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Stanley does some fascinating things with the art throughout this book. She puts reproductions of Da Vinci's actual paintings into her own works and includes various drawings by Da Vinci to complement her text. Young readers will learn about the highlights of Da Vinci's life, both as an artist and as an inventor. Consequently, they will see not only the painting of "The Last Supper" but the flying machine he designed. In a fascinating postscript Stanley details what happened to the grave of Da Vinci and what few of his paintings remain. Stanley provides an excellent introduction to the life of the original Renaissance Man.
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One goal of mine has been to stay in B&B's the whole time (I picture lots of intimate Atlantic oceanside places), and there is a good focus on these accommodations. Another increasing trend in the LP series has been to supplement with web addresses for more information. The author looks like they have gone to great lengths to provide an extraordinary number of links for accommodations, activities, visitor info and often, restaurants. Coverage of maps (including city) and suggested itineraries are two of my favorite aspects of Lonely Planet, and this guide has great ones. This book also doubles as a history primer for the area. Two easy-read examples within that I enjoyed included background on the New Brunswick-to-PEI bridge & the history of why Halifax gives a Christmas tree to Boston each year.
Overall, there is more information contained within than I could use while visiting the area. It's simply the best choice for visiting the Maritimes.
One last note, Lonely Planet also released a full guide on Quebec as well.
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This was his breakthrough work. Lots of original research and tremendous insights.
I work as a financial consultant to people who receive personal injury awards and found Dr. Stanley's writing extremely valuable.
Anyone who works with high producers or who wants to be a high income producer should own this book.
Don McNay...
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He shares his great ideas with his friend. I like to share my ideas with my friends too.
Michelle Anderson
It is a wonderful way to show children that problems can often be solved with a little imagination and creativity.
The story leaves Moe planning a trip to Egypt. I can't wait for the next book!
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Yet Plumly never sounds antique. Reading the poems in this new, retrospective collection is an experience in following a thought process that is physically embodied in phrases, complex sentences and vivid images embedded in articulate lines. Doubters who question whether any of today's poets have schooled themselves sufficiently in the hard apprenticeship of Yeats and other poetic forbears should listen and take heart: "Sound of the breath blown over the bottle, / sound of the reveler home at down, light of / the sun a warbler yellow, the sun in / song-flight, lopsided-pose. Be of good cheer, // my father says, lifting his glass to greet / a morning in which he's awake to be / with the birds . . ." (from "Cheer").
Plumly's poems are muted in manner yet never tentative; sonorous and fluent while refusing to be merely beautiful. He persists by searching out new ways to see, new ways of grasping what it means to be alive in these drastically fragile bodies. His book's title alludes to a strangely ambiguous evocation of parent and child lying beside one another - perhaps a small boy and his father, but more likely a diminished and failing father whose still vital son is recognizing in their unaccustomed intimacy a rare bridge across distance.
One of the wonders of this selection of Plumly's work drawn from thirty years is the way the book is arranged as a continuous sequence "in reverse chronological order," with only a brief author's note to indicate the original book titles. It is uncanny to see how comparable in acuity and eloquence the early and later poems really are in this fresh reading. The book lingers in its look back, filled to the brimming point with birds, trees, and people that are gone, all gone, residing now only here. Truly, a life's work.
Plumly has never been prolific - three slender books in the 1970s, two in the 1980s, and only one in the 1990s. Yet his ode-like soundings of mortality have accumulated in power and resonance. His voice is; the care with which these poems were made is evident in every line. This, then, from "Doves in January": "Long o's, long o's, long o's, and then a pause, / a whistle more like someone's voice than song, / as if in a moment a day could pass // from nothing's grief to some becoming grace.
Jim Schley, who lives in Vermont, is the author of a poetry chapbook, One Another (Chapiteau, 1999).
the other parts of the book offer fascinating aspects related to tipi living, history and culture. a must read for any tipi enthusiast!
great!
heartLove, the electric tipi hippy!