I have just spent an enchanted couple of hours visiting 'America's Vanishing Landscapes'. Wayne Williams has produced a visual feast and testament to the beauty of Nature. This book contains so many beautiful images, I felt compelled to write and reccomend it to you.
I am lucky enough to live by one of nature's rain forests in the West Indies. Everyday I am filled with awe and wonder by my surroundings. This book makes me feel the same way. What also impressed me too, was his mastery of the craft and it reminded me of Ansel Adams work. They have combined technological mastery of the photographic techniquies available to them; and have produced a vision that not only speaks to the senses, but also to the heart. This is a rare combination and achievement.

What would it feel like to be able to go back a couple of hundred years and experience in real life the magnificent vistas of the American west as they were then? Amazingly enough, this book of contemporary photography will magically let you feel that and then bowl you over with its message. It is simply the most moving collection of landscape images I have ever seen. The stunning beauty of these photographs of some of the American West's most spectacular vistas and the inspiration and purpose reflected in the artist's heartfelt interpretations of each image weave together a haunting sense of loss and, at the same time, a deep understanding of what we have done and must now do. It will be a long time before you make room on your coffee table for another book (probably about as long as it takes Mr. Williams to publish the next volume in the project). It will not take long, however, for you to make room in your life for its purpose. Thank you, Wayne Williams, for helping us see again with this important and beautiful work.

It's impossible to capture the grandeur and magnitude of beauty of nature in a photo but Williams comes as close as you can get in this amazing book. The greatest and worst terrorism is the terrorism against the environment. It dwarfs all the other forms. This book may give people the vision that is an antidote.

The Complete Communicator is simply the best, most complete communications book it has been my pleasure to read. Simple, direct, concise and compelling in its stories . . . this book embodies its own messages in wonderfully effective ways.

Poor communications is the problem that holds humanity back from making progress more than any other. Think of it as being like a stalled engine that would otherwise pull your car forward at whatever rapid pace you like. Overcome that stall, and progress will be yours.

Because of the importance of improving communications, I have made it a point to read every book about communications that I can find. Most of these books provide an in-depth look at one aspect of communications, while ignoring all of the others. Many times, communications books are not as simple and direct as they could be. Other times, they lack compelling stories.

I can think of few elements of effective communications that are not covered by Dr. Lampton's superb book, with Neuro-Linguistic Programming being the main exception. As a result, a person can read and employ the lessons of The Complete Communicator and have the benefits of reading many dozens of other books. For that reason, I think The Complete Communicator is the best communications book I have read.

Here are the subjects covered:

Person to Person (including self-talk, making connections, getting information, finding prospects for a business, and deepening relationships)

Nonverbal Communication (gestures, appearances, symbolism, and credibility)

Writing (the writing process, things to emphasize and avoid, getting published and improving your writing)

Letter Writing (following up on meetings, complaints, answering complaints, and avoiding errors)

Giving Speeches (the right mental attitude, preparation, expressing yourself naturally, touching the audience and making the right impression)

Listening (what those who are speaking would like you to do, questions to ask, appropriate responses, and ways to improve)

Telephone (good habits, etiquette, succeeding through voice mail, and keeping notes on messages)

Computers (e-mail, Web sites, and Internet connections)

Media (keep it simple and effective, getting booked on broadcasts, handling crises, and letters to the editor)

Many people who try to write such an overview book fail to either properly credit their sources, don't have enough examples or make the book too long. Dr. Lampton avoids all of those snares.

To me, the best writers tell stories that grab me emotionally. Dr. Lampton did that very well with stories from his own experiences. I especially liked one about a telephone message that he read from his Ph.D. advisor.

What more can I say to convince you to read this book? Please, contact me by e-mail with any questions. Click on my name at the beginning of this review to find my e-mail address.

The Complete Communicator-Change Your Communication-Change Your Life is an excellent resource for executives, managers, supervisors, team leaders, and business owners who want to improve their ability to make the "connection" with employees, vendors, customers, clients and even the media.

Dr. Lampton is a superb writer, speaker and communicator. I know of no one who is more qualified to write this book. I've found it invaluable - the kind of book that every manager should have as their on-the-shelf consultant. Thank you Dr. Lampton for sharing your insight in this wonderful book!

