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One of my three daughters experienced the power of this book before she even read it. She met Eugene and Ruth at a dinner in our home several years ago and Eugene autographed a copy of Genesis, which she took with her back to Vancouver. Some months later, when we were chatting over the telephone she told me about a dream she'd had the previous night. She recalled every detail. After she finished telling me about it I asked her if she had read Genesis yet. Her answer, "No, not yet," surprised me, for she had dreamed the last chapter of the book, a chapter called The Last Breath. She had dreamed of an impending disaster and of the breathing and of the raising of all of the radiant bodies, her own among them. All she had done was to have Genesis in her possession.
In Genesis you will meet the God Ones who came from That Other Planet to The Pleasant Planet and, when a fiery death threatened this planet, came to Earth. I once asked Eugene if the setting related to past, present or future and he responded, "All of those." You will discover how these Children of Thoth lived, loved, fought, struggled and faced the threat of a fiery death. As you read the book you will be transported into the incredible story of the sacred Children of Thoth from before the beginning, when Gods became men and men became Gods. Thoth himself, first man and first god, will come alive through the pages of Genesis as he guides Asam and Asti, perhaps known to you as Osiris and Isis, in the ancient techniques of Virgin Birth. You'll learn the difference between registered and unregistered virgin birth and feel all the emotions of ASaru and ASti as they strive to fulfil their destinies ... to birth Horus, the Divine child. You will come to understand that Virgin Birth is vitally important as the way that Goddesss Maat and God Thoth can be reborn and bestow their eternal energy.
If you've read The Nine Faces of Christ and wondered what special exercises the great initiate performed, you'll be able to learn about these in Genesis. You'll learn special sets of mind for releasing the Radiant Self' from the cellular body. Thoth himself will tell you how your flesh can be both a temple and a trap for your Spiritual Radiant Self and how you can release your Radiant Self from your body. You'll find yourself identifying with Asaru as he struggles and disciplines himself in order to achieve what he so greatly desires - the ability to raise his own Radiant Self and to fulfil his destiny. You'll learn some important differences between the male and female experience with regard to the Radiant Self. You will be a student with Asaru as Thoth explains the nine levels of energy that seem to be in the human body - the Ren, Khat, Ka, Ab, Ba, Sekem, Sahu, Khaibit and Khu and how some of them, when grown, may live forever. The Lord of Knowledge, Brahm, will join Thoth in explaining the tantalizing concept of Neo-Mind. They put forth the thesis that it is in the Neo- Mental realm that the energy for the salvation of humankind from Cosmic destruction may be possible. This energy is the energy of light travelling at the speed of thought.
By all means read The Nine Faces of Christ if you have not already done so. Then waste no time in acquiring Genesis. They are definitely companion volumes. It's an exciting read and I guarantee it will forever alter the way you think.

If you aren't familiar with the profound esoteric Gnosis of East and West, you will gain a rare overview of it by reading GENESIS. Even if you are deeply schooled in the high practices that transform humanity into divinity, you can gain new insight by reading GENESIS, as I did. I heartily recommend the book to all on the spiritual path, whether neophyte or adept.
GENESIS is the story of our planetary Hierarchy of gods and masters, the ordeals they faced, the trials they overcame, and the spiritual relations they experienced before coming to Earth. These are reflected in the ancient myths of all human cultures, most especially the Egyptian stories of Ra, Thoth, Isis, Osiris, and Horus. t In their previous "lives," Isis was known as Ast-i and Osiris as A-Sar-U, unregistered "virgin" or yogically-generated births of the ancient Empire. Their destiny was to save the divine beings of their planet from certain cosmic destruction by mastering and then teaching projection of the Radiant Bodies of all through an infinity of space to Ayr Aerth-our planet Earth.
The initiatic training of A-Sar-U and Ast-i by Thoth is threatened by Je-Su and the murderous Set, twin brother of A-Sar-U, who are champions of an anti-Gnostical "redeemer worship" turned separative and fanatical. The survival of the gods hangs upon rekindling their forgotten inner powers through feats of valor, in both physical battle and interior yogic accomplishment, in spite of the treachery and opposition of Set's forces.
Without being stated in any way, the metaphor of the change from dying globe to new Earth globe on the planetary chain (from the Secret Doctrine and the Dzyan texts of the Shambhala and Kiu-Te teachings of Kalachakra Tantra), the secret Kabbalistic history of the "earths before Earth" or the Genesis before Genesis, the struggle of the successors of the Lunar Pitri to survive, project themselves onto the Earth, and create the Fourth or Atlantean Root Race, the advanced "dry" or yogic alchemical techniques for apotheosis of the physical body cells--all these are implied and brought to life for those who know the Teachings and the grand cosmic pre-histories imperfectly remembered in the myths of all people.
The gods, spiritual teachers, and guides of humanity--in their own vast lives and heroic levels of being--have struggled, and continue to strive, on their own spiritual pathways of higher initiation. This is their story.

