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The author has a superb wit and a gift for storytelling. This has quickly become one of our very favorites and my daughter spends lots of time now pretending to be "Rumplestiltskin's Daughter" [who also had a name!]. I'm very happy with the impact this tale has had on her sense of what it is to be a woman.
This tale encourages girls to be clever and self sufficient without being tedious or overbearingly feminist. [And without being anti-male]. I can't recommend this book highly enough!
When Rumpelstiltskin's daughter is sixteen, her parents let her take the odd bit of gold into town to exchange it for coins to buy necessities. Eventually the old greedy king hears about this, kidnaps Rumpelstiltskin's daughter, and locks her in a tower filled with straw. "Rumpelstiltskin's daughter looked around. She saw a pile of straw the size of a bus. She saw a locked door and high windows. She gave a big sigh and began to think. She knew her father could get her out of this pickle. But she had heard stories about the king all her life. One room full of gold would never satisfy him. Her father would be stuck here, spinning, until there was not an iota of straw left in the kingdom. "After a while she climbed the pile of straw and thought some more. She thought about the poor farmers and about the hungry children with their thin faces and sad eyes. She put the two thoughts together and cooked up a plan. . ." Instead of spinning straw into gold, Rumpelstiltskin's daughter puts her plan (which Ms. Stanley develops so cleverly that you really should read it for yourself) into action and saves the kingdom by teaching the king some simple lessons in economics and public relations. By the end of the story, the king offers her his hand in marriage, which she wisely declines. "Why don't you make me prime minister, instead," she suggests.
The best word to describe the illustrations is sumptuous. Diane Stanley's greedy king with his elegantly styled coif bears a striking resemblance to Louis XIV, and the artwork mirrors the Sun King's opulence. The palace shines with gilded ceilings and elaborate tiled floors. On the palace walls hang masterpieces so famous that my six year old can recognize most of them --works by da Vinci, Van Gogh, Picasso.
There is another book that is helping me to cope, Write from Your Heart, A Healing Grief Journal.
Immersing myself in the word has made a huge difference in the way I am healing.
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This stretches Miki beyond belief, but she can't deny what's happening in their daily rendezvous at the typewriter. Slowly but surely, kicking and screaming, Miki learns to accept that
"Death ends a life but not a relationhip", and a new chapter in their life together begins. A most beautifully written book, full of fun and compassion inspite of the pain, it will also be of great help to those losing a partner or those coming to terms with the possiblity of life after death.
This stretches Miki beyond belief, but she can't deny what's happening in their daily rendezvous at the typewriter. Slowly but surely, kicking and screaming, Miki learns to accept that
"Death ends a life but not a relationhip", and a new chapter in their life together begins. A most beautifully written book, full of fun and compassion inspite of the pain, it will also be of great help to those losing a partner or those coming to terms with the possiblity of life after death.
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(a)the cunning, baffling, nature of alcoholism.
(b)of how to name different types of emotions and feelings
then this book is of enormous help.(or it was to me anyway!)
It also hit home in a number of ways especially with its side comments on the behaviour of some members of the fellowship.It gave me a bit of a kick up the backside as to how I contribute to meetings and how I treat people who are new to the fellowship. Definitely a good read!
The authors do an excellent job of describing their approach to this translation - a more literal and less interpretive approach than most. It allows someone familiar with the Tao Te Ching a more flexible look at what Lao Tzu had to say. A glossary includes the direct translation of several of the characters, and the authors have left in one line of the original Chinese characters in each section.
Because the translation is so literal, the intrinsic underlying points of the Tao Te Ching seem more obscured to me, rather than less, and if I did not already have some history with the Tao Te Ching, I would lose interest in this before I found my way through this book.
However, bar none, this is the best translation of the Tao Te Ching I've ever read (I own 2 and have browsed 6 or 7 more.). It strikes the perfect balance between literalism and interpretation. Anyone who's looked at the original Chinese characters knows that it's tough to literally translate into English - many connectives we use to make things flow are just not present in the Chinese. Addiss and Lombardo don't overdo it, though, in making the verses comprehensible - they add only enough in the way of connectives to allow the verses to register in an English speaking mind.
If I were to recommend any edition of the Tao Te Ching to someone, this would be it. It is the best English approximation of the simplicity of the original epigrams and phrases. Where other translations can be bogged down with frilly adjectives and add-ons, this one strips itself down to the bare essentials - not only approaching the spareness of the original, but also the theme - 'ten thousand things' are 19,999 too many!
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Whereas Lombardo's Iliad was full of adrenaline and very energetic, I thought that his version of the Odyssey was definitely more calm and introspective, focusing on Odysseus' personal anguish and quest for retribution. It was easier for me to identify with the world of ordinary humans (and their feelings) described in the Odyssey, than with the world of godlike men and mindless warfare and violence described in the wide-ranging Iliad. For this and other reasons, I consider the Odyssey to be the superior work. As in his previous translation of the Iliad, Lombardo drops the use of dactylic hexameter in the present work and treats the use of similes and epithets in a special manner - all in an effort to minimize the problems encountered in translating from the original Greek to English.
It has already been suggested that Lombardo's translation would be an excellent starting point for both the Iliad and the Odyssey, and I wholeheartedly agree. His translations may not be the only versions you'll want to have on your bookshelf, but they would definitely be ones to have in your collection.