It is one of the best svh books ever.

you know how the next book in the sweet valley high series is 'Earthquake'? and then 'Aftershock'? Well, if you go to keyword search: Aftershock and then when you get there click on 'Aftershock:svh and read the summery about they tell you who it is. i won't tell you though, you have to go there

This book was really cool! I love the idea of something bad happening in Sweet Valley. Although I haven't read the next two books, Earthquake and Aftershock, I read about Earthquake on the Sweet Valley web site and cried when I learned Olivia died! I can't wait to read Earthquake and Aftershock, I'm sure they'll be really good!

I loved LAST WISH. It was such an incredible book that I couldn't put it down until I finished it (I had borrowed it from my town's library). In LAST WISH, Elizabeth and Jessica Wakefield are turning 17 years old. Elizabeth wants to throw Jessica a birthday party that Jessica will never forget...and Jessica wants to do the same for Elizabeth, unknowingly that they both want to give each other birthday parties! Through all their secret birthday party planning, it all seems to go smoothly and perfectly until an earthquake shakes Sweet Valley and ruins it all! To find out what happens, you must read this book. An excellent addition to your SWEET VALLEY HIGH collection. Also, check out parts 2 EARTHQUAKE and 3 AFTERSHOCK, to find out the conclusion of this awesome SWEET VALLEY HIGH Super Special Saga.

This is an excellent historical novel about George Washington. The novel presents Washington through the eyes of many of the people who knew him, including his wife and his slaves as well as the other great men of the day. It is a good approach for describing a very complex man with many sides.

The book focuses primarily on Washington's life up until the time he became President. The book does cover his entire life, but his years as President are skimpy by comparison to the rest of his life. The author's interest is more on who Washington was as a man than on his public accomplishments. Focusing on his formative years provides more insight into his character.

Nevertheless, the novel demonstrates the truly great accomplishments Washington made to American history. Without Washington, we would not have won the Revolutionary War: he provided the military strategy, the determination, and the leadership needed to win. Without Washington, we would not have become a country: he provided the leadership the 13 colonies needed to come together as a union. Without Washington, we would not have become a democracy: he resisted efforts to anoint him king, and he voluntarily relinquished power--first as commanding general who won the War of Independence, and later as the nation's first President.

Washington was an admirable person, and deserves the adulation the nation gave him then and since. But of course he had his flaws, and Citizen Washington conveys them, particularly via the characters in the novel who did not idolize him. Such was Washington's force of personality, though, that even his detractors were in awe of him.

This novel is particularly valuable as an adjunct to a nonfiction account of Washington's life, the best of which is James Thomas Flexner's Washington: The Indispensable Man.

Citizen Washington is not your typical historical novel. While it is held together by a single voice, it is broken up into many short perspectives that lend the story of George Washington a varied examination. At first I found this inconvenient, but once I got to know the people speaking, I welcomed them again and again as they returned to add their view of an event. The story is told without sentimentality or heroics. In fact, the battles fought (or retreated from) are described very simply and directly. It's been a long time since I studied American history, so it was refeshing to read how the Revolution was fought and won from a "novel" point of view. Citizen Washington is definitely worth a read. I found the Federalist vs. Republican debate especially helful, told, as it is, from characters near the debate.

I love listening to books on tape, so I like to look for reviews by people who have LISTENED to the book on tape because it's a fundamentally different review than just the book itself. As far as the content of the book, you can review the other readers' reviews. This audiobook was top notch! Well written and read with great skill on tape. The reader has an excellent range of voices, accents, and dialects to use for each of the different characters in the book. It didn't matter if a couple of days passed in between listening to parts of the book. As soon as I pushed [play], I could tell which character was speaking based on the voice. I also liked that they played a short segment of music at the beginning and ending of each side of each tape so you could tell when the side was over - not a BIG deal, but a detail that shows how much effort the producers put into making this a good book on tape to listen to. It's a fascinating story of a very critical time in American history, and I would highly recommend the AUDIOBOOK (and I'm sure the non-abridged print version is of equally high standards).

