.

"Twelfth Night" is one of the famous romantic comedy written by William Shakespeare. Many critics said, "Twelfth Night" is the masterpiece among his comedy because his fully developed style and insight are in the "Twelfth Night", so it has special value and attractiveness.
There are four main characters in "Twelfth Night" ; Duke Orsino, Olivia, Viola, and
Sebastian. Duke Orsino who lives in Illyria loves Olivia, so every day he send one of
his servant to Olivia's house for proposal of marriage. However, every time Olivia
refuses his proposal for the reason that she lost her brother before long, so she is now
in big sorrow and can not love anyone. One day, Viola comes into Illyria. She and her
twin brother Sebastian are separated in a shipwreck and they are rescued by two
different people in two different place, so they think the other one is dead each other.
Viola disguise as a man and become a servant of Duke Orsino, and then she fall in
love with Duke Orsino. But, Duke Orsino loves Olivia and he send Viola whose new
name as a man is "Cesario" to Olivia for proposal. Unexpectedly, Olivia fall in love with
Cesario!! Therefore, love triangle is formed. In the latter scene, Sebastian also come into
Illyria, so the confusion getting worse. However, in the end, all misunderstandings are
solved and Cesario become Viola, so the four main characters find their love.
There are also four supporting characters in "Twelfth Night" ; Clown, Sir Toby Belch,
Malvolio, and Sir Andrew Aguecheek. They make the readers laugh through their funny
behaviors and comments in subplot.
"Twelfth Night" is very funny story and enjoyable book, so I recommend you.

I didn't read this particular version of Twelfth Night, so I'm rating the plot, not the editing. This book was the first play by Shakespeare that I read, and I loved it! It starts when Viola and her brother, Sebastian, are seperated in a shipwreck. Viola decides to disguise herself as a boy and work for Orsino, the duke. Orsino sends Viola to tell Olivia that he loves her. Viola does what he says, but she wishes she didn't have to, because she has fallen in love with Orsino! Then Olivia falls in love with Viola, thinking that she is a boy. While all this is going on, Andrew Aguecheek is wooing Olivia, who scorns him. Also, Maria, the maid, Sir Toby Belch, Olivia's uncle, and another servant write a letter and put it where Malvolio, a servant, will see it. The letter says that Olivia is in love with Malvolio. Malvolio immediately starts trying to woo Olivia. Maria and Sir Toby pretend to think that he's mad, and lock him up. Meanwhile, Sebastian comes to town with Antonio, the man who saved him from the shipwreck. Antonio gives him his purse and says that he must stay away from the city because he fought against the duke in a war. A few minutes later, Antonio realizes that he needs money for lodgings and goes to find Sebastian. In the city, Viola is being forced to fight Andrew Aguecheek for the right to marry Olivia. Antonio sees the fight and hurries to intervene. Orsino recognizes him and has him arrested. Antonio asks Viola for his purse so that he can pay bail, thinking that she is Sebastian. Viola denies having had a purse. Then Sebastian comes up. Olivia had found him and married him on the spot, and he, deliriously happy, had gone away to give Antonio his purse. On the way, he met Sir Toby and Andrew Aguecheek. When they try to force him to fight, he punches them and goes on. They come up too, bitterly accusing Viola. (No one has seen Sebastian yet.) Then Olivia comes up and speaks to Viola, who denies being her wife. Orsino becomes angry with her, thinking that she has married Olivia, and accuses her of treachery. Just as things are looking bad for Viola, Sebastian reveals himself. Then everyone is happy (since Orsino falls in love with Viola on the spot) except Andrew Aguecheek and Malvolio, who is later set free. The plot of this book is a little hard to understand, but it is halariously funny and makes for happy reading.

If you're looking for a good read with some funny situations and interesting holidays - get this book. Each story is unique and a fast read. I disagree with the reviewer who said the stories were cliche. I thought the characters were interesting and quirky with the only cliche being that they each found "true love" in different settings and that really isn't cliche - it's a romance novel. Sit back with your cup of tea or coffee, a snack and enjoy this novel. You won't be sorry.