If communication is the backbone of success in all business and personal transactions, then The Complete Communicator is the chiropractic adjustment you need to keep your communication backbone in tip top shape. This book will help change your communication, and your results. Entertaining and enlightening, the language is simple, direct, and packed with real-life illustrations. Dr. Lampton provides guidance on communication in cyber space, as well as on learning to communicate more effectively within our selves.

How many times have you burst out laughing when forced to read Shakespeare for an english assignment? And how many times would you actually pick up a book with the dreaded word 'Shakespeare' on it willingly? While staying at a bed and breakfast in Newburyport, I came across the last scene of "Midsummer Night's Dream" being performed in the park. When I returned to the b&b, I was browsing through the shelves of the library when I found this book. I read the previously mentioned play and Romeo and Juliet. Armour makes them easy to understand and also hilarious! He has the rare talent of being able to take the untouchable classics, edit out the unneccessary, and add some unique pizazz. This book recieves my highest recommendation. I have also read his book of light verse, and it is just as enjoyable. This book, as well as his others, are worth the effort to find them out of print.

This book was hilarious! I read this right after reading MacBeth in my second year of high school. I could not stop laughing! Lucky for me, the school library was going to throw this book out, so I asked if I could have it. Four years later, I am still laughing. I highly recommend this book!

I first checked this book out of my high school library and read it in 1970. I loved the book then and still love it. It is a pity the book is out of print. Anyone who enjoys Shakespeare and who has a sense of humor cannot fail to treasure the wit and humor of this book. I am trying to find a copy of this book myself.

The Complete Works of Shakespeare edited by David Bevington

Bevington's edition of Shakespeare's plays is a popular choice, and not without good reason. But that doesn't make an ideal choice. The introduction to this one volume edition is ample with chapters on life in Shakespeare's England, the drama before Shakespeare, Shakespeare's life and work. These are good, but they tend to rely on older scholarship and they may not be current. For example Bevington repeats Hinman's claim that there were 1200 copies of the 1623 Folio printed. However later scholars think the number was quite a bit lower, around 750. It should be said that we don't know for sure how many copies of the 1623 folio were printed and either number could be correct.

Bevington's edition prints the plays by genre. We get a section of Comedies, Histories, Tragedies, Romances and the Poems. He puts "Troilus and Cressida" with the comedies, though we know the play was slated to appear with the tragedies in the 1623 folio. The play was never meant to appear with the comedies, and all the surviving Folios that have the play have it at the beginning of the tragedies.

Let's get down to brass tacks. You are not going to buy an edition of Shakespeare's works because of good introduction. You're going to buy one because the quality of the editing of the plays. Is it reliable? Is it accurate? For the most part this edition is reliable and accurate, but that does not mean it is accurate and reliable in every instance.

Modernized editions of Shakespeare's plays and poems are norm. Since the 18th century (and even before) editors of Shakespeare have modernized and regularized Shakespeare's plays and poems. There are good reasons for this modernization. There is the reader's ease of use and the correcting misprints and mislination. I have no problem with this regularization of spelling or punctuation. But when an editor goes beyond normalizing and modernizing--when an editor interferes with the text then I have a problem.

Let me give two examples of the editorial interference that I am writing about:

King Lear 2-1-14 (p. 1184)
Bevington has:
Edmund
The Duke be here tonight? The better! Best!
This weaves itself perforce into my business.

The Folio has:
Bast. The Duke be here to night? The better best,
This weaues it selfe perforce into my businesse,

Even allowences made for modernization of punctuation and grammar would not account for Bevington's "The better! Best." Bevington glosses this to mean "so much the better; in fact the best that could happen." Nice try, but "The better best" of the folio is a double comparative, (which is a regular feature of Early Modern English) and not two separate adjectival phrases. Interestingly, the Quarto printing of Lear prints this scene in prose, and there is no punctuation between "better" and "best" in that version either.