This book is perfect for anyone looking to expand their knowledge on how to hit a baseball. Everything from pitch recognition to a smooth swing are discussed and analyzed. Ted Williams also includes some of his stories from when baseball was a lifestyle. This book allows anyone to see the time and hard work that must go into becoming a good hitter. Becoming a good hitter does not mean picking up a bat and taking a few swings. It starts before you ever get to the ballpark. He walks you through ways to pick up pitcher tendencies, and stresses patience at the plate. This book provides helpful diagrams, which show what pitches are good ones to take a swing at. But he doesn't stop there, he goes into great detail about what you should try and do with that pitch that is in the zone. Also included are tips for making your stance comfortable yet effective, grip on the bat, and improving your power for maximum effectiveness in every at bat. Ted Williams also provides insight on knowing the situation, and doing what is best for your team. A must read for players of all skill levels. This book will grow with you as your hitting experiences expand. Ted Williams deserves more stars than I am allowed to give him for this book.

In the past 2 years I have read EVERYTHING there is to read on the subject of hitting preperatory to teaching my gifted 8 year old son and while I tell you that in virtually each and every book there exists some gem that you can apply to help increase chances of success THIS BOOK is the definative work on hitting.

What amazes me the most is that Williams, only a HS graduate, but yet possessing of an incredibly gifted intellect, as is exhibited by his becoming a fighter pilot etc, taught himself through trial, error and DETAILED analysis what the incredibly complex physics of the swing are. Recently, with the publication of Rob't K Adair's THE PHYSICS OF THE SWING we have the definitive confirmation of what Williams came to understand himself but now from a scientific and scholarly source. Williams doesn't articulate it in his book but he employed a law of physics called The Law of Conservation of Angular Momentum. Simply stated as it applies here it means that when you hold the arms close to the body and start the swing with your hips rather than your arms you will generate greater bat speed. Williams stated this simply in his book when he talks about starting the swing with the hips and holding the hands back as long as you can.... the farther the hands get away from the body the slower the bat speed. It's a law of physics that simply cannot be overcome. The hands, wrists and arms add nothing to the speed of the bat. They are mere conduits through which the power which is generated by the legs and the torso are transferred to the bat. Williams was intelligent enough to figure this one out on his own. Well, as he stated in his book, Rogers Hornsby's immortal words: "great hitters are not born, they are CREATED by study, hard work and fault correction" probably provided him with the spark he needed.

He was an amazing man who had problems with his pears when he played as super intelligent people often do. Fortunately now he is getting his just due and respect.

Thank you and rest in peace Teddy Ballgame!

This is the greatest book anyone an possibly buy on hitting. It is written by one of the top 3 hitters in baseball history, Ted Williams, and he definitely knows what he's talking about. Take it from me, I know. Im a 15 year old baseball player, whenever I get into a slump I can read this book and it will automatically get me out of it. If you read this at the beggining of a season it's possible your batting average could at least increase by .200, depending on how good you are. He explains the importance of having a good swing, stride, and everything essential to being a good hitter. This is a must have for every little leaguer.

This is one of the best legal thrillers I've read - including Grisham, Turrow, R.N. Patterson. Protagonist Victor Carl is so human - flaws and all - I found his character as complelling as the mystery itself. Don't read any synopsis of this book! Get to know the characters and the story one page at a time.

I devoured the book during a recent vacation - and on the 6 hour plane trip home. Couldn't wait to check for additional titles by the author and was glad to learn that Carl's not-so-illustrious legal career continues in Lashner's next novel.

This book is wonderful. Great, great characters, a clever and very well thought through plot (but not so intricate that you can't follow it), and a payoff at the end that matches or exceeds the reader's expectations. The protagonist, Victor Carl, is a real original. And the book's well written to boot! (Lashner's a practicing lawyer and a graduate of the Univ. of Iowa graduate writing program).

