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Used price: $7.59
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Keep up the good work. Guido Knopp
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Used price: $27.49
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I read through the first couple of chapters then threw it down with disgust..even for a translation it seemed poorly written and the content was DEFINITELY unnerving. (I was looking for a STORY behind the porn..and there was nothing but sex at first..).. Anyway, later that evening I picked it up and started to browse through it again..THIS TIME I saw the "story"! There is much more here than a woman debasing herself for a lover..there is much more here than the graphic depictions of sexual encounters...this is a story about the complex ities of love vs sex et al...about a very complex woman whom (it could be argued) was not "enslaved" at all. If there's anyone out there who,like me, want to read this as a literary experience..I would recommend it! BUT!..You must be willing (and able) to see the story through the sex..andI almost missed it because of a kind of knee-jerk, conservative reaction. I'm glad I overcame that, and allowed myself to finish the book.
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Used price: $8.25
Collectible price: $8.42
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List price: $75.00 (that's 30% off!)
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In de Sade's words Justine was portrayed as much more of an innocent looking girl, young, childlike and hopeful, yet Crepax's illustrations portray her as a wanton, gaunt looking woman. Much of the elegance and richness of de Sade's original writing is lost in Crepax quick pen and ink drawings.
I could be disappointed merely because my favorite character of the Justine tale, a blood thirsty count, was not included in the Crepax version, though he lends an air of sensuality and intellect (deranged though it may be) to the tale.
This is however a lot of fun to have around. I don't mind flipping through every now and then. Be warned though many people will find it offensive, and if you have any sort of moral fiber it may disturb you (even though you won't be able to look away).
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Nevertheless, this is only a reference : The examples are rare and insufficient to learn efficiently the language, unless you need'nt examples to learn all about a new language.
Therefore, this book should be used as a reminder or a quick finder, i.e. a reference book.
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Used price: $17.00
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Used price: $10.24
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Two books I liked about the subject are Stephen Hawking's "A Brief History of Time" and Alan Guth's "The Inflationary Universe".
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Used price: $7.95
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This book is in fact a collection of short articles about how SOM can be applied to financial visualisation and classification problems. Compilations of articles are a awkward genre, ranging from either the totally unitelligible or the totally trivial, and if you have graduate education in finance, you will find that most of the articles are pretty lame, if not downright amateurish, compared to standard academic finance literature; if you don't have grad education, I'm not sure whether you would want to buy this book in the first place, but there's nothing particularly hard about it. Art buffs may be attracted by the richly colored SOM maps (Vasarely-like) that come inside the book, and I could imagine somebody exposing these in an art gallery...
Anyway, after going through this book, one gets a decent idea of what can be done with SOM, so I would definitely say IT IS worth reading. I have to say I found it utterly fascinating, although I was disappointed with most of the articles.
Another thing I don't like about the book is the price (I mean, OUCH!)... The other thing is the fact that even after reading the theory article by Professor Kohonen in this book, I still couldn't understand intuitively how the basic SOM convergence algorithm worked. It is only after reading the first few pages of his masterpiece "Self-Organizing Maps", published at Springer in 1992 that I had the "haha!" experience and that I decided to put Professor Kohonen on the pedestal of my personal heroes of science...
The second problem is the book's configuartion. Not witstanding the fact that a few chapters is not nearly enough space to adequately explain the lives and roles of any of these individuals, Knopp provides pages of direct quotes from and about each one, interspersed at random throughout the narrative. He also makes the fatal mistake in such an introductory work of assuming the reader is already intimately familiar with the overall history of Nazi German, referring to larger events with attributing dates or in what sequence they occurred. All of this left me wondering exactly who was the intended audience for this work? Nazi scholars won't learn anything they didn't already know, while casual readers are likely to find themselves hopelessly confuced.
Overall, "Hitler's Henchmen" is not a well written work of history, even allowing for the fact that it was translated into English.