As in many anthologies, they are often more difficult to write than standard length publications. The writing must be fast in order to keep the flow and continuity from one story to the next. I thoroughly enjoyed "Romancing the Holidays". This isn't your standard, one-holiday anthology. There's everything from Jewish holiday traditions to Halloween. What a surprise and quite refreshing! If you'd like a fun-filled, whimsical, fantasy anthology, this is the one for you. I kept on reading until the last story was over!

As in all anthologies, writers are faced with pacing their stories faster and to the point. Authors must keep those stories flowing. Stories like these are often much more difficult to write than standard, romance-length publications. But I found the stories in "Romancing the Holidays" greatly enjoyable, light-hearted and extremely imaginative. I went from one story to the next without putting the book down. And what a wonderful premise! It's highly unusual to find a series of short romances based upon different holiday themes. Any lover of the romance genre will happily embrace these stories. Whimsical, fantasy-filled, fun and original, if you like stories about holidays, filled with romance and happiness, "Romancing the Holidays" is a great read! This isn't just your typical over-done, one-holiday anthology. There's everything from romances in the Jewish holiday tradition, to Halloween and everything in between. Very original!

Shakespeare's play, "Othello" is usually recognized as one of his "great" tragedy's (with Hamlet, King Lear, and Macbeth). It certainly has a quite exciting plot and great poetry. If you have not yet had an oportunity to read this great work, I recomend it strongly. It is still an intelligent treatment of race, family and civic duty, and sex. It also has one of the most interesting bad guys around - Iago.

I read it in the Arden edition, edited by Honigmann. Honigmann argues that Othello has a strong claim at being Shakespeare's greatest tragedy and makes a strong case for the work. He has a good introduction that gives a quite balanced and clear overview on many topics regarding this play, from the "double" time method Shakespeare uses, overviews of the various characters, as well as a the stage history. Amazingly, he can be remarkably balanced, even when he is talking about his own views. While he is a decent writer, Shakespeare is better... In the text itself, he gives quite ample footnotes to help explain the language, why he picked particular readings, as well as where themes came from...

Like all scholarly Shakespeare editions, the notes are in danger of overloading the text. This reader, however, recognizes the distance between myself and Shakespeare and so I find it comforting to be able to look at the notes when I have questions. At times his "longer notes" were awkward, but there is no easy way to handle this amount of material.

Othello relects the true meaning of a tragedy both in its content and its structure.Tragedy is 'a story of exceptional calamity produced by human actions, leading to the death of a man in high estate.'The downfall of Othello is caused by his own actions, rather than by his character, or rather the two work in unison to create the stage for his downfall.
This is what captured my attention when I read this play.It is very profound to realize the fact that Shakespeare uses Iago to set this stage on which Othello is a mere player.
I love the character of Iago. His total confidence, the superiority that he feels when psychoanalysing human nature, his rational thinking and intellectualism sways the reader to think: 'Wow, this is a compelling and sophisticated man we're dealing with here!'
However, my admiration of Iago does not in anyway undermine my love of Othello. His poetic and calm demeanor makes the reader feel the pity and terror for him when he falls from grace (catharsis). Yet, we are made to understand that the reason why he is made to appear a gullible and ignorant fool to some readers is that he does not have any knowledge of a delicate, domesticated life. Venetian women were foreign to him. This tragic flaw in Othello added to the circumstances used by Iago to destroy him.
The meaning, and hence the tragedy of the play is conveyed through the use of Shakespeare's language, style, literary devices and imagery. Without these dramatic effects, readers would never be able to enjoy the play as much, although the dialogue is at times difficult to decipher.
I thoroughly enjoyed Othello and it is my hope that more people find it enticing as I have. I would be delighted to contribute more of my reviews to that effect.

As a play, "Othello" encompasses many things but more than anything else it is a study of pure evil. Although Othello is an accomplished professional soldier and a hero of sorts, he is also a minority and an outcast in many ways. As a Black man and a Moor (which means he's a Moslem), Othello has at least two qualities, which make him stand out in the Elizabethan world. He is also married to a Caucasian woman named Desdemona, which creates an undercurrent of hostility as evidenced by the derogatory remark "the ram hath topped the ewe".

Othello's problems begin when he promotes one of his soldiers, Michael Cassio as his lieutenant. This arouses the jealousy and hatred of one of his other soldiers, Iago who hatches a plot to destroy Othello and Michael Cassio. When Cassio injures an opponent in a fight he is rebuked, punished, and subsequently ignored by Othello who must discipline him and teach him a lesson. Iago convinces Desdemona to intervene on Cassio's behalf and then begins to convince Othello that Desdemona is in love with Cassio.