Victor Carl, the protagonist of "Hostile Witness," is one of the most enjoyable characters to appear in suspense fiction in quite some time. Far from being the embodiment of the idealized American lawyer, Carl is full of flaws and frailties that make him all the more enjoyable to follow in this fast-paced, suspense-laden thriller that has humor and heart. The book may be set in modern-day Philadelphia, but its roots lie in the California-based film noir classics of the 1940s and early 50s. "Hostile Witness" is easily the most enjoyable book I've read in a long, long time. I hope it is the just the first of many such books from newcomer William Lashner.

I have had a current copy of The Gregg Reference Manual for over 10 years. It was a required purchase for a business correspondence course in college. It is an excellent source for any aspect of writing. It covers proper use of grammer, punctuation, spelling, editing, letter writing--you name it. Whenever I'm in doubt about ANYTHING I need to write, I use this book, and can always find the answer. The manual is very well organized into sections and numbered paragraphs. Examples are used for clarity, as well as examples of what not to do. I highly recommend this book.

As a written and oral communications trainer specializing in grammar, I needed the best reference manual I could find for my students. After reviewing dozens of them for over a decade, The Gregg Reference Manual by William Sabin continues to receive an A+ in my book. It is the only one I recommend because it is so comprehensive in scope, easy to use, and simple to understand. I take my copy with me everywhere.

Working with varied groups as a grammar expert, I am concerned about receiving a question I can't answer. Thanks to The Gregg Reference Manual, that's never happened. I've found answers to questions about even the finest points of grammar as do my students. Regardless of the concept in question, the book is amazingly easy to navigate thanks to its unique index. Unlike others, this one does not simply contain page references. Mr. Sabin references the numerous and detailed subjects in his index to distinctly numbered and lettered paragraphs instead. Those paragraphs contain both clear explanations of the related rules along with enlightening examples that serve to clarify rather than complicate the issues in question.

In my business, I have worked with thoursands of corporate and government employees ranging from experts in English to those who can barely differentiate between a subject and a verb. Whatever their English expertise or lack thereof, I recommend this manual to all of them. Without exception, those who bought it are praising it for the resons mentioned in this review and more. In addition, the price is right.

Try it for yourself, and join the myriad of other satisfied users who say, "Gregg is great!"

Since 1980, I have been recommending this reference to over 23, 000 participants in my business writing workshops. I describe the book as invaluable, comprehensive, beautifully organized, and continuously updated. The Gregg Reference Manual is one of two essential tools for business, government and corporate writers: the other is a fat dictionary. The Manual is full of wisdom and articulates sound uniform rules with nicely nuanced exceptions. It is simply my writer's crutch.

Any animator looking for a book to help them improve their craft knows that most books on animation usually fall short in so many ways, it's easy to think it's impossible to write a comprehensive and accurate book on the subject (don't even get me started about the abysmal state of computer character animation books). Williams is the penultimate animator's animator and he tells it like it is. Williams systematically demystifies virtually every aspect of animation from simple walk cycles, to breaking joints to dialogue and acting. Along the way, he corrects or eliminates information that is inaccurate or practices that distract (lose the headphones and the rad tunes when you work and watch your quality and quantity improve). Williams also is a great storyteller and writer. His accounts with Milt Kahl, Art Babbit and Ken Harris are gems, giving real insight into the personalities of these ingenious men. Since so much of the book is gleaned from his tutaluge under the now-gone "greats" of animation, any price for this tome is a steal. His gift to the world is this book.

If you want learn to REALLY animate characters with life and believability, get this book.

I'm a graduate of a one year animation certificate program in classical animation. In many ways, this book covers a lot of the ground of Preson Blair's classic bible "Cartoon Animation", as well as Tony White's excellent "Animator's Handbook". However, it also deals with practical examples to extend the lessons from these initial books. The whole section on 'walks' has lessons on acting, character and animation that deal with all areas of acting in animation, not simply walk cycles.

