1. all business development staff in private industry
2. technical managers in both industry and government
3. all technical publications staff
4. all government buyers, and procurement staff: including technical officers, source selection officers and source selection board and committee members.
The business development principles illuminated in this book apply equally when businesses sell to and buy from other businesses.
Moreover, I would like to see a companion periodical publication, a CD-ROM or a newsletter, that updates the rapidly changing technological and regulatory aspects of the book. Subscribers to such a service would include all full-time business development and government procurement staff.
The book's style is that of a successful proposal. The book, as the successful proposals discussed by Mr. Frey, is an effective sales document as well as en extremely informative technical reference. The key strengths of this work are its completeness and depth. Mr. Frey provides us with a broad overview of the procurement process presented from the perspective of the business developer. The book clearly shows how the various members of a small business organization should interact to produce a successful business development effort.
At each stage of the business development process the book describes all of the necessary steps to a winning proposal. Detailed schedules, document templates, document samples and examples clearly illustrate every critical step required for planning and executing a successful proposal effort. The book presents all aspects of proposal writing including the development and use of themes, illustrations, style, and even the physical production and delivery of the proposal have in a "user friendly" manner. Mr. Frey's system of handling acronyms and his implementation of the glossary are extremely valuable to the reader. The completeness of the acronym list alone is, in my view, worth more than the price of the book.
Two key concepts developed throughout the book are: the concept of proposals as sales documents, and the critical requirement for solid and continuous upper management's support of the business and proposal development process.
Private companies, both small and large, will find this book invaluable as the blueprint for establishing, and implementing their business development infrastructures.
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As historian Brooks Simpson has noted, Grant's character was so complete that nobody could believe he was real. But he was, and the proof is in this book, which contains not only the "Personal Memoirs" but many invaluable letters revealing the man as well as the general. Though this edition lacks an introduction and other scholarly apparatus to enhance its value, the sheer scope of Grant's writings available probably make it the best current presentation of his unparalleled view of the war. Also, the early chapters on the Mexican-American War (which he detested) are most enlightening in showing some of the sources of his future greatness.
There were two great tragedies of Grant's public life. First, American Indians and African Americans suffered greatly while he was president, and it was a shame that he didn't (couldn't?) do more on their behalf. But in fairness, could/would anyone else have done better? Probably not. The earlier tragedy was that he was prevented from winning the Civil War early on, by the jealous ambition of rival generals and the circumspect nature of Union strategy. Unfortunately, the impediments that led to the slaughter at Shiloh ensured that that battle would set the tone for the rest of the conflict. If Grant had been given free rein in 1862, several hundred thousand lives would have been saved---but without the abolition of slavery and Reconstruction, there would have been a different tragedy.
General Grant made some grievous tactical errors during the war, but was able to learn from his mistakes. It's quite misleading to think of him as a heavy-handed butcher who prevailed by grinding down opponents no matter how many men he lost. By 1864 that may have been the only way to defeat Robert E. Lee. But Grant's victories before then were consistently marked by speed, boldness and strategic brilliance whenever he was permitted to act independently, as well as great sensitivity to carnage and death. Has any general ever been better at capturing enemy armies (and thus sparing lives), rather than bloodily smashing them? Perhaps the best way to compare Lee and Grant is to see the former as the last great general of the 18th century, while the latter was the first great one of the 20th century. (A.L. Conger, "Rise of U.S. Grant" helped begin the revival of his reputation; J.F.C. Fuller, "Grant & Lee" is a well-balanced comparison.) But the "Memoirs" document---with artless modesty---Grant's consummate skill at maneuver well before he introduced modern total war. They also contain the classic passage about Appomattox, wherein Grant summarized the entire war in one immortal sentence: "I felt like anything rather than rejoicing at the downfall of a foe who had fought so long and valiantly, and had suffered so much for a cause, though that cause was, I believe, one of the worst for which a people ever fought, and one for which there was the least excuse" (p.735).
Grant's great skill at turning a phrase, along with shrewd insights and dry humor, is well-displayed throughout the "Memoirs" and letters. It's true that there are some inaccuracies, because while he did have access to important documents when writing, his race against death resulted in some errors due to haste, and some inevitably faulty interpretations. But the book's reputation for unreliability is mostly unfounded. Ultimately, it is Grant's story, not a history of the war. It is not a complete autobiography, however, since most post-1865 events are not covered. A favorite image (described elsewhere) comes from Grant's post-retirement world travels, when 20,000 English workingmen turned out to march in his honor, honoring him as the general of freedom who vanquished the armies of slavery. He did not save everyone, but along with Lincoln, he saved his country. Enough said.
This edition of Grant's memoirs is wonderful because the appendix contains several hundred letters he wrote over the years. Most of these missives were written to his wife, Julia, and they shed an enormous light upon this shy man's character. Grant's letters show him to have been a tremendously gentle, decent man, with a great sense of humor and profound love in his heart for his wife and family.
This is an excellent edition, which will bring to you only one of the greatest books written in the English language, but also a selection of Grant's letters. Both make for engrossing, gripping reading.