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Professor Joav Merrick, MD, DMSc Medical Director, Division for Mental Retardation, Box 1260, IL-91012 Jerusalem, Israel. E-mail: jmerrick@aquanet.co.il


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OK, so listen up. Times have changed. Many, many books now beckon us, delivering the full spectrum of nonprofit knowledge. Yet all books are not equal. When Henry (Hank) Rosso gathered a number of esteemed colleagues together and put out Achieving Excellence in Fund Raising in 1991, it represented a milestone in fundraising education, based as it was on his many years of teaching through The Fund Raising School, which he founded right here in the San Francisco Bay Area. The School later became a program of The Center on Philanthropy at Indiana University, and it continues to provide superior, basic training in fund raising principle and practice throughout the country. All the years of teaching experience and the benefits of association with IU are now reflected in this expanded, caught-up-with-the-world second edition of the "Rosso" (RAH-so).
It was time. Consider that when Achieving Excellence debuted in 1991, the stock market stood at 2736, Giving USA estimated total philanthropic support at $105 billion, and the National Science Foundation had just lifted its ban on commercial use of the Internet. Today, as we reel and grapple, it is worth noting that the markets have more than tripled from 1991; philanthropic dollars have doubled; and the Internet is our bread and butter. The second edition adds several chapters in recognition of the changes and rounds out its predecessor. We read about the new order, how to build endowment, women as donors, trends in major donor giving (read with caution, as markets and donor experience have had some impact), diversity considerations, Internet strategies, special events fundraising, technology use, budgeting and accountability, stewardship, international perspectives, and fund raising as a profession. These are welcome additions.
Given the scope attempted by the book, I should point out that there are, in fact, a few areas not covered, including how to obtain government grants and contracts, and exhaustive instructions on how to write a grant proposal to a foundation. But if you heed what these authors have written, you will have no problem accomplishing either feat.
Most of the authors in this edition are new to the "Rosso," numbering 27 in all. The first edition lists 13 contributors. Hank wrote eight of the chapters of that book; he has two in this one. With Hank gone (1999), we are guided into Rosso II by the gentle, sure hands of Eugene Tempel, executive director of the IU Center on Philanthropy and Tim Seiler, current director of The Fund Raising School. Between them (with a chapter from Hank), they set the stage in Parts One (Context) and Two (Fundamentals).
The book proceeds logically and is easy to navigate or use as a quick reference. "Fundamentals" is followed by sections treating "building blocks" (e.g. annual fund, capital campaign), sources, methods (e.g. direct mail, special events), management (e.g. leadership, boards, information, budgeting, consultants), ethics, stewardship, and personal professional support. A thorough Glossary and Bibliography follow.
Our AFP chapter boasts several representatives here: Kim Klein reprises her excellent chapter on grassroots fund raising and Kay Grace on leadership; Mal Warwick writes the update on direct mail; Alan Wendroff supplies special events; and Skip Henderson updates us on the trustees' role.
The context is still Hank's, which means that ultimately, the book is not about the joy of soliciting but something higher. I'm sure he would be tickled if you inscribed your book as he wrote in so many of our first editions "I hope that you will enjoy the reading of this book. Let it help you to teach the joy of giving. Hank Rosso"

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A must for the Primary Care Physician.
Personally, I would get the two volume set as the single thick back has a tendancy to break away from the binding.