This is actually one of the most difficult Shakespeare plays to watch because the audience sees the plot begin to unfold and is tormented by Othello's gradual decent into Iago's trap. As with other Shakespeare plays, the critical components of this one are revealed by language. When Othello is eventually convinced of Cassio's treachery, he condemns him and promotes Iago in his place. When Othello tells Iago that he has made him his lieutenant, Iago responds with the chilling line, "I am thine forever". To Othello this is a simple affirmation of loyalty, but to the audience, this phrase contains a double meaning. With these words, Iago indicates that the promotion does not provide him with sufficient satisfaction and that he will continue to torment and destroy Othello. It is his murderous intentions, not his loyal service that will be with Othello forever.

Iago's promotion provides him with closer proximity to Othello and provides him with more of his victim's trust. From here Iago is easily able to persuade Othello of Desdemona's purported infidelity. Soon Othello begins to confront Desdemona who naturally protests her innocence. In another revealing statement, Othello demands that Desdemona give him "the ocular proof". Like Iago's earlier statement, this one contains a double meaning that is not apparent to the recipient but that is very clear to the audience who understands the true origin of Othello's jealousy. Othello's jealousy is an invisible enemy and it is also based on events that never took place. How can Desdemona give Othello visual evidence of her innocence if her guilt is predicated on accusations that have no true shape or form? She can't. Othello is asking Desdemona to do the impossible, which means that her subsequent murder is only a matter of course.

I know that to a lot of young people this play must seem dreadfully boring and meaningless. One thing you can keep in mind is that the audience in Shakespeare's time did not have the benefit of cool things such as movies, and videos. The downside of this is that Shakespeare's plays are not visually stimulating to an audience accustomed to today's entertainment media. But the upside is that since Shakespeare had to tell a complex story with simple tools, he relied heavily on an imaginative use of language and symbols. Think of what it meant to an all White audience in a very prejudiced time to have a Black man at the center of a play. That character really stood out-almost like an island. He was vulnerable and exposed to attitudes that he could not perceive directly but which he must have sensed in some way.

Shakespeare set this play in two locations, Italy and Cypress. To an Elizabethan audience, Italy represented an exotic place that was the crossroads of many different civilizations. It was the one place where a Black man could conceivably hold a position of authority. Remember that Othello is a mercenary leader. He doesn't command a standing army and doesn't belong to any country. He is referred to as "the Moor" which means he could be from any part of the Arab world from Southern Spain to Indonesia. He has no institutional or national identity but is almost referred to as a phenomenon. (For all the criticism he has received in this department, Shakespeare was extrordinarlily attuned to racism and in this sense he was well ahead of his time.) Othello's subsequent commission as the Military Governor of Cypress dispatches him to an even more remote and isolated location. The man who stands out like an island is sent to an island. His exposure and vulnerability are doubled just as a jealous and murderous psychopath decides to destroy him.

Iago is probably the only one of Shakespeare's villains who is evil in a clinical sense rather than a human one. In Kind Lear, Edmund the bastard hatches a murderous plot out of jealousy that is similar to Iago's. But unlike Iago, he expresses remorse and attempts some form of restitution at the end of the play. In the Histories, characters like Richard III behave in a murderous fashion, but within the extreme, political environment in which they operate, we can understand their motives even if we don't agree with them. Iago, however, is a different animal. His motives are understandable up to the point in which he destroys Michael Cassio but then they spin off into an inexplicable orbit of their own. Some have suggested that Iago is sexually attracted to Othello, which (if its true) adds another meaning to the phrase "I am thine forever". But even if we buy the argument that Iago is a murderous homosexual, this still doesn't explain why he must destroy Othello. Oscar Wilde once wrote very beautifully of the destructive impact a person can willfully or unwittingly have on a lover ("for each man kills the things he loves") but this is not born out in the play. Instead, Shakespeare introduces us to a new literary character-a person motivated by inexplicable evil that is an entity in itself. One of the great ironies of this play is that Othello is a character of tragically visible proportions while Iago is one with lethally invisible ones.