A few lines down Lear 2-1-19 Edmund continues
Bevington has:
Brother, a word. Descend. Brother, I say!
Enter Edgar

But Bevington has reversed the order. The Folio has:
Enter Edgar.
Brother, a word, discend; Brother I say,

Bevington does not say why he changed the order, though to be fair other modern editors have done the same thing.

These two changes just a few lines apart go beyond regularization or modernization. They interfere with the text as presented in the 1623 Folio. And Bevington does not explain the changes. So next time you pick up this or any other modernized edition you should ask yourself "am I really sure what I'm reading is what Shakespeare wrote?"

THE COMPLETE WORKS OF SHAKESPEARE. Updated Fourth Edition. Edited by David Bevington. 2000 pp. New York : Longman, 1997. ISBN 0-321-01254-2 (hbk.)

As complete Shakespeares go, the Bevington would seem have everything. Its book-length Introduction covers Life in Shakespeare's England; The Drama Before Shakespeare; London Theaters and Dramatic Companies; Shakespeare's Life and Work; Shakespeare's Language : His Development as Poet and Dramatist; Edition and Editors of Shakespeare; Shakespeare Criticism.

The texts follow in groups : Comedies; Histories; Tragedies; Romances (including 'The Two Noble Kinsmen'); Poems. Each play is given a separate Introduction adequate to the needs of a beginner, and the excellent and helpful brief notes at the bottom of each page, besides explaining individual words and lines, provide stage directions to help readers visualize the plays.

One extremely useful feature of the layout is that instead of being given the usual style of line numbering - 10, 20, 30, etc. - numbers occur _only_ at the end of lines which have been given footnotes - e.g., 9, 12, 16, 18, 32. Why no-one seems to have thought of doing this before I don't know, but it's a wonderful innovation that does away entirely with the tedious and time-wasting hassle of line counting, and the equally time-wasting frustration of searching through footnotes only to find that no note exists. If the line has a note you will know at once, and the notes are easy for the eye to locate as the keywords preceeding notes are in bold type.

The book - which is rounded out with three Appendices, a Royal Genealogy of England, Maps, Bibliography, Suggestions for Reading and Research, Textual Notes, Glossary of common words, and Index - also includes a 16-page section of striking color photographs.

The book is excellently printed in a semi-bold font that is exceptionally sharp, clear, and easy to read despite the show-through of its thin paper. It is a large heavy volume of full quarto size, stitched so that it opens flat, and bound, not with cloth, but with a soft decorative paper which wears out quickly at the edges and corners.

If it had been printed on a slightly better paper and bound in cloth, the Bevington would have been perfect. As it is, it's a fine piece of book-making nevertheless, and has been edited in such a way as to make the reading of Shakespeare as hassle-free and enjoyable an experience as possible. Strongly recommended for students and the general reader.

Last year for Christmas I asked my parents for some William Shakespeare's plays.Boy was I suprised!Not only does it have all of the plays,but also his Sonats,poems,and illistrations.Despite the fact that it's a large valuem and will need quite a bit off book space from you're self.You wont regret getting it.You will never need to get another book on William Shakespeare's plays and everything else ever again.It also has a list of dictonary for understanding the words better.

In the summer of 1967 the USMC found itself engaged in a battle that caught them by suprise and cost them over 180 soldiers KIA and many more WIA. Vietnam was a war where many restriction were placed on American fighting forces, those restrictions were even stricter in the strange terrain of the DMZ. Like other books by Mr. Nolan (Into Laos and Into Cambodia come to mind) there is rich detail and information woven into a story by a chronological telling of event leading up to and through the battle. While there is a very good and informative sitrep of American (particularly USMC) involvement in Vietnam the strength of this book is it's "put you in the foxhole" eyes view of the fight. I had never read an account of where almost an entire American Company was overrun by large NVA forces, it is not pretty. I have read that ear collecting was something that happened in the war to dead enemy soldiers, the NVA put their own sick twist on this sort of war atrocity by collecting USMC tattoos from fallen grunts. There are graphic descriptions of the early M-16 problems which ended up causing the USA and USMC many casualties. This book contains some things that really suprised me, NVA soldiers equiped with flame-throwers looking for suvivors of the initial ambush, NVA artillery support which was accurate and protected from US airpower hitting American forces with a sustained barrage, NVA use of USMC gear such as flak vests and radios, American tanks being blown away like toys. There are many sad twists, if you are looking for a John Wayne type combat read stick to a novel, this one hurts the heart. I can't say enough about this book, if you are a student of the fighting in Southeast Asia get this book, Mr. Nolan really puts things together in this clear and painfully vivid book.

