This is a thorough, well-writen, and edifying introductory chemistry book. I particularly enjoyed the chapter dealing with bio-chemistry.

Shipped book quickly and answered my concerns right away. I am willing to do business with this person again. Book in "new" condition. I am pleased.

I am taking this book for college and it is truly very good. It covers every content for inorganic chemistry. Moreover, the fancy pictures, explanations, examples, essays ease the learning experienfce that you may entail with this book.
The supplementary website and CD-ROM are pretty helpful as well. Specially the website, I like it very much because it had 3-D pictures of experiments and bonds, which help you to imagine the reaction menchanism of inorganic compounds.
The exercise section is extensive 80 question for each section. The same type of exercises repeat often, yet they really help if someone wants to practice more and more for a test.
For someone who has taken stoichometry, inorganic naming, gas laws, bonding and basic concepts of inorganic chemistry (like me) in High School, then teh first sections might be useless. However, the last sections which covers thermochemistry, electrochemistry are quite intriguing and interesting.
Overall, I think this is a great book as I mentioned. Although I think that I would buy one edition earlier since the contents do not vary very much (but the price does!)

I was diagnosed as gluten intolerant about the time that Bette's first book was published. She guided me through the stages of grief ( how can I exist without wheat breads?) to a state of amazing health. I have eagerly bought and used each of her new books, but since she doesn't repeat herself, I still use many of the recipes from her original book. You need all three!!

What I want to know after I have read Bette Hagmans book whilst in the USA, it was very good, BUT... as I live in England I cannot get the same flours she uses. Can someone please tell me what Potato Starch Flour is in the UK? Thank You. Beryl

This book is perfect for the person whose medical advocate has told them simply, "Don't eat wheat." and, "Most people find this diet so difficult to follow that they don't succeed -- good luck." She shows hidden glutens in foods I thought were safe, and how to create dishes I enjoy. I learned so much I've regained my health.

Scherley's sensitive, poignant poems reveal not only his self-awareness, but also the threads of humanity that bind us, in turn, to him.

The more I read "Listen To The Trees" the more I love it. I take it everywhere I go. It is my therapy when I need to relax. I would buy any and every book Mr. Scherley would author.

I'm not a book reader, but this book of poems held on to me. I would buy anything Mr. Scherley writes.

To the readers of Speers magnificent Spandau Diaries this authoritative book fills in many intriguing gaps, and illuminates many mysteries abour Hess' true state of mind. A valuable and wonderful book.

If you have read Speer's magnificent Spandau diaries, this book will fill in a lot of very interesting gaps. Authoritative, the author gives the rarest of insights into Hess' actual state during his imprisonment.

While my husband and I were stationed in Berlin Germany, I actually met Mr Bird at the home of a friend. He signed my copy of the book! He talked to us about his time at Spandau Prison, which we drove past and took pictures of. I loaned to book to a friend, who has since divorced and have never seen the book again. I can hardly believe that anyone would not return a signed book!! Judy or Steve if you are out there, Please return my BOOK!!

This beautiful and sensitive, wise and wonderful book has been my constant companion since it was first published in 1977. Prather's words have inspired me, comforted me, rebuked me, and more than anything, opened my heart to others and my need for people in my life. I particularly continue to be inspired by his passage, "Now is the time to take possession of my life. . ." In the darkest and most difficult times in my life, I have turned to NOL&C for that spark to keep me moving. Read it, underline it, dogear it, love it and use it, and keep your copy all your life--these are precious words of wisdom.

This introspective book quiets the soul and clears the mind. Prather's excerpts are practical, peaceful, and anchoring, reminding us all that we are human, in need of love and of courage. Buy it if you can.

I, too am looking for a couple of copies of this book but would be satisfied with one. I lent this book out and it was never returned. If anyone can tell me where I could find this please email me. I am saddened that this book is no longer being printed. Thank you.

Wonderful reading, but this is a lengthy book. . .adressing so many important aspects about French peasant society. It was written in a time when advanced students were expected to know French, so it may present some difficulty to those without the knowledge or a dictionary handy, assuming one wants to understand the quotations, samples of poetry, song, or colloquial dialogue. It is not of major consequence to understand the book, but it might be a little annoying to someone without an intimate grasp of French.

Since there are great content reviews already, I will not add anything more than the tips above. Overall, this is a book rich in facts and will certainly prove a welcome addition to the library of any advanced student or scholar in this subject area.

