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"Dantons Tod" is about the last days of political revolutionary Georges Danton, and his ultimate execution provoked by his once friend Robespierre. The entire book is chocked full of Greek and Roman inuendo---complete with comparison to Brutus and Julius Caesar. Büchner used historically accurate political speeches as his basis for the ranting of Robespierre (charismatic in my opinion, but cold hearted and a self-proclaimed "blood Messiah.") The terror of the guillotine, the indecisiveness of the people (Volk), and the loss of hope for Danton (comparing himself and others as marionettes controlled by fate) are all worthwhile components in the search for the the truth behind the French Revolution. Almost every morality issue is questioned in this HIGHLY contemporary work of one of Germany's greatist literary figures. If you have an interest in drama or history, this should be on your must read/must see list.
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This is the Seventh Edition of this collection of updates on international environment and development agreements. The Oxford University Press previously published it (then called the Green Globe Yearbook). It begins with five short academic articles which set forth major themes: the twentieth anniversary of Stockholm and fifth anniversary of Rio, the Forest Stewardship Council, the International Convention for the Regulation of Whaling, Dumping and the London Convention, and the UN Commission on Sustainable Development reporting process. These articles are well written and informative. The summaries and updates of 50 different international agreements in the areas of atmosphere, hazardous substances, marine issues, nature conservation and terrestrial resources, nuclear safety and freshwater resources follow them. The Yearbook also lists and describes 23 Intergovernmental Organizations and 29 Non-governmental Organizations, and then closes with country profiles on 14 OECD and five non-OECD countries focusing on their current environment and development profile. This information is useful and well presented and thus makes this book a good starting place for researchers and policy-makers.
JED V8N2
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Risser reflects on the relationship of Gadamer's work to the work of such related thinkers as Heidegger, Kant, Husserl, Kierkegaard, and Derrida. He addresses the concerns of Gadamer critics John Caputo and Richard Bernstein. Risser looks at some specific controversies surrounding Gadamer's work, such as the debate over Gadamer's concept of "prejudice."
I found one of the more interesting parts of the book to be Risser's look at the relevance of "Buber's distinction between an I-It relation and an I-Thou relation" to Gadamer's work. I was also intrigued by Risser's thoughts on "the concept of play" ("Spiel" in German) in Gadamer's work.
If you're turned off by phrases like "an Aristotelico-Hegelian metaphysics of infinity," you might want to avoid this book. But on the whole I found Risser's prose quite engaging. My main disappointment with the book stems from my expectations regarding the book's title. Risser talks about the voice of the "other," but I didn't see anything in the book which really explored what makes an "other" an "other." In particular, I finished the book wondering what relevance Risser's work (and Gadamer's by extension) has on postmodern debates over difference in race, gender, class, etc. Significantly, such terms as "race," "gender," etc. don't even appear in the index. My advice: supplement your reading of this book with Adrienne Rich's "Blood, Bread, and Poetry" or Audre Lorde's "Sister Outsider."
Risser's prose gets a bit "touchy-feely" towards the end, as he reflects on commonalities between poetry and philosophy and waxes poetic himself on such concepts on grace, kindness, friendship, and the "radiant word." (But I admit: I liked the "touchy-feely" stuff.) Not a wholly satisfying book, but nonetheless an admirable achievement.
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Probably, the best section concerns the latter stages of spiritual progression, (i.e. religion, absolute knowledge). Westphal discusses developments here in a general context of Christian theology, showing how Christian themes are taken up and reproduced in philosophical terms. A traditional issue arises at this point: Has Hegel abandoned phenomenology (description) for Christian metaphysics (transcendancy). The author presents a thoroughly secularized interpretation of of spirit's fulfillment and Absolute Knowledge. Spirit's ultimate return to itself transpires on the this side of the temporal divide instead of the transcendent side. It's an historical and temporal event in which spirit recognizes itself in others in a mutual display of love and recognition. It's not a transcendent occurrence in which exteriority is somehow overcome. Just how this mutual recognition also includes recognition of nature as its own ontological creation is not clear to me from Westphal's text; yet some such must be present if Absolute Knowledge is to truly take place.
In the author's opinion, Hegel's error lies not in a departure from the phenomenological method, since correctly understood in its secularized interpretation, no metaphysics is involved. Rather, Hegel's error lies in the naive belief that this final spiritual stage of description was actually being realized in 19th century Prussia! In short, his mistake was not philosophical but historical. Westphal's reading of Hegel works fine as an interpretation congenial to modern secular readers.