Operation Buffalo should be made into a Movie as it the best written book I have ever read about what the Marines and Corpsmen of Northern I Corps endured in Viet Nam. Time and again the men of the First Battalion Ninth Marines found themselves fighting against numerically superiour forces with very little support available at critical moments. Mention is made in the book that the First Battalion Ninth Marines was marked by the North Vietnames Army for destruction. I can't say for sure that this was true, but "The Walking Dead" nick-name was was paid for in blood. Keith N. Price Former HM3 Disability Retired Bravo Company, First Battalion Ninth Marines

First heard about the prime day of the book from a fellow MARINE who had been there and described it as similar to a firefight we had both been in, except there was no rear. I knew many men who died during the operation, and know many who survived. To a one they say it is accurate, and are proud to have their story told. My first thought was that NOLAN had been there. Oddly enough there is a quote on the liner notes from an upcoming 3 star Gen Libutti. He doubts the statement from McNamara" that all is quiet on the DMZ" Operation Buffalo is a book that men pass from one friend to another.

Gitanjali is a sweet collection of poems and songs from Nobel Prize winning poet Rabindranath Tagore. These are songs that touch on love, faith, truth, life in general. Tagore has written from the heart. The wisdom contained in these works is startling. This is Eastern poetry that is a wonder to behold. Tagore embraces the personal as well as the universal. He encourages his people to transcend. I refer to this book variably over the years. Its alluring beauty has not faded in any way.

The word and the deed were never far from each other in Tagore's life and not surprisingly he advocated the Universal Man. He was a polymath: a poet, fiction writer, dramatist, painter, educator, political thinker, philosopher of science. He was also a genius in music, choreography, architecture, social service and statesmanship. Over six decades Tagore gave the world some 2,500 songs, more than 2,000 paintings and drawings, 28 volumes of poetry, drama, opera, short stories, novels, essays and diaries and a vast number of letters.

I would enthusiatically recommend this book by my favorite author. Like the Psalms of David, Gitanjali is a soothing balm to the spirit. I read this entire book in less than two hours and has been my long-trip travel companion ever since. The introduction to the book by W. B. Yeats is magical and all the poems in this book transcend your imagination. The variety and quality of the poems are unbelievable!

"Gitanjali" is a collection of prose poems by Indian author Rabindranath Tagore. The Dover Thrift Edition contains an introductory note on the life of Tagore, who lived from 1861 to 1941. According to this note, Tagore, who wrote poetry in Bengali, translated "Gitanjali" himself into English. The Dover edition also contains a 1912 introduction by William Butler Yeats.

This English version of "Gitanjali" is a series of prose poems that reflect on the interrelationships among the poet/speaker, the deity, and the world. Although Tagore had a Hindu background, the spirituality of this book is generally expressed in universal terms; I could imagine a Christian, a Buddhist, a Muslim, or an adherent of another tradition finding much in this book that would resonate with him or her.

The language in this book is often very beautiful. The imagery includes flowers, bird songs, clouds, the sun, etc.; one line about "the riotous excess of the grass" reminded me of Walt Whitman. Tagore's language is sensuous and sometimes embraces paradox. Like Whitman and Emily Dickinson, he sometimes seems to be resisting traditional religion and prophetically looking towards a new spirituality.

A sample of Tagore's style: "I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared" (from section #98). As companion texts for this mystical volume I would recommend Jack Kerouac's "The Scripture of the Golden Eternity" and Juan Mascaro's translation of the Dhammapada.

