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I try to not leave home without a copy!
The thing that amazes me most about this book is that, even today after almost 30 years after its original publication, the accuracy of what the authors wrote when the book was first published is outstanding! These 3 fellows REALLY did their homework.
If you only own 1 book on the Model A Ford, I recommend this one.
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Until the Omnibus of Sources returns to "print," this is the best primary souce material available.
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The "Francis Bacon's Personal Life Story" champions the exemplary character of Francis Bacon and his extraordinary commitments to English literature, science and the making of a better world.
Dodd's book informs both the new student to the subject as well as advanced researchers on the historical relationship Bacon had with Masonry, Rosicrucianism, the authorship of Shakespeare, his Tudor identity and tumultuous relationship with Queen Elizabeth, Burleigh and Cecil, Essex, and other key Elizabethans by presenting Bacon as the guiding spirit behind the Renaissance period. The book which was once published as two separate volumes covers the Queen Elizabeth and King James eras.
The author has culminated a life long study with historical references and insights that surpass all mainstream biographies of Bacon. Dodd also portrays the underlying censorship of the Elizabethan times. It may be interesting to note that in today's prevailing attitude in the academic world, the press, and other institutions entrusted with archives that Shakespeare authorship issues are downplayed as insignificant or amusing fads. This book will educate the public while changing attitudes about Bard politics
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This book, like no other I have read, reflects the passion, energy and chaos of the Coppola world. I can tell you from the inside there is no more exciting experience than being part of the Coppola energy. Francis loves to tackle the "impossible" and never gives up. I particularly like this book because it is clear that the author, like myself, has great respect for this whirlwind of a man.
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Schaeffer points out that separation is a key theme of Genesis. It is seen over and over; the light is separated from the darkness, the waters above from the waters below, man from the rest of creation, separations that occur because of the fall (man from man, man from nature, man from himself, nature from nature) and the chosen seed of Israel from the unchosen. These separations always begin with the broad, overall picture but then zoom in on the main point. Schaeffer notes, for instance; that the creation of the universe is given first in broad strokes, then the creation of Earth, the creation of life on Earth is gone over quickly, but then we have much detail regarding the creation of man, the descendants of Cain and Seth are given with Cain first, then Seth, because it is Seth's descendants that become Israel the chosen seed, and so on. Microcosm within microcosm. Always the less important is given first, dealt with and gotten out of the way. It is a beautiful pattern that I never saw until reading this book.
Also, Schaeffer has a great description of the first two chapters and how they communicate two primary attributes about God: His infinity and His personality. The infinite-personal God seems to be one of his favorite topics throughout his writings. Another major thrust of the book is authorship and arguments against multiple-authorship.
All in all it was very well done and I highly recommend it to anyone who has enjoyed anything else Francis Schaeffer has written, or anyone who wants to seriously consider the ancient book of Genesis and what effect it has on us today.
There is so much more I could say...
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Humbly written, full of love, strong in conviction, Dr. Schaeffer sounds a warning to all Bible-believing evangelicals of a form of theology that has, in many people's opinion, infected and killed the mainline denominations in the beginning of the 20th century. His is a warning against the Modernist (or Neo-orthodox) theology that questions Scriptural authority in matters of history and science (the cosmos).
This book is not meant as a proof text against liberal theology. It is directed at those who already believe in the infallibility of the Bible, but who are sleeping while Neo-orthodoxy spreads like a virus through out evangelical institutions. It is a call to action on behalf of those who care about the purity of the Church.
It is much more than a typical Fundamentalist call to arms though. Schaeffer places equal importance on the value of LIVING like we believe the Bible is infallible. He states with great humility, that evangelical accommodation to the spirit of our age is to blame for the negligible cultural impact we have had. This accommodation has harmed the Bible's authority every bit as much as Neo-orthodoxy. His is a call to be as ready to LIVE the Bible (with humility, prayer, and love) as well as DEFEND the Bible.
But the best part about the book is the concluding chapter called The Mark of a Christian. It is a reprint of an earlier booklet that Schaeffer wrote and could not be better placed. If the challenge herein does not cause you to re-think how you love your fellow Christian, or how unified (or un-unified) we as Christians are, then you need to check your pulse to see if there is a heartbeat. It is a must-read for all who care about these things.
If you are a liberal theologian, this is probably not your cup of tea. Nothing in here will change your mind. It is not "evidence" for a conservative theology. It merely describes the consequences of such a liberal mind set. This is a message from the General to his troops.
Don't wait 17 years to read this. Read it now.
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-Tiny alpines growing in the rocks.
-Glorious perennial borders with delphiniums that reach up to nine feet in a good year. It's no wonder the author states, "There is no such thing as too many delphinium."
-Not just lupines, but a lupine prairie that is just amazing from late June to early July.
-A white garden, of course!
-A woodland garden with seven species of meconopsis, a "plethora of primroses" of over 100 species and varieties, and "just about every woodland perennial we can lay our hands upon".
-A plentiful potager where eremurus, delphinium, and hollyhocks tower among the geometric plantings of vegetables.
-And even a rose garden.
There are also numerous water elements, both formal and informal, and an amazingly constructed waterfall, the construction of which is carefully documented.
There are several inspired architectural elements including the Pigeonnier with its reflecting pool--reminiscent of the Pin Mill at Bodnant--and a pair of fifteenth-century-style Japanese contemplation pavilions.
And of course, many sculptures, both classical and whimsical, are found throughout the gardens.
To call THE GREATER PERFECTION, which is as meticulously crafted as the garden it presents, a tour de force would truly be an understatement. Frank Cabot may modestly write that due to the cool evenings and foggy mornings of its maritime climate, "In my opinion there is no easier place to garden in eastern North America than Charlevoix County," but this spellbinding garden and chronicle are the result of an extraordinary vision and steadfastness which have been merely aided by a desirable climate!
Instead, Campion is drawn into the glittery world of high fashion and theater, where appearances are often confused with reality. When Georgia's husband Sir Raymond Ramillies dies under suspicious circumstances Val is implicated and Albert goes into high gear. He uncovers one ugly secret after another, but the pieces never seem to quite fit together. Motives such as blackmail, greed, drugs and jealousy all abound but Campion is unable to pinpoint a suspect who has both means and opportunity.
This is one of Allingham's longest novels, and certainly is the most complex. It provides glimpses into London's fashion and theatrical world as well as some shattering demonstrations of the prejudices and flaws of the Great Britain's rich and famous. Written in 1938, the book reflects the morality of the times. A sensitive reader may find some statements that are, to put it mildly, politically incorrect. These are unfortunate, and provide an insight into the thinking of the upper classes on either side of the Atlantic, but should not be permitted to detract from the overall quality of the novel.
One of the special delights of this novel is the reappearance of Amanda Fitton, heroine of the "The Gyrth Chalice Mystery." She comes to Albert, seeking help, after a hiatus of six years, and manages to become engaged to him in the space of one evening. She becomes Campion's loyal, if irreverent, assistant and very nearly steals the whole novel. Lugg also gets in his share of grumping and grousing. "The Fashion in Shrouds" is one of Allingham's best, serving up mystery, humor, suspense and social commentary in great big, heaping doses.