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The narrative opens by questioning the story that on his deathbed Haussmann regretted his modernizing zeal. "Regret is a backward-turning emotion, and the Baron was famous for straightforwardness; he made the boulevards and razed the crooked lanes where tanners' sheds fronted cracked courtyards and sewer ditches spilled over into the bins of wire and paper petals of the artificial-flower makers for which the city, before his arrival on the scene, was famous."
This regret is the thread the all-but-omniscient narrator follows from the old Paris that spawned a great, clandestine love, to the ambition and modern rigidity that crushed it, leaving a bitter thirst for revenge in the ruins.
Haussmann's lover, Madeleine, was born in 1840 in the tumult and squalor of old Paris. "Born to a tanner's dying wife, she was dropped in the Bievre. There she was saved by pollution, for the river was already so laden with debris that nothing more could sink into it." Fished out by a lamplighter who encourages her to regard the mystery of her birth as a special emancipation, and later raised in a convent where the nuns suspect a noble lineage, Madeleine's discovery of her actual parentage drives her to flee into "the cool, criminal indifference of the street."
When she surfaces again, she has found refuge in the home (and arms) of M. de Fonce, the "demolition man" who has grown rich on the clean sweep of Haussmann's modernizing broom. De Fonce has schooled himself in the value and appreciation of "the overlooked" and rich Parisians flock to his door for souvenirs of Paris' vanished buildings. And there, Haussmann meets Madeleine.
LaFarge's style is exuberantly Dickensian - full of painterly detail and droll quirks. The rounds of the lamplighter in old Paris are as vivid as the well-organized domicile of the Prefect or the subterranean warrens of the Paris library. Good natured ridicule is heaped equally high on the "celebrated decorum" of the court of the nervous Emperor Louis Napoleon and the flamboyantly artificial balls of the demi-monde. Much is made of hypocrisy, venality, greed and ambition. The serpentine plot winds through political and amorous intrigue, building to a frenzied crisis over Haussmann's grand plan to move the Paris cemeteries outside of the city and build a Railroad of the Dead.
His characters are richly and lovingly imagined, their foibles and fancies turned out with affectionate humor. Madeleine as a young convent girl fond of cats: "And Madeleine loved most of all that which was catlike in herself, in other words, that which achieved freedom without struggle and independence without loneliness, and for all that never had to go long without food."
And De Fonce's approach to people: "Just as a building becomes rich in artifacts right before it is demolished, so de Fonce found that he was best able to exploit his connoisseurship of human character by imagining those he met as near their ends. The demolition man addressed himself to a banker as he would to a dying patriarch, and to a civil servant as to a soldier polishing his boots the night before a battle with the Turk...."
And Haussmann, so much the visionary civil servant, hastening to consult de Fonce on the question of multiple personalities upon reading of an ordinary shepherd who committed a grisly murder, then had no recollection of it: "The question, yes, of what Sorgel was, really? A shepherd? Or a foot chopper? Which is the main current and which the tributary? ...What would de Fonce think? Would the next century bring a science that could answer such questions, a sort of hydraulics of the mind?"
Impressively researched, beautifully written, humorous and wise, LaFarge's novel captivates the reader with love and loss and lingers over the mixed virtues of prudence, impulse, heritage and progress.





If you plan to do original research in the theory of numbers, these volumes are a must (even with the heavy price tag). Why? There is so much work constantly being done, results are often lost with time - what seems like something new is probably not. Like the constant rediscovery of Bernoulli and Striling numbers.
The volumes are probably not what you expect. They're really just a large annotated bibliography without detailed proofs or much immediate historic motivation (long-term history is the over-riding theme). Dickson catalogs near-misses as well as sometime pointless generalizations, so the text is not all meat. (Perhaps he's being more journalist here, than editor). In fact, it can become quite tiresome. You may be content to read these in a library, as any results will probably require you to look up the original source for more details. You'd better take notes and write down the page numbers while perusing. It's hard to find your way back, so many papers, so many authors, and the index is not optimal.
Andre Weil's "Number Theory: An approach through history" is a more literary and biographical account, but less comprehensive in the excruciating details.
5 stars for being an indispensable reference (if only for the historically-minded). Not without shortcomings.

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This book describes in detail the whole process of design, construction, and finishing these mechanical marvels. The text is precise, complete, and most importantly for the non-enthusiast, refreshingly readable (light on knife jargon). Illustrated with clear diagrams and pictures on every important step and generously endowed with hints and expert advice from the authors, this book is a classic on this specialized topic. If you have any interest in pocket knives or have ever wondered just how much craftsmanship goes into making one of these knives by hand, you'll be glad you bought this book.