The utopian idealist Wendell Berry has blessed us again with a book that lambasts "progress" and whose main character lives a life most would deem too ordinary. But the limits of Jayber Crow's ambitions and his avoidance of authority give him the space to observe the human condition, and these observations hold the sincerity of the philosopher and the awe of the innocent. Berry is the master of the synechdoche: the microcosm represents the universal; the universal is in the details. I'm not quite sure how he does it. His use of the language is elegant, yet straightforward. His faith permeates every line. This is a craftsman writing at the top of his game. The reader may need some perseverance to reach the point at which Jayber Crow finds his destiny in Port William, but once he's in his chair, compromising with ego, and studying the community he loves, the reader will be hooked. By the time Jayber moves to his cabin in the woods, the reader will want to stay alongside him, to live deliberately and with Thoreau-like simplicity.

I have read Wendell Berry's nonfiction, but I am a newcomer to his fictional Port William community. Reading this book is like a visit to a simpler life in rural America. Set in 1986, this novel tells the life story of Jayber Crow (1914- ), orphan, doubting preministerial student, bachelor barber, grave digger, church janitor, and progressive pacifist. Although an ordinary man, Jayber is a truly memorable character who, from his later years, reflects upon his life with clarity and poetic insight. "I am a pilgrim," he says, "but my pilgrimage has been wandering and unmarked. Often what has looked like a staight line to me has been a circle or a doubling back. I have been in the Dark Wood of Error any number of times. I have known something of Hell, Purgatory, and Heaven, but not always in that order" (p. 133).

This book is about many things, but should be read mostly for the sake of experiencing Berry's really fine writing. It is the story of Jayber's unrequitted love for a married woman, Mattie Chatham. It is a fictional memoir about faith, loss, farming, and finding one's place in the world. "I will have to share the fate of this place," Jayber writes about his declining community. "Whatever happens to Port William happens to me" (p. 143). It is also about bearing witness to dying farms and small businesses.

Jayber's memoir is filled with page after page of profound insights. For instance, about growing old and loss he writes: "I whisper over to myself the way of loss, the names of the dead. One by one, we lose our loved ones, our friends, our powers of work and pleasure, our landmarks, the days of our allotted time. One by one, the way we lose them, they return to us and are treasured in our hearts. Grief affirms them, preserves them, sets the cost. Finally a man stands up alone, scoured and charred like a burnt tree, having lost everything and (at the cost only of the loss) found everything, and is ready to go" (p. 353). Examining marriage, Jayber says: "I saw too how a marriage, in bringing two people into each other's presence, must include loneliness and error. I imagined a moment when husband and wife realize that their marriage included their faults, that they do not perfect each other, and that in making their marriage they also fail it and must carry to the grave things they cannot give away (pp. 193-4). About the pace of modern life, he observes: "The people are in an emergency to relax. They come for the peace and quiet of the great outdoors. Their eyes are hungry for the scenes of nature. They go very fast in their boats. They stir the river like a spoon in a cup of coffee. They play their radios loud enough to hear above their motors. The look neither left nor right. They can't slow down" (p. 331).

Although somber in tone, Jayber's story reveals that wonders do happen in life. Jayber learns we live our lives with questions, the answers to which must be lived out "perhaps a little at at time" (p. 54), or which may take longer than a lifetime for us to find. "This is a book about Heaven," Jayber explains. "I know it now. It floats among us like a cloud and is the realest thing we know and the least to be captured, the least to be possessed by anybody for himself. It is like a grain of mustard seed, which you cannot see through the crumbs of earth where it lies. It is like a reflection of the trees on the water" (p. 351). This book is Berry at his best, and one of the best novels I've read this year.