This superb book traces the modernization of rural France in the last quarter of the 19th century. The book is divided into 3 parts; descriptions of traditional rural France, analysis of the agents of change, and discussion of how changes took place. This book is about both material changes and the parallel changes in psychology that were part of and the result of modernization in France. The emphasis is not primarily on economic statistics but on the day to day life and psychology of rural France. This book provides real insight into the mentality of French peasants and how this mentality was transformed from parochial self-conceptions and accompanying insular social organization to conceptions of French nationality and conscious membership in French society. For example, in the mid-19th century, a large number of Frenchmen did not speak French but rather a variety of regional languages. Expansion of the national economy, mandatory primary education, and other forces would eventually destroy local languages and produce a more homogenous French speaking nation. Weber demonstrates convincingly that this process took place relatively rapidly, focused in the years between the Franco-Prussian War and WWI. While this is a very thick and scholarly book, the quality of writing is excellent and the book is packed with entertaining and revealing anecdotal information.

It is clear that the process of modernization was accompanied by loss of regional cultural distinctions and languages. This cultural homogenization is perhaps regrettable but was an inevitable part of a process that resulted also in higher standards of living, greater individual freedom, and several other benefits. For example, Weber reminds us that in much of traditional rural France, seasonal hunger was common and famine a real possibility. By the end of the 19th century, famine was a vague memory and seasonal hunger largely banished. Similarly, modernization was accompanied by a fall in violence against persons, less child abuse, and weakening of overbearing patriarchial family structure.

This book has a couple of interesting resonances. The period covered by this book is also the height of European Imperialism. As Weber points out, the processes of modernization in rural France were identical to the processes of colonialization. Indeed, the modernization of rural France in the late 19th century can been seen as the final phase of the conquest of France by the region around Paris, a process that began with the Albigensian crusade in the 13th century. Ii is conventional today to depict European Imperialism as the result of the tremendous racism of that time. Yet, the modernization of rural France was essentially the same process carried out against fellow Frenchmen. This fact points out that the relationship between racism and imperialism is more complicated than commonly depicted.

Another interesting resonance relates to the recent tendency of French intellectuals and politicians to denounce the creeping 'Americanization' of French culture. These individuals like to present themselves as guardians as ancient cultural traditions. Yet, many, if not all of these traditions originate in the 19th century. Hardly ancient, and you can argue that American traditions are at least as old. Further, where modern French culture was to a large extent imposed by the coercive acts of the French government, 'Americanization' is the result of free consumer choice.

Eugen Weber has given us an excellent account of the rural countryside of France, 1870-1914. He gives plenty of detail and clearly shows how France has leaped into the modern world. It is a well written and provides the reader with a comprehensive picture of the early stages of modern France. The title is excellently chosen and reflects the true essence of the work. I would suggest this book to anyone who is interested in demographics, sociology, or history in general. It is a nice read! :)

My 3 1/2 y.o. son loves to read this book while using a flash light which really help the stars & clouds shine when we turn off the light.

The story sparked such interest in both of my children to pick the book up over and over again and re-read it. They find it even more exciting when they get to read it under the covers.

Reading this book to my child was a real joy. To see her eyes light up as the pages glowed in the dark was wonderful. This book has now sparked an interest in my child to learn more about the moon and the stars. Great book.

Now the theory is behind you and you are into Physical exams and History taking and diagnostics. This book is a must for you. In 397 Chapters it tells you about almost all human illnesses. Each chapter starts with theory (physiology), History taking, continues with Diagnosis and Treatment, it even tell you how to approach the patient what to look and what to disregard. Almost 2600 pages, takes two to carry, requires own stand in your home like Webster's dictionary but have more information compared to other 2600 page books due to fine print and unfortunately very minimal pictures or diagrams. You might want to get complete with pocket book edition for handiness when you need it. This book will not help in your diagnosis but when you think you had diagnosed than you can refer to this to see to confirm or rethink.

This is Harrison's textbook of medicine, known , read and loved the world over. Who really needs an introduction to this Medical Bible?

Harrison's is probably the best medical reference for medical professionals there is. As expected, the 14th edition of this authoritative reference lives up to its name. This book is not meant to be used as a textbook by medical students (or anyone for that matter). For those looking for a textbook, I suggest "Cecil's textbook of medicine", which does a beautiful job in that area. However, when you need to know the last say on any topic in Internal Medicine, your best bet remains Harrison's.

Hi, I am a student of Medical Science. And I need to know when the latest edition of Harrison's Principal of Internal Medicine will issued. Please let me inform to my mail address vsh12@hotmail.com. Thank you

Charming and innovative are probably the best words to describe Chick Austin, the subject of this biography. It is rare that a mere museum director is the subject of a biography, particularly one as entertaining as this one, but Chick Austin was not the average museum director.

