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Lt. Maggie Steele is the newly assigned line officer to the HMS Lafayette, a dreadnought with a crew of 5000, led by six line officers and two med/life support officers. The crew, some veteran, some pressed into service are of two species: those from Earth and the "Colonials," hominid aliens that differ in two respects from Earthlings. They have no voice boxes and cannot speak, but they can communicate telepathically. De Pauw describes life aboard the futuristic ship (punishments, regulations, food, religion, quarantine, navigation, inoculations, discipline, liberty and the presence of Marines) with an eye for nautical detail and an ear for dialog that is neither sexist nor obscene but conveys the passion of military personnel.
Due to a horrific mistake by the young officer on duty on Christmas Eve, the bridge is invaded by pirates. Dr. Parker, one of the med/life support officers , is a Colonial and telepathically she finds out from the captain's steward about the carnage occuring above decks. Lt. Steele had just left the officers' party to come down to the dispensary and hears the graphic story from the doctor.
Steele devises a plan of action to retake the ship. Then, as the only line officer aboard, must perform the duties of captain, navigator, engine room officer, hold a trial and execute the pirates, make plans to refuel the ship, calculate the Lafayette's position, plot a course to the nearest base (over a year's travel away), command the crew, hold inspections, supervise drills, and make decisions.
Baptism of Fire holds your attention with its descriptive scenarios and futuristic idealism. It is a book for anyone who likes a good adventure
Masks is a disturbing and compelling tale of identity while the eastern quest of 'Tao' fits Batman's spiritual history quite well.
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Having set the stage with her philosophical approach to fundraising, Ms. Grace proceeds to walk the reader through the different stages of fundraising, including annual and capital campaigns.
I used the information in this book to assist the development team at my children's school with a capital campaign. We trained a number of people in the art of fundraising and went on to raise the money needed for a new building. While I won't give Ms. Grace all the credit, I can say with confidence that the advice she dispenses is clearly written and very effective.
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You, as a reader, will also benefit from the maps, pictures, and historical background that is also included in this book, which will hopefully also help people to realize that cultures like the native Alaskans (and any other culture that doesn't have TV, flush toilets, aluminum siding, strip malls, microwavable food, press-on-nails, or other "civilized" accoutrements) are, in fact, human, and human on a scale that few people who own a housefull of mass-produced paraphernalia that they don't need.
Mostly, though, as I stated before, Wallis has a tremendous sense of prose. Her wtriting is very immediate and unadorned. Many would call it "simplistic", but it is the kind of "simplistic" that is almost impossible to do well - very much like Asimov's writing in that regard. Few authors can manage to write so tightly and without excess and still write damn well, and Wallis is absolutely one of them.
Wallis, I thank you from the bottom of my heart for your book, for your sharing, for the culture that raised you, and for your honesty.
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Ms. Welch compiles so much of Harrison Fisher's work in this volume.
This book begins with a biography which has the most information I have read about him anywhere. Good quality materials are used; this is a large artbook with full-color illustrations printed on glossy, thick paper. Most, if not all, of Harrison Fisher's Cosmopolitan and Ladies Home Journal magazine covers are pictured here.
Each artbook has its own section that includes detailed publishing and printing information and is followed by the illustrations presented in the order in which they appear in the artbooks. Differences in first and second printings are discussed. Ms. Welch includes insets of Harrison Fisher's signed artbook contracts.
Various collectibles featuring Fisher's artwork are pictured accompanied by a value guide in the back of the book. Please note that postcards of Harrison Fisher's illustrations are shown in another of Naomi Welch's works.
Thorough reference source and great collector's item on Harrison Fisher and his illustrations. Would love to see more reference books in the future on Fisher. Hopefully, a biography will be published about him some day.
If you want to find out more about Harrison Fisher and his illustrations this book will give you wide exposure to his work.
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Proposal writing is science and art. The art part is writing; the science part is reserach, strategy, observation and painstaking work. Demystifying Grant Seeking is about the painstaking part, but the authors skillfully render the components in managable, sutainable portions palatable for the busiest of non-profit professionals. I always recommend it to my students and clients.
Good proposal writers know that much time is spent learning about the non-profit itself -- its history, programs and plans; sometimes helping to develop programs or shaping them to enhance the appeal to funders; and collecting information and support materials to satisfy the donor and dramatize the project. The authors' checklist is critical to solid internal research.
Chapters on collecting, developing and refreshing support materials and program, donor and grants management files have excellent ideas for simplifying work and improving the delivery of quality information.
Thank goodness the authors dispell myths that "all you need is one well-written proposal" and that "you need to 'know somone' to get a grant".
Successful proposal writing is serious business; this book helps you do it well.
It's a generous gift to those who work so hard on behalf of good causes. Read it and keep it.
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