It's also more practical than the Illusion of Life, in that it has a logical progression of lessons and enough custom illustrations to more precicely demonstrate these points. In many ways, It's the intermediate book between the intellectual aspects of the Illusion of Life, and the basic principals of Cartoon Animation.

For me, this was like a second year of school: I had learned all the concepts and basic principals I needed in that first year of school using Tony White and Preson Blair. Richard William's book expanded on those concepts, and has already started to improve my work in the first two months of receiving it. I highly recommend this book to any animation students out there, as well as graduates looking to increase their skills.

Richard Williams is a man who is largely responsible for the revival of the art of animation in the early 1970s. Williams had Disney animator Art Babbitt and Warner great Ken Harris working in his studio in London and training a new generation of animators in the techniques of good character animation, which was not taught at the time in any school or considered an art form.

Williams' long awaited book on animation technique is the logical successor to Preston Blair's CARTOON ANIMATION and it successfully updates some of the weaknesses of that book, particularly in handling dialogue animation. He covers a lot of the same ground that Frank Thomas and Ollie Johnston did in their now out-of-print THE ILLUSION OF LIFE.

There is some history, but that's available in other books. What is unique about this book is that Williams writes how surprised he, an Academy Award winning animator with a successful professional studio, was to learn that he needed to learn just about everything over again from Harris and Babbitt. Fortunately for us he is now sharing these priceless lessons with the public.

The most important thing that an aspiring animator will get from this book is: that animation IS an art form, and good animation has nothing to do with whether it is done on computer or on paper. Williams exhorts his readers to 'draw whenever possible' and even though there is a computer modelled figure on the cover of the book, there is not a single piece of computer generated imagery in it. The book is about the bare bones, about creating life in art. Animation is the twentieth century's contribution to world art and deserves to be taken very seriously.

Buy this book.

An intimate telling of family and loss, courage and humor, honest confrontations with mortality, a deeply spiritual tone, and chapter titles introducing us to over thirty different birds, this beautifully descriptive and authentic tale leaves us with tears and a search for binoculars and a bird guidebook. Terry Tempest Williams weaves with great detail the heart breaking and life affirming events of the simultaneous devastation of her mother's body and the migratory bird sanctuary that has been her refuge. She skillfully keeps from dramatizing this innately powerful story. Williams had me deeply attached to pages I knew would be increasingly painful to read. Yet, as it became more painful, I would never describe it as depressing. I am struck by the powerful way she honors her mother, their family's reverent yet human journey through a particularly virulent cancer, and the ultimate power of nature, and equally important, humanity's thoughtless interference with nature, to turn one's life into a personal desert that used to be called home. She is a master storyteller and a poweful activist. This must read challenges the reader to enter a world where solutions are not simple, and life is exposed at its most vulnerable while courage and passion abound.

As the Great Salt Lake rose to submerge and destroy the Bear River Migratory Bird Refuge, grief rose and submerged Terry Tempest William's spirit with the destruction of her mother and grandmother by cancer. The gradual regeneration of the Refuge with the subsiding of the lake parallels the regeneration of her spirit and the subsiding of her grief. But the pain and the scars remain and transform. Terry is no longer an accepting trusting Mormon daughter but a searching questioning activist after her tumultuous emotional experience. One wonders if the gifts of awareness and sensitivity are worth the price of the pain endured. The Refuge becomes a sanctuary for the returning birds and Terry's returning spirit. No more moving piece has been written about the folly and ultimate tragedy of human intervention in the environment. From the nuclear testing of the 1950s to the manipulation of the level of the Great Salt Lake, there is much to learn about the long term consquences of our short sighted acts. Everyone should read and reread and pass on this book.

