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This story cleverly showed a means to bring Mandy out of her shell, so she could open up to trust her classmates.
The author's work flows smoothly and is heartfelt. The illustrations are well done, as well as the cover design.
Great job Barbara & Twynz Pub!


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Ms, Kling delivers not only the information you buy the book for, but also page after page of visual delights.


The first chapters after the Invitation chapter start out with simple projects. You'll practice creating simple baby rosettes and thereafter the projects introduce more intricate and ornamental flowers, stems, leaves, stamens and buds. There are plenty of diagrams on each page as well as photos - many of them full-page. For example, you'll start making a basic scalloped rosebud. From there you'll learn to embellish it such as a Scalloped Rosebud with Knots or create a Hatpin Rose, Flatbud or Carbochon Rosebuds with One or Double Rolled Edges. You'll learn to create a Dahlia. Or create full bloom roses with variations such as budded finish, off-center, off-center w/ zig-zag ruffles, internal petals and separate petals. And these are only a select few flowers and techniques you'll learn. Other chapters show various ways of attaching your finished flowers to fabric with other chapters on creating pompoms, knots or various lazy daisy designs, pansies, fushias and daffodils.
Leaves, stamens and buds receive just as much treatment as the flowers and help fill out the designs. There are chapters on textured finishes such as ruffled edges, hand pleating, scrunching, wet look and tips on getting your flowers into final form as well as knowing when they're finished. There are tips on collecting ribbons, buying them, washing and ironing them as well as a chapter giving extra tips and techniques on the various stitches used throughout the book. The final chapter discusses the meaning of flowers and inspirations for creating your own ribbon flower artwork.
Beginning and Advanced ribbon crafters alike will find this book full of easy to understand instructions, diagrams and photos. For convenience there is a list of mail-order sources for ribbon in the back as well as a Suggested Reading and an index. If you have any interest in this type of work at all don't miss this book.

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Elsa Morante is truly one of the best writers of the 20th Century. She is able to express the anguish and the glory of "her" little man. Indeed, regardless of what happens in our lives, the events that may seem catastrophic, happiness is still all around us, we just have to fight for it. This is the lesson that Elsa Morante wants us to take away.
How do we achive this? Read "History" and discover the secret...

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Central character Claire Raphael seems pretty passive and simply stands by while her husband takes custody of her kids and takes her to the cleaners because she has her own business and earns more money than the ex-husband.
There needed to be more conflict and drama. Maybe, Claire could have kidnapped the children or taken revenge on her ex, for the sake of plot suspense and momentum. Instead, poor Claire waits for the legal system to dole out what little she does end up with.
Also, Claire has to deal with her aging and dying mother, Connie. Why do characters in Barbara Delinsky books call their mothers by their first names always?
Coming off the surreal and mystical "Three Wishes" by Barbara Delinsky, "A Woman's Place" was a let-down, due to the central character's (In "Woman's Place") inability to take action, no matter what it was, regarding her sad situation.
The book just plods along while central character, Claire waits for her situation to change. This novel comes closest to repetitive Danielle Steel novels, since much of "A Woman's Place" is taken up by Claire doing nothing but endlessly and incessantly complaining about her lot in life instead of pro-actively doing something about it.



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Jenny/Genevieve Warner is a care assistant at a luxurious home for the elderly where she has built a friendship with terminally ill, exquisitely turned out Mrs. Stella Newland. Two women could not be more different on the surface. Jenny is a modern, practical, hard working country girl who has never traveled and is a product of village life and education. Stella comes from the gentry, married very well and seems so sheltered as to have come from a different age all together. Yet the sparkling Jenny's humdrum marriage is teetering because she has discovered passion in the form of a married lover. Stella has some dark secrets she has lived with for over twenty years and wants to share them with Jenny. Stella believes in nothing, but would like redemption. Jenny believes in everything: omens, charms, and every passing happenstance has psychic meaning for her. Jenny is willing to work her way to better things; Stella is passive. But why does Stella own a house that no one knows about? And why is she afraid to even ride in automobiles when she once was considered a dashing driver? Why does she refuse to sit outside in the sunshine?
The author keeps us asking these questions and sends us down some strange paths to get the answers. We know we are heading for a nameless horrific climactic event in Stella's past that will somehow impact on Jenny's present, but what can it be? Ms. Vine never falls into a Gothic romance-type of trap. Her people and events are sharp edged. Stella smokes irritably in spite of the fact she is dying of lung cancer. When Jenny finally works up her courage to leave her husband, he will not take her seriously; so what should be a grand melodramatic episode degenerates into farce. "I'm leaving you Mike"----"Well take the washer and leave the car, there's a good lass."
The author builds the tension until we are wrought up for at least a tornado strike, and she doesn't disappoint. Then when we think we have taken quite enough for one day, she adds another zinger. A great well-done page-turner.

This, "The Brimstone Wedding", is yet another masterpiece of atmospheric fiction from Barbara Vine (Ruth Rendell). Yet again she synthesises her twin storylines - one in the past, one in the present - brilliantly, and they eerily mirror each other down the generations. She builds the atmosphere brilliantly in both the time periods, and the suspense is continually ratcheted up, helped along by subtle and tantalising hints as to what exactly Stella's shocking secret could possibly be.
This time around, the characters are also more likeable than is the norm for a Vine novel, so it has a warmer, deceptively (and dangerously) cosy feel, which is juxtaposed with the usual chilly atmosphere and down-to-the-bones and wonderfully detached writing style. They're characters you are motivated to care deeply about, which serves to make this not only a powerful in places but also very moving. Certainly, there was one point when I even shed a few tears.
The story is told brilliantly, giving readers enough information to satisfy, but yet as little as possible, to ensure that they need continually to turn the page to find out more. It all culminates excellently with a shocking revelation about the true nature of Stella's secret. This revelation is not overblown and exaggerated, as some authors might make it, instead Vine underplays it, clearing it entirely of melodrama and simply telling things exactly as they were, which forces the reader to actually think about it, thus bringing huge power to the climax.
This, a masterpiece that is the sum of many excellent parts, is a complete triumph for Vine, matching up very equally with my previous favourite of hers, the erotic and chilling genius that is "No Night Is Too Long". Neither of these books should be passed over by any reader worth their salt.
