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Professor Korngold has done a masterful job with this edition of "The Metamorphosis." Kafka's masterpiece, according to Korngold, "...is perfect, even as it incessantly provokes criticism." For the transformation of Gregor Samsa into the "monstrous vermin" disturbs readers who want and need to "control" the text. To do otherwise is to accept the hopelessness that is at the center of Samsa's existence. For the uninitiated readers, who are often first-year university students in required literature courses, "The Metamorphosis" often defies facile interpretation. Thus, the critical essays, which include poststructuralist, psychoanalytic, feminist, cultural, and historicist literary theories about the novella, are very helpful to frustrated students who may have been given essay assignments. Of particular note is Korngold's critical discussion of Kafka's "literalization of the metaphor."
My suggestion is to read "The Metamorphosis" first (in this excellent Korngold translation) and to note one's immediate reactions to the text. Then, one can explore the other sections of this critical edition at one's leisure. Finally, one can re-read the text again. ("The Metamorphosis" is short enough that it can easily be read in one sitting.)
This Norton Critical Edition is highly recommended for inclusion in first-year university literature curriculae, as well as for AP high school English or World Literature courses. Franz Kafka was one of the literary geniuses of the twentieth century, and "The Metamorphosis" is an excellent introduction to his writings.
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Johnson is an excellent writer, this was a great train, and this is a terrific story with outstanding illustrations and photographs recalling the history of the Milwaukee. The Olympian is gone. The Milwaukee Road is gone. Johnson's book is a fond rememberance of a magnificent time in this railroad's, and this young boy's, life.
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Without any doubt, Stanley Marcus is the most talented American retailer of the 20th century. You will find out from this lively narrative what made him the best - impeccable taste, discriminate merchandising, extensive knowledge of manufacturing, business vision, professional honesty and breadth of intellectual interests. If you aspire to be a specialty retailer, drop 99% of the books about selling, they will not show you a worthy real-life example of how to run a store that customers can not resist to visit. Marcus does not hold back any secrets how he did it.
Read, laugh and get inspired.
While customer service is the primary focus of the book, creating innovative and exclusive items for the very wealthy provides a glimpse into how the rich find ways to dispose of their money. Marcus was a master of imaginative packages.
I bought 4 copies of the original edition and gave them away to people in sales. There is no better book for a young, or old, sales person to read.
Not far into the story, I realized just how wrong my assumption was. The author, almost imperceptibly, draws you into a whole other world, allowing you to temporarily escape your own life and join the amazing world of Mohop Mogande and his companions.
The author tells an intriguing tale, partially based in the real world, but taking his readers on an extended journey into a mystical and supernatural place. The plot is well conceived, vividly imaginative, and demonstrates the author's ability to delve deep into the human psyche.
The book progresses almost entirely through the characters' dialogue and, if there's one flaw (albeit minor)--it's that the dialogue is sometimes stilted, clearly manufactured to tell the story. But such a worthwhile, enjoyable, fascinating story it is .... it's easy to overlook any imperfections and just sit back & let Mohop take you off into his incredible world.
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First, this book illustrates rather convincingly, how investing just a moderate amount of money consistently over a period of time, can build personal wealth beyond most people's highest expectations. Makes it clear that there are no "guaranteed, get rich quick approaches" but that by being patient and investing in any of a broad range of solid investments...."financial serenity" is definitely within reach.
Then, this book explains the basics of personal financial management; including life insurance, real estate, stocks, bonds, mutual funds, REITs, futures, annuities, 401k plans, IRAs and tips to help determine which is right for you. This explanation of the basics, provides a framework which can be used to help individuals determine which investment vehicles fit their personal financial profile/style, and how they can take the first steps in building a personal financial plan which can secure their future.
I would recommend this book to anyone interested in improving their financial position in life. It is written by one of the world's leading financial management experts in terms that anyone, from any walk of life/profession can easily understand.
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I read this book with my son as part of his Summer Reading Program. My son enjoyed the copy we borrowed so much that we had to buy our own. It made him think about what and why children do the things they do. It was a fun read for him. I must admit that I'm surprised I actually enjoyed it. The photo on the cover appeared to be very chilling. Once we started reading the book we found it to be very thrilling, full of suspense and humor.
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So, for the first-time reader of Kafka, there are some pleasant surprises in 'the Metamorphosis'. The novella is often very funny - Gregor's orientation to his condition (he enjoys running up the walls and hanging off the ceiling) and the reaction of his family and manager provoke some priceless farcical set-pieces. It is a Gothic story - about a salesman who turns into a monstrous vermin, and the aghast reaction of his family; there are some unexpected frissons in the story we would normally expect from the horror genre. It is a portrait of a complacent middle-class family in decline, a la Galsworthy, or a study of the artist in an impoverished family with a weak but aggressive father, like Joyce's 'Portrait of the Artist as a Young Man'. There are even elments of sentimental melodrama in the way Kafka loads up the sympathy for his monster in the face of almost caricatured hostility - I found myself welling up once or twice.
This is not to diminish Kafka's dark and frightening vision, just to suggest how much of his art depends on play, with narrative modes and genres, with narration, with reader's expectations. The horror, anxiety, unease, if you like, is actually quite marginal on the surface - the oppressive vastness of his familiar bedroom as perceived by Gregor in his new form; the endless vista of an adjacent hospital. It's under this surface that the true anxiety lies - the gaps in the narration, the unreliability of Gregor's perceptions and interpretations, the ambiguity of Kafka's language, the witholding and gradual unfolding of details. There don't seem to be any mirrors in the Samsa household, but the story is full of mirror-like tableaux - the portrait of the lady in furs; the photo of Gregor as a young soldier; the image of domestic life viewed every evening by Gregor in darkness.
If only all classics were treated with the respect of this edition. the translation is mostly smooth and fresh, with occasionally clumsy constructions and jarring Americanisms (are there really trolleys and foyers in Kafka's world?). The critical apparatus provides endless intellectual nourishment - manuscript revisions revealing the precision of Kafka's writing; an account of the story's genesis, creation and background through letters, diaries and related Kafka works; and seven critical essays from perspectives as varied as feminism, psychoanalysis, new-historicism and linguistics, some infected by the usual blights of literary criticism (e.g. undigested globs of French theory making argument and prose impenetrable; distortion of text to produce biased interpretaions), but which insightfully open up the astonishing density and ambiguity of a 40-page fable, offering ingenious, mutually excluxive, even contradictory readings that are all very plausible, and yet ultimately miss Kafka's elusive enigma.