Now that I have read Terry Tempest Williams' excellent book on finding refuge in the areas around the Great Salt Lake, I find I want to visit, to see for myself the stunning landscape and myriad of birdlife. I also find myself drawn to this courageous woman who lets us into this difficult part of her life, as her mother passes into the shadow of cancer. Not for the first time, we learn, and not such a rare occurrence in her family, we discover; a discovery that, for me, evoked anger at the unfairness of exposing human beings to atomic bomb test fallout. There is so much in this book: the detailed descriptions of the birds and their habits, the extraordinary unfolding of the progression of cancer and its effect on the family, the interplay of three women -- grandmother, mother, daughter -- and through it all, the gentle and exquisite writing carried me nearly effortlessly, yet with great strength. I can find no fault with the writing, the evocative images, the revelation of relationships, and the treatment of this undoubtedly amazing place. Thank you, Terry, for writing this book.

The Fowlers of Sweet Valley, is, no doubt, the best book I have ever read---and that is a lot of books! I think it was even better than the Wakefield saga, which was good also. The book is truly a sweeping romance. Sensitive readers will surely cry reading this book. AMAZING WORK!

When I picked up this book I honestly thought that I was going to end up reading about snobs just like Lila-but I was wrong. The story starts with Lili de Beautemps, who narrowly misses the guillotine during the French Revolution, and ends up poor. From there, it eventually goes to George Fowler, Lila's father, and goes into what happened between Lila's parents. A nice read, even though I am not one for sappy romance novels normally. I think I'll pick up a copy of "The Patmans of Sweet Valley" as well.

As a college student, I need some mental cotton candy every once in awhile. I found a few of my old Sweet Valley High books and I've gotten hooked on them like never before-- buying them at secondhand bookstores, etc. I have to say that I really love The Fowlers of Sweet Valley-- although-- it seems like in every single "Saga" book the generations-- in this case Beautemps vs. Oiseilluer/Fowler-- that preceed the SV characters we know and love come THIS CLOSE to falling in love and then die, move away, lose touch, etc. Every single generation-- in every book-- it starts to get just a little bit old. However, the only case where this is actually interesting and almost a little heartbreaking is when Isabelle marries Jacques' (oisiellur, who later changes name to Jack Fowler)friend when she thinks he is killed. I have studied the first world war in depth and there are cases like that where they think beyond a doubt the soldier has died and then he turns up somewhere. But with that-- and the background of Lila's parent's falling apart-- make this a wonderful read. Loved it when Celeste found out about her mother Lili!

As an instructor of introductory macroeconomics, I often rue the fact that we do not utilize this textbook. I borrow material from it INCESSANTLY and without shame.

It presents the "Keynesian" viewpoint on macroeconomics in an extraordinarily clear and interesting fashion. Frankly, I consider the introductory (read literally - first semester macro books) texts to be a waste of time. There is absolutely no reason this textbook should not be used for a first semester macroeconomics course (assuming one has already taken an introductory microeconomics course).

Suggested plan of study for those interested in a fairly serious study of macroeconomics (without an INSANE amount of mathematical preparation): this book and Barro's book with the same title. Barro's book presents the real business cycle theory approach in a clear manner (though the book is somewhat dull in comparison)...then decide for yourself which 'camp' is making the most sense.

This book makes Economics extremely accessible -it was the first textbook I've ever encountered that was actually a "good read." Anyone taking an Intro Macroeconomics class should have a copy of this book (even if the course textbook is different). Extremely well written and clear.

Macroeconomics (as well as most other fields of economics, for that matter) is a subject which involves many graphs and diagrams. Mankiw's book was used in my intermediate course on macroeconomics and I was very satisfied with it. Its graphs are well laid out and contain lists of steps in the margins explaining how they were obtained. It is also easy to read. The examples provided are relevant and interesting, and the style is conducive to learning macroeconomics.

OK, I am a sucker for good dialog. I love puns. I love snappy comebacks. And this book is loaded with them. That's the good news. The bad news: the plot is thin, hard to follow. A few characters are fully fleshed out (as it were) but many are sketchy, and many are killed off before we get to know them. The motives can be confusing. Count Dracula isn't really Count Dracula, and we don't ever really find out who he is.