G. Merritt

I bought this book because I like everything that Berry writes, but I wasn't expecting anything too great. A story about a barber in Port William? Seemed a little strange to me, but because it was by Berry, it was worth a read. This book turned out to be a great surprise, true to Jayber Crow's observation that all of the good things in life have come as a surprise. This novel follows the thread of many of the stories we have read about the Port William membership. Many of the familiar characters are here. But it seems that all of the threads of Berry's many works are woven here into a fine and beautiful tapestry. Berry's major themes about stewardship, sense of place, the importance of caring relationships, sense of scale, etc, are all here in a great story of learning, love, and forgiveness. This is a book about much more than just Where. It is also a book about who, what, why, and especially how. Jayber Crow chronicles the changes that modernity and industrialism bring to small town America. Country people were trying to get away from "demanding circumstances." But they "couldn't quite see at the time, or didn't want to know, that is was the demanding circumstances that had kept us together." The changes that are chronicled here apply to urban life as well as rural life. Great neighborhoods and family/neighbor networks were also part of the life of the great pre-industrial cities. A very large part of the answer to modern decay is the restoration of rural life, but we cannot ignore the cities. The question for us is how to follow Jayber and "lay our claim" on a place, rural or urban, and make it "answerable to our lives." Right living, in all of the details laid out by Jayber, is a large part of the answer to modern problems. A barber turns out to be an ingenious stratagem for storytelling and the dispensing of Berry's distilled wisdom. And it is a most unusual and gratifying love story as well!

Apparently this book was a cult hit when it was published, but I only know one person my age who's ever heard of it (and it's his absolute favorite book of all time, which should tell you something). Horse Badorties is a crazy ex-hippie who got so high on organic seminola in the 60's that he just never came down. His first-person narration of his hapless, paranoid, chaotic, unsanitary life is a real trip that kept me in perpetual stitches. Warning: despite the rest of Kotzwinkle's track record (he's most famous for writing E.T.) this is not a kid's book. There's some sexual language and situations and a girl gets raped in it (to which Badorties is utterly indifferent).

William Kotzwinkle is brilliant. He has an unerring ear for language, and he has ol' street hippie Horse Badorties down perfectly. I first read this aloud to my dorm-mates in 1981, and each night the crowd grew because of the uproarious laughter coming from the lounge (having grown up in New York or Miami helps with some of the accents). The next Kotzwinkle I read was Fata Morgana, and it too was brilliant, a period mystery utterly unlike Fan Man, but with the same air of mystical goings-on just out of the protagonist's direct sight. My impression is that anything William Kotzwinkle writes will be worth reading, until they finally cart him off to the funny farm...

More remarkable than the spaced out world William Kotzwinkle has created inside Horse Bedorties' head, is the effect this world has on its readers. Eveyone I talk to who has read this book has givin it away at least once. Most peopole numerous times. I personally have bought and passed on well over ten coppies. It is like a joint that is just too good to keep to yourself, it mussed be passed to anyone that is willing to take a puff. Legal pot with no munchies. How perfect, Man.

"Brazzaville Beach" is a very well constructed novel weaving together two stories from the life of Hope, the heroine: in Africa, her work at a chimpanzee research center in a country in the midst of a civil war, where she makes a discovery that is "inconvenient" for the center's alpha male director; and in England, her doomed marriage to a brilliant but frustrated mathematician. There's lots in this book: love, sex, ego, war. Boyd very effectively portrays both the sciences and the scientists of primate research and advanced mathematics, as Hope learns what humans and chimpanzees have in common.

I adored this book from start to finish. Hope Clearwater is in worn-torn Africa observing chimpanzee behavior when she notices a startling trend that conflicts with everything her boss and mentor believes. Her integrity - and perhaps much more - is threatened when everyone at the camp seems to turn against her. Interwoven with flashbacks to her previous life in England with her bizarre but brilliant mathematician husband and the story of her Egyptian mercenary lover who flies a Mig for one side of the civil war, the story draws powerful parallels between the two primate societies, human and chimp.

How can a novel that discusses the difference between turbulence and topology in mathematics be a page turner? You'll have to read this book to believe it. Other than the name of Hope Clearwater - a bit too much in this otherwise subtle tale - Boyd writes deftly and passionately, sometimes with horrifying precision as he describes what is happening among the chimps.

This suspenseful and intelligent novel deserves a wide readership. I only wish I had learned of it sooner!