He was schooled early on in European culture by his geneologically ambitious mother, who seemed to spend a great deal of her later years seeking family links, often specious, to European Royalty. He also developed an interest in magic which stayed with him for the majority of his life.

Chick Austin went from indifferent Harvard Student to the director of the Wadsworth Athenium in Hartford in something like 5 years. He brought a great deal of vigor to this, staging the first Baroque (when this art period was unpopular), Picasso, and Dali shows. He also staged Gertrude Stein's opera, Four Saints in Three Acts." All of this was a bit too much for dear old Hartford, who were alternately charmed and shocked by their young art director. Previously the museum had been noted for its collection of colonial furniture, after such an abrupt change it is not too difficult to imagine why. In the process, Austin managed to acquire a large number of Old Masters and Modern works. One of the five Caravaggios in the United States was bought for the museum by Austin toward the end of his tenure.

Austin's other great achievement was the Ringling Museum in Florida. The former Circus tycoon had amassed a large collection of Baroque Art in Florida. Austin not only managed to save many of the paintings from exposure to the elements, but add significantly to the hopdings of the museum by acquiring an 18th century Italian theatre.

Predictably, Austin's efforts brought him into conflict with a variety of old fuddie duddies, from trustees, state legislatures and hack journalists. The unique artistic vision of these cretins is unlikely to be celebrated anytime soon.

While Hartford and the steate of Florida haved physical evidence of Austin's efforts, the entire museum going public has cause to likewise be grateful. With Chick Austin's museums became far less stuffy places,at least in the right hands.

This book is written by the director of the Austin House in Hartford and as such it is likely to the be the most authoritative for years to come.

Chick Austin is a national treasure and what he did for the art scene is truly remarkable. I enjoyed the entire book and reading about how he developed his collection. I am not much of an art history buff and picked this book up during the holidays while visiting my family...I was hooked from the beginning. I am glad I read this.

The author weaves a very interesting and well-organized tale about a fascinating person and an exciting time to be involved in the art world in the United States. Although the substantial footnote section validates the author's detailed and thorough research, I never felt as if the text itself were bogged down with unnecessary or uninteresting detail. I suspect that some readers will note similarities between many of the struggles that Chick Austin faced and similar situations in the contemporary art scene today. This is an excellent book with a great story - I highly recommend it.

Some of these poems are for children. Some are merely about children. Some are for grown ups who love children. Some are for children who have no idea how dear they are to the grown ups in their lives.

Despite having had my copy of 'Poems of Childhood' for ten years, I know absolutely nothing about Eugene Field save what I can infer from the poems in this collection. From their recurring themes, and the order in which they appear, I can guess that Field lost a child who was very precious to him . . . was slowly healed of his grief by the love and presence of other children . . . and was given a second chance with the birth of a new baby.

There are about 15 poems that hint of that lost child and a handful that juxtapose sleep and death, making me wonder if the baby died in its sleep. Other sad poems are merely wistful about beloved children who have grown up. Thankfully, there are just as many happy poems as sad ones: cheery verses about toys, imaginary creatures, and playground games. Field also wrote several 'lullabies' that are perfect for rocking children to sleep, whether or not they are put to music.

I don't know any other poet who has brought such dignity to "babytalk." Toddlers in his poems are called names like Pittypat, Tippytoe, Googly-Goo and Luddy-Dud. His imaginary fairies include Amberglee, Daisybright and Pilfercurds. Moreover, I'm sure that no other collection of children's poems has this many terms for "dreamland"--Blinkiwink garden, Shut-Eye town, and Hushaby street, to name a few.

Though Field could be accused of writing the same poems over and over again, most of his verses have such distinctive _personalities_ that this is not entirely true. What they _all_ have in common is his delicate touch--yes, even the ones in which his voice turns rustic and homey--that has endeared him to children and grown ups alike.

This was a book from my childhood and which I have searched for many years. So happy to find it at Amazon's. Maxfield Parrish, the illustrator , with his imagination was the right choice for this book of poetry. Eugene Field's love of children and the sadness which was part of his life makes the poetry memorable.

I received this book as a gift when I was about 8 or 10, and it was one of my favorite all time books. The poems are dear and the illustrations are simply magical. This volume had poems I had heard before, like "Winken, Blinken, and Nod", and many that were new to me. Over the years, when I had to memorize a poem for school, it was always one of these I chose -- "Jest 'Fore Christmas", "The Gingham Dog and the Calico Cat", and "the Dickey bird is singing in the Amphalula tree."