Nonetheless, it was so much fun to read. I kept quoting bits of the dialog to my significant other.

Some of BunRab's Standard Vampire Classification: -Series: if it is, it's the first one. -Significant genre it comes from: Fantasy/humor. -Does the vampire hold a job? Well sort of, although he loses it in the course of the book. -Do the vampires drink blood? Yes, though it can be animal instead of human. -Is drinking blood a metaphor for sex? No, although it can occur during sex. -Is there a lot of sex? Nope, and not much detail for what there is. -Are there other supernatural characters? Yup, and a few too many of them, if you ask me. Introducing umpteen different subspecies of elves was an unnecessary complication. -Is it deadly serious (pardon the pun)? Nope, I believe I've addressed that. I mean, we have vampires with library cards picking up girls at the research desk, for pete's sake. -Is it well written? Well, the dialogue is great, the plotting and resolution a little less great. But it's not hard to read, and it's acceptable for fantasy.

Incidentally, I worked for a department store credit department in a large city with lots of ethnic population, so I knew how to pronounce Csejthe right off the bat. The book finally does explain it after a bit.

Very little drives me crazier than authors who rely on literary convention, who are self-indulgent in any of the several ways possible for fiction (for example, if the main character is righteous, or if the author uses the book to promote his or her pet ideas, or if it's a historical makes the characters of the past have the sensibilities-- feminism, for example-- of the present). Wm. Mark Simmons does NONE of these things. One Foot belies its somewhat lurid cover art by asking the readers to believe only one thing-- these "supernatural" creatures do exist-- and goes on to tell a story that keeps my interest and never rings false to my internal B.S.-meter (and I read a lot, so it's finely tuned). The once-human "monsters" are still very human in their hearts and minds (which are sometimes monstrous, like those of some humans); their situations have scientific bases. Add to this "keeping-it-realism" a literate quality, thoughtfulness and a significant portion of humor, and you wind up with a work which is at the same time intelligent, funny, and very rereadable, which is my standard of measure for quality fiction. Or to put it another way, most of my paperbacks stay awhile and then get traded in. Not this one. I look forward to its sequel(ae).

I like the cover art on this paperback as well as the description of it as "Dracula meets the Godfather". I figured it would be good for some cheesy vampire action; you know, one of those books you have to read because it's so laughingly bad. I'm pleased to say I was completely wrong!

The novel begins with Chris Csejthe trying to find a cure for the mysterious disease that started to plague him shortly after the deaths of his wife and daughter. Chris, who narrates the story, then finds himself in the middle of a bizarre life-or-death situation while two powerful vampire "families" (in the mob sense) fight over him. Turns out Chris is in the middle of vampire transformation; neither human nor vampire, Chris begins an adventure of discovering who he is, testing his new powers, and solving the mystery of the tragedy that took the people he loved. Along the way he meets Dr. Mooncloud, Bassarab, Lupe, Suki, Elizabeth, and a whole slew of other-worldly creatures such as elves, goblins, dryads, nagas, knockers, sprites, and many others. All the while, he narrates the events around him with sarcastic humor, literary references and some healthy wariness. Any vampire novel that can weave an enchanting tale of an alternate history such as this while quoting Sappho, Yeats, Victor Hugo, Donne, Wordsworth, Oscar Wilde etc. deserves more recognition! Simmons has created a fascinating world filled with funny, intelligent characters. The dialogue is snappy, the plot is filled with twists and turns, the story is suspenseful, and the book itself is impossible to put down. I am so pleasantly surprised by this novel, and I sincerely hope that Simmons will revisit these characters and give us a sequel! I found this book in the fantasy/sci-fi section, but it easily crosses into horror, humor, drama as well. It has something for everyone: humor, action (you'll find lots of weapons and methods of killing without intense graphic gore), suspense, mystery, fantasy. Buy it, you won't be disappointed.