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In my opinion, Fuerstein's writing style is ponderous yet is lacking in academic rigor. Nor do I find him to be ispiring or substantial in any practical sense. The question I ask myself is if he is not a good academic writer nor a good practical writer, why should I read him? I can't think of any reason!
One of his most irritating qualities to to present his marginal theories as if they are well accepted in authentic academic circles. Also, he cites some really insignificant writers as if they are renowned scholars, simply because they support his views. One author whom Fuerstein frequently cites has a dubious degree and is self-published. Fuerstein also cites as authoritative a book which he co-authored (a fact that is only mentioned in a foot note)that is academic junk and is published by a theosophical publisher!
On the plus side, this book is handsome and is well designed, with nice graphical images and photos throughout.
Yes, there is some interesting and valuable material contained in The Yoga Tradition. However, in my opinion getting to it is not worth the effort. There is far too much winnowing of chaff required. Still, if you want to impress your friends with the depth of your "knowledge", leave this book lying around. It just may impress them.
Feuerstein is in one sense a true believer. He has devoted his life to the study of yoga and attendant phenomena, in particular Hinduism and the broad Tantric tradition. One gets the sense that even here in this lengthy work, he knows much more than he is conveying; that there is a synergistic power in his extensive knowledge that allows him to know things that he cannot express. One feels his intense desire to say something that perhaps cannot be said, something spiritual and personal that can only be experienced.
In another sense he is a hard-working scholar who reports on what he has learned without passing unnecessary judgments or drawing unwarranted conclusions, although he does interpret. He is, in this sense, the American expression of the great French scholar Mircea Eliade with perhaps a pinch of the Indian philosopher Sri Aurobindo, on the one hand, and the English tantrist Sir John Woodroffe, on the other, folded in.
The book begins with a thorough definition of yoga and then an overview, and then its inescapable conjoining with Hinduism. This is "Part One: Foundations." Then Feuerstein looks at "Pre-Classical Yoga" and overviews the entire Vedic tradition including the yoga of the earliest Upanishads, culminating in its expression in the Bhagavad Gita. Then in "Part Three: Classical Yoga," he comes to Patanjali and the yoga of the eight limbs, the famous yoga of the aphorisms. Part Four is "Post-Classical Yoga" from the later Yoga-Upanishads from the Middle Ages in which the focus is on bhakti, technique, mantra and meditation. It is here that Western readers will find much that is new, or at least not readily available in English. And it is here that a non-dualistic yogic philosophy (as opposed to the dualism of Patanjali) holds sway. Part Five is on tantrism and "Yoga as Spiritual Alchemy." It is in this last part that the so-called "subtle body," with its nadis and pranas, its cakras ("psychoenergetic centers") and the mysterious serpent power of kundalini, is explored in depth. Here too we have the ritualistic practice of the five forbidden things from tantra yoga, the infamous "left-handed path." Here is Feuerstein's take: "Practitioners of the left-hand path ( To me--and I have studied and practiced yoga for 28 years--yoga is first and foremost a profound psychology, a way of life that has evolved along with the human experience, from the prehistory to today, a guide on how to live that has come down to us in part (only in part: so much has been lost) as a philosophic and religious tradition. Feuerstein's book is at once a great reference and a heart-felt exposition on the power of yoga to transcend this world in which we are enveloped in the "food sheath," where we are both the eater and the eaten, but with our eyes on the stars. The book includes numerous black and white illustrations, passages from yogic works, and an extensive, selected bibliography. There is a chronology, a glossary and an excellent index.
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The books is also largely academic giving no insight into personal experience which in a spiritual disciple role is so important to tantra. Tantra is a spiritual science and yet this books still formulates matters by way of considering Vedic, Hindu and Buddhist concepts.
George Feurstein unfortunately may have succumbed to be a popular author but as to actual understanding of tantric meditation techniques, spiritual practices and spiritual science, does not appear up to the mark.
Is his latest book "Yoga for Dummies" any reflection of a new found status?
This spiritual tradition, Feuerstein explains, requires initiation at the hand of a qualified teacher and many years of intensive personal practice. The author describes some of the major lineaments of Tantra with chapters on samsara (cyclic existence), the bondage of time, the secret of embodiment, the divine play of Shiva and Shakti, the disciple-guru relationship, the subtle body, awakening the serpent power, and rituals of Tantra. Feuerstein calls this ancient esoteric tradition "the great spiritual synthesis" thanks to its insights into enlightenment and the body as a temple of the divine. The author concludes: "Tantra is a powerful tool, calling for maturity, self-knowledge, and good-heartedness in its handling."
In America, yoga has so often devolved into a physical practice with spiritual pretensions, instead of a deeply spiritual practice.
