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As far as the contents of the book are concerned, my hat goes off to the editor, Stephen Hand, for distilling such a diverse, and yet interesting range of papers from the vast array of excellent treatises available.
The book also features some interesting reports on some of the most recent activities undertaken in the WMA community. This provides the reader with a very good 'big picture' perspective into what advances are being made in what fields, and an appreciation for the vast range of people who are now interested in historical swordsmanship.
With regards to it's practicality, the book caters for many different tastes - whether you are interested in the finesse of renaissance fencing, or simply a medieval re-enactor using the trusty 'sword and shield' method. SPADA provides useful insights and a greater understanding of historical methods of fighting.
I highly recommend this book to anyone interested in gaining a greater appreciation of historical swordsmanship, and anyone who is curious to know what the swordmanship community out there is doing. I rate it as a 'must have' item, and I look forward to more SPADA releases in the future.
cheers
Matt Partridge
Secretary
Order of the White Stag
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The book's structure is based on the Osage's concept of the moon's cycles as the basis of their year. The opening sentence of the third chapter, "Just-Doing-That Moon", says: "The Osage say that the moon is a woman and that she makes her appearance twelve times a year." Each of the moon's appearances has a name and, in the book, a corresponding chapter.
Mathews was deeply involved in Osage tribal politics, attempting to safeguard their lands and mineral rights from encroachment by state and federal government, and also attempting to preserve tribal history. He founded the Osage Tribal Museum in Pawhuska, and one chapter of the book is mostly devoted to his successful effort to have portraits painted for the museum of the leading elders of the tribe. This was in the summer of 1936, which still stands as the hottest on record in this area. His tales of dealing with the proud, recalcitrant elders and the somewhat clueless portraitist are both humorous and moving.
Mathews was a sophisticated, cosmopolitan intellectual, but he loved his people and his land, was always concerned with their welfare, and in writing this book, gave us an affectionate and clear-eyed account of the beauties and terrors to be found among the blackjacks and canyons of the land that Woody Guthrie called "the great Osage."