Hope Clearwater sits on Brazzaville Beach, contemplates her past, and narrates the events of this novel. One strain of the story concerns her failed marriage to a mathematician whose unquenched thirst for revolutionary discoveries and their attendant fame drove him to madness. The second strain concerns the animal research that Hope had fled to Africa to participate in. Grosso Arvore Research Center is run by the renowned chimpanzee expert Eugene Mallabar, who was just putting the finishing touches on his master work, describing the peaceful ways of our close animal relatives, when Hope's own observations seemed to indicate that all was not quite as idyllic as had previously been supposed among these primates. But the evidence of aggression that she finds between two competing colonies of chimps threatens the carefully constructed image that Mallabar has built up over the years, and, most importantly, threatens to make the animals less attractive to charitable organizations which fund the project. Meanwhile, thrumming in the background is a guerilla war which threatens to swamp this African nation at any moment.

William Boyd takes these various threads and weaves them together, along with a variety of brief comments on scientific and mathematical ideas and issues, into an exciting and intellectually compelling novel. With its Edenic setting and themes of Man's search for knowledge--and the madness the search can bring--the book taps into our primordial myths and some of the core questions of our existence. If it sometimes seems to be almost too consciously striving to be a serious novel of ideas, that ambition is justified, if not always realized, and the philosophical failures are more than offset by the good old-fashioned African adventure story that unfolds simultaneously.

The shelves fairly groan beneath the weight of books warning that when a little of the veneer of civilization gets stripped away in the jungle, Man must face the fact that he has a dark heart. And there are elements of that here, particularly in the way that Mallabar treats Hope and her discovery, but Boyd has much more to say besides just this. Perhaps the most exciting message of the book lies in the contrarian stance it takes to the modern age's tendency to romanticize Nature. It is always well to recall Thomas Hobbes's famous description of Nature as "red in tooth and claw." The reader of this book will not soon forget it.

GRADE : A

This book is, quite simply, a fabulous trilogy of novels. It deals, of course, with the two-year voyage of HMS Bounty from England to Tahiti, the captaincy of Captain William Bligh, the mutiny against him, and the aftermath. This is an unforgettable story, beautifully told, well-written, and fast-paced.

I have read reviews here and there that claim this book is written at a "young adult" level. Not so. This is a complex story that only seems to be easily told because the author has mastered the ability to write with utter clarity, and without sacrificing style. As one who reads all day for a living (attorney) I have learned to appreciate authors who can write well. Nordhoff does this--the reader never loses the storyline because it is well told. The novels proceed with the precision of a laser beam but with a poetic, wistful, thoughtful tone that is a delight to read. This book has class.

The story of the trip to Tahiti and the mutiny which takes place early on the return voyage are wonderfully told. The ONLY possible criticism is that this story is not terribly true to the facts of the actual mutiny. The protagonist, Roger Byam, is an imaginary person. By the way, this novel is the source for the first of the Mutiny on the Bounty movies starring Charles Laughton.

The other two novels in the trilogy deal with the voyage by Captain Bligh and those of the crew who remained loyal to him, and the aftermath of the mutiny when the mutineers settle on Pitcairn Island. Both stories are first-rate.

Persons interested in a somewhat more accurate depiction of what happened on the Bounty voyage, as well as a ripping good movie, will want to see "The Bounty" starring Mel Gibson (Fletcher Christian) and Anthony Hopkins (Captain Bligh).

The Bounty Trilogy is a book anyone who enjoys adventure will want to read and own.

I give my highest praise to these books. They are far better than current "adventure" stories because of the struggles they had to endure. I found all three books in the trilogy to be excellent (Mutiny on the Bounty, Men Against the Sea, and Pitcairns Island). My favorite one was Pitcairns Island. In all the books I have ever read, this is the first book that ever actually sent a chill up my spine. I won't give the story away, but you will not believe what happens in that book. It's absolutely thrilling and fascinating!

I read these stories while at sea on a British research vessel. If you've ever been to sea, or have ever wanted to, you'll probably enjoy reading this trilogy. Nordhoff and Hall write in plain, unelaborate English, so the phrasing never gets in the way, and you can concentrate on all the colorful characters and incredible events. The first two (and half of the third) books are written in first person, putting you right into the action and events, making you think about what you would do in the situations as they arise.

This trilogy has it all: adventure, drama, comedy, history, life at sea, love and loss. It's hard to believe this all really happened. I've given this book to two of my friends already, and they both liked it. You'll probably like it, too.