I returned from India from a six-month trip in 1998, during which time I stumbled into meeting a guru and then spent five weeks studying with him in Benares. When I came home, it was very hard to begin to articulate what had taken place. This book was a godsend, a link to connect my experience with a tradition that extends millennia back in time. And secondly it helped to link my friends and family to the experiences I just had by reading a clear description of the path and experiences involved in Tantra.
I hesitate even to use the word Tantra, given that it's so very, very misused in the West.
This book sets the record straight (Tantra does NOT equal sex) and presents the practice and history of Tantra in all its profundity. We are indebted to the author for his great gift to all of us.
For the other reviews that criticize the author's lack of experience in Tantra, you should be aware that the author has a Tantric Buddhist teacher which led him to bring his considerable talents to present the first guide and most helpful explanation of these profoundly important teachings.
I've given numerous copies to family and friends, all of whom have enjoyed it immensely.
Until Karen Armstrong decides to tackle this subject (highly unlikely, given her orientation), this is the best book available. Highest recommendation!
Hume's political, historical, and ethical ideas are also interesting and I was surprised to learn how much Hume's ideas on the separation of powers in government had influenced James Madison.
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Kudos also to "Kirkus Reviews" for their highly professional review describing how "the author captures post WW-II Germany, and how this desperate country--in which no kind of ability, industry, or talent was a guarantee against poverty--nurtured Goebbels's search for a savior who could galvanize the stricken Volk .." Hmmm , how Goebbles was the product of "Post WW-II Germany" huh --- Wow history real experts there.
Unfortunatelly Knox's translation does make it very difficult to comprehend some crucial passages, especially where Hegel's deals with the concept of Right in refined speculative terms. It also contains some basic mistakes which make a comparative reading of the English and the German text an anoying experience.
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Of course, I realize that the rebuttal to my statements is that I did not read with an open mind or heart, or even soul, when, in fact, I was more than willing to discover something outside myself that I could accept as Truth. More than that, I am generally considered so openminded that sometimes my brains leak out my ears.
That said, I did find this book helpful in a way that I did not expect - it gave me pause, and forced me to contemplate what I really believed about the way the Universe works, and about how I really felt about Love and all the other assorted relationships I have with others.
There was a lot of hidden, backhanded misogyny in this book, coated in the usual talk of "duality" and "worship of the archetypal Woman," but recommending "service," a "culture of women," and various other outmoded ideas. Funny, how I heard about all these same things in church as I was growing up, and in almost exactly the same terminology....
In the end, I would suggest that anyone seeking to find a deeper way of loving, or of living life, to look within him/herself, because, ultimately, that's where the real answers tend to rest.
And like some of the people reviewing this book here, you may not like it! But then just because our ego doesnt like something doesnt mean it isn't true.
Speaking of truth I have to say this book has the fewest errors of any spiritual book I've read. It really cuts to the heart of the matter and drops all the nonsense and Eastern verbage that put me to sleep in Buddhist books.
Heartily recommended!
after wading through the fatuous, abstract and self absorbed writing that passes for art criticism nowadays it is deeply refreshing to encounter an author like jane kallir, who knows her stuff down to the most intricate footnoted fact but presents the main story with verve, clarity, insight and sympathy. as a portrait of the artist and as a history of art trends in prewar vienna, kallir's telling is searching and well told.
the reproductions of several dozens of schiele's major works -- paintings and drawings -- are presented full page and full color, beautifully printed: it's possible to see the texture variations of schiele's line and the nuances of his color. browsing the work is a joy in itself. however, the real adventure is the catalog raisonne, which presents smaller format black and white images of every known work by schiele's hand (and even a few forgeries). though reduced in size -- six or so works are shown on each page -- the catalog images of the drawings are large enough to be easily legible, and the breakthroughs, variations, detours and consolidations in schiele's style are a fascinating visual story in themselves.
the price is high, but the book is big and heavy, and made to very high standards, so the price is fair. i'm very picky about books, and this book impressed me a lot.
My only complaints about this book are (1) that my copy lacked the listed illustrations, and (2) that it didn't have an epilogue. I'd love to hear the rest of Gaertner's story, i.e., what happened to him after 1985.
One other thing about the story that I found remarkable is its resemblance to another one. Fugitive enters the U.S. surreptitiously, gets job as a draftsman, puts down roots on the West Coast. Bit of an inventor, but his ideas get him nowhere. He marries and adopts a family. Quite the outdoorsman. His greatest fear is being recognized, as he occasionally is. But late in life, he finally admits who he was and writes an autobiography. So who am I talking about? Georg Gaertner? Or Butch Cassidy?
It's just like the movie "Fugitive", with several close calls early on on his new life in California. He doesn't live as a recluse, eventually getting married and living a very active life. I won't ruin the ending, but you won't be disappointed...as long as you can find this! A great book that shows once again that German soldiers were people just like you and me.