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Veni, Vidi, Vici is a great book to open to a random page and read for a few minutes. And it's rather amusing to throw around Latin phrases such as "Mars gravior sub pace lacet" ("a more serious war lies hidden in peace") to see how people react.
Whether or not you are interested in actually learning Latin, this is a very interesting and fun book to read. If nothing else, it can get your mind thinking about just how pervasive Latin roots are in the language we speak today. If you are a fellow helluo librorum ("devourer of books"), you will definitely like Veni, Vidi, Vici.



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It was some consolation to find that the articles and essays here assembled were definitely worth the wait. Reed is a very funny writer, but he's not a "humorist" or humor writer in the sense of, say, Dave Barry or even (to move outside the region) P.J. O'Rourke. You'll definitely get a laugh out of many of these pieces, but you'll also find them deeply informative. Reed is, after all, a serious researcher and thinker, and the two indisputable facts that define his writing -- that he loves the South, and he *knows* the South -- feed off one another.
Granted, many of the essays here are more than a little dated (some date back to the Carter Administration), and I'd love to know how things have changed in the thirteen, fifteen, or almost twenty-five years since some of them were written. But that's no doubt just one more reason to track down Reed's more recent collections.
Southerners, including expatriates, will nod knowingly at much of what Reed says, and will get a kick out of seeing themselves depicted so accurately in print. I hope they'll also take to heart his commitment to preserving many of the things -- from culture to accent -- that make the South truly distinctive. Folks from other parts of the country will find that Reed has not only made that sometimes-puzzling region a little easier to understand, but has made the trip a remarkably pleasant one.

This is the third of John Shelton Reed's books that I have read and its style sits somewhere between that of "1001 Things Everyone Should Know About the South" and "My Tears Spoiled My Aim". The book comprises a collection of dispatches culled from Reed's contributions to newspapers, journals and magazines between 1979-1990. Most of these are 1,000-1,500 words long. The book begins with observations on two of his favorite themes, Southern identity and the New South, before moving on to Southern culture, food, politics and religion. Reed is a favorably prejudiced but acute observer of Southern manners, quirks, oddities and behaviour.
The dispatches are written to entertain and don't disappoint. I found plenty at which to laugh out loud. However, this is not to say that Reed is not surreptitiously engaged in a secret mission to raise his readers' awareness of the character and virtues of things Southern. There's plenty enough here even to make a Yankee laugh - especially some of his more elliptical humor. I particularly liked his comment on Ted Kennedy: "For my part, I rather like the fellow. He's certainly the closest thing to a good old boy that Massachussetts will ever produce - which isn't to say that he ought to be president, merely that I think he'd make a pretty good drinking buddy as long as somebody else did the driving."
Reed is exceptionally good at capturing the spirit or the essence of something and making it seem familiar to you. I have never visited Bob Jones University but, in just over three pages, Reed made me feel I knew what kind of place it was. He does the same for a number of Southern characters and institutions.
Reed is a gifted cultural interpreter who appraches his topics with respect, affection and good humor. It's tempting to say that Reed is a popularizer but that belies his considerable writing talents. Whilst everything is written in an engaging style, Reed makes few concessions to his readership - he delights in his use of language and deploys an extensive vocabularly that would make some of my students reach for their dictionaries.
All in all this book is an unqualified delight. Go buy it now - you won't be disappointed.

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I've been cooking for more than thirty years, and this book stands on my shelf with very few other cookbooks as one I will actually use.
I know we're not supposed to talk about the price of the book, but here goes: for my money, you won't find a better value. There really are a thousand and one recipes, but the other information truly puts this book over the top. Buy, try it. You won't regret it.


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Widely acknowledged as a masterpiece of prose, philosophy and translation, Aesthetic Vedanta beautifully illuminates the timeless Sanskrit poem Rasa-lila, the sacred love affair of Radha and Krishna. Since its release in 1998, Aesthetic Vedanta has continually been one of the best-selling and most respected books on classic Hindu spiritual eroticism . Interspersed with original poetry and renderings of medieval verse of several Hindu mystics, this book reveals the means to access the spiritual reality of Rasa-lila.
Aesthetic Vedanta speaks to us of a tradition that is practical and profoundly beautiful, replete with visualization, ritual, song, and dance, both affirming and spiritualizing the erotic principle that lies within our souls.
"I'm so glad to have Aesthetic Vedanta to spell out the theology of rasa-lila. We've waited a long time for someone this accomplished in Sanskrit -this schooled in yoga - to set forth its tender philosophy."
- Andrew Schelling. Naropa Institute, Author of For Love of the Dark One: Songs of Miraba
"Aesthetic Vedanta recounts India's most important treatise on romantic love. More practical and interesting than the Kama Sutra, it involves the classic adventure of the fabulous Krishna. Swami Tripurari's treatment is a masterpiece."
- Louis Meldman, Ph.D., Author of Mystical Sex: Love, Ecstasy, and the Mystical Experience
"This book truly deserves, and undoubtedly will receive, a place among serious and scholarly works of global spirituality."
- George Fowler, Author of Learning to Dance Inside: Getting to the Heart of Meditation



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The chapter on typology, a technique for understanding our inner selves and why we are not true to them, is one of the clearest I have ever read.
The concepts of persona, complexes, archetypes, shadow, Anima and Animus, etc., are presented clearly and directly. The author is always careful to ground the information in real-life language and experience, making it meaningful and applicable to the reader.
The book concludes with chapters on dream interpretation and active imagination, spurring readers to discover their own psychic process through the use of these powerful techniques.
While an introductory book, this work provides much to think about. The author's compassion and sense of humor are evident throughout. It is a worthy addition to the library of those interested in Jungian psychology and personal growth.






It is difficult for me to describe the book without giving away too much of the plot, but I would like to stress that the combination love story and exciting adventure can only be described as a 'must read page-turner.' Mr Lane's most original similes are right up there with Stephen Kings's.

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Briefly looking at the content of the book, Peterson uses the book of Jonah as a story-metaphor for what he sees as the ideal way of being a minister. It seems to me that he has two main points: 1) that a minister must first and foremost be grounded in a spirit-filled life through prayer and; 2) to achieve that, the minister must stay in one church throughout his or her whole ministry to really be rooted in the lives of people in the congregation.
He develops other points such as the idea that American culture wants the minister to be first and foremost a "program director" rather than a "spiritual director". He believes that the expectation of the church hierarchies as well as congregations is that ministers will whip up the action and make things happened as if they were PR executives rather than healers of souls. In contrast, Peterson advocates a ministry of waiting and watching for the God who walks before all of us so that the minister does not interfere with the work of the Holy Spirit.
This book is written almost as a series of images, metaphors, stories and parables rather than as a propositional treatise, which is hardly surprising given the author's literary background. While this allows the reader to make of some of the messages what he or she will, I found myself thinking "I KNOW the church hierarchy will try to push me to be a glorified PR executive if I'm successful in candidating for the ministry, but what steps can one take to avoid that happening in the first place?" I don't think this book answers that question and I think it's one of the main questions he poses. Perhaps we are to figure out the answer ourselves?...?

Under the Unpredictable Plant did not provide a compass as much as it affirmed my own journey. The book can certainly provide guidance in our culture.
It is an excellent book for church leaders to read. Perhaps the greatest benefit will be to help church leaders from having unrealistic expectations about their pastors.
After reading this book, the reader can look forward to many more enjoyable hours of reading other books by this man. Along with that enjoyment will be the opportunity to deepen and enhance your own spiritual journey.
It is a pleasure to recommend this book - and to get to know a very special man - Eugene Peterson - as he opens his heart and his life to the readers.
Max Rondoni