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Michael Peter Langevin Publisher of Magical Blend Magazine Issue # 73 through Nov. 2000
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This book, however, is an exception, as it uses Cary's own words, and those of his close friends to paint a picture of the true Cary Grant: a brilliant actor, a troubled and scared little boy, but all in all a wonderful and generous person! If you are a Cary Grant fan (or even if you aren't so much), read this book - you won't be disappointed at its depiction of Cary Grant. As you read it, you'll feel as though you really were spending an evening with Cary himself!
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I also highly reccomend the books by the Lurps he flew: Linderer, Chambers, Burford (?), and others.
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Lois' book touched on many sensitive issues-- internal battles about the reality of spirit, friends' experiences of finding and expressing the truth within themselves, finding harmony with deeply rooted family issues and psychological abuse, and finding true love of oneself.
Overall, Lois Grant's book inspired me greatly because no matter how painful her arthritis was, or how many obstacles she ran into, Lois kept on searching, praying, loving and connecting with spirit. It all paid off... but you will have to read the book to uncover all the wonderful stories and details.
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What better way to really understand a person than to know their final words. Or better yet to see their final resting places many of which were picked out by the individuals themselves. One can learn a lot about the true character of a person if you see monuments they designed for themselves.
I have visited many Presidential homes and several gravesites but after reading this book I have decided to make visiting all of the gravesites one of my goals in life.
It is strange that a book about death should bring history so alive. BUY THIS BOOK!
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And I'm glad that I did. At the back end of the classical Western literary tradition of silliness, which includes such hallowed humorists as Chaucer, Bocaccio, Rabelais, Cervantes, and, in its divine form, Shakespeare, we find the one tale that may have excited them all--Lucius Apuleius's Golden Ass.
The Golden Ass is filled with adventure, suspense, humor, and nonsense. I had a grin on my face most of the way through, and I got the feeling that the author did too. Tip o' the hat to Robert Graves for delivering an authentic translation that brings us Apuleius in his bawdy best.
The only thing I found occasionally irritating was that, like Cervantes, Apuleius has a tendency to digress. Big time. He inserts the entire myth of Cupid and Psyche right into the middle of the narrative, for example. Does this add to the mythological message of the whole? Probably, but it subtracts from the fantastic flow of the story. My urgent plea to Apuleius, were he alive today, would be, "Stick to the ass!"
There are a number of reasons that traditionally bring people to this book: to study Classical Rome, classic literature, mythology, psychology... maybe you're curious about the intimate lives of donkeys. Whatever has brought you to this novel, now that you're going to read it, perhaps the best thing to do is to take the advice of the author himself, who says, "Read on and enjoy yourself!"
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The novel is as much philosophy as story, and there is much to provoke thought. However, the book can be enjoyed whether you take it as past life memory or just an escape to another time.
Sekeeta is a princess born to a First Dynasty pharaoh. When the young girl shows a talent for clairvoyant dreams, she is sent to train as a Priestess of Anubis, the god of prophecy. Her temple teachers are wise, and train her to use her gifts to serve her country. When she is grown, she rules as co-Pharaoh with her brother Neyah.
As noted above, this book is philosophy in novel form. It is to our conventional idea of the novel as the Egyptian wall painting is our idea of painting. The traditional elements of conflict, action and strong character development aren't much in evidence here. That doesn't make it unreadable, just different.
The language is stylized but beautiful, with a certain biblical flavor, the imagery vivid and poetic. In the childhood part of Sekeeta's life, she is told child's stories with simple, sound lessons, like The Monkey Who Wanted to be a Man.
Also interesting are the meanings behind some hieroglyphic symbols; in Grant's view, the images were metaphors for spiritual concepts or lessons. The word "beloved," for example, was written as a plow to show that, as a plow makes the earth fertile, so love does likewise to the heart.
On the whole, this a book that I return to and enjoy.
So what is the book about? It is the 'autobiography' of a First Dynasty Egyptian Princess who later goes on to become joint Pharaoh with her brother. Before she can take her place beside him on the throne of Egypt she undergoes training to become a priestess of Anubis.
The book is set out in three distinct parts. The first deal with her childhood, the second with her training to be a priestess and the 'graduation' ceremony (which is truly traumatizing), and the third covers her life as Pharaoh. In reality the book is divided into eight parts, but in truth the life is clearly demarcated by those three main sections.
That is a dry description of a narrative that grips the reader. You live Sekhet-a-ra's life with her from the time she is a small child being cared for by her nurse Maata until she dies at the age of fifty-three. Her childhood makes you feel the dry sands of Egypt, the gardens of the palace and the training necessary for her future role as joint Pharaoh with her brother.
I had the good fortune to meet Joan Grant in her later years. Did we discuss deep and meaningful things? Once or twice we did. In fact she shared some insights that I did not understand at that time, but now do. Mainly I fulfilled small services to make life a little more comfortable for her, such as sending her talking books back to the library they came from. I hope that those small services repaid in some measure the pleasure, knowledge and understanding that her 'novels' and especially "Winged Pharaoh" gave to me. I want to pass on to you the fact that this precious book exists and that for anyone interested in reincarnation and astral traveling it deserves to be on their reading list.