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This time around Tom combines forces with his son, Bill, (who is a teaching and playing golf professional) to create a fascinating and very instructive treatise on leadership. The book narrates - from multiple perspectives - human actions and reactions to a business simulation that the authors conduct through nine holes of "team golf." The lessons are profound and the narrative style is compelling (I read it through on the first reading). More importantly, you don't have to be a golfer to get the messages. If you know who Tiger Woods is, you'll get the message.
The core lesson - that you must start with the end in mind and SWING TO BALANCE, rather than "hit the ball" - is simple to understand and very hard to execute. Of course that's the way leadership is in real life.
I've got a dozen I'm giving to my clients.
Mr. Wentz gets it right when he writes, "You not only have knowledge about Swing to Balance, you have feelings about it. It is not until a concept becomes a vision in terms of emotions that a person or organization can choose to behave as that concept implies."
Leaders act on information, but emotions are often the catalyst that gets the action started . . . or stopped. Learn to Swing To Balance, and learn how to make meaningful, positive change in life and business.
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A boy named George wakes up one morning to find that he is only three inches tall. He also finds a note from his parents with a list of chores he must do (which becomes Joyce's unique way of telling the story--the parent's note is the actual text of the book). The story follows George as he heroically navigates through the now gigantic house, evades the hungry house cat, and completes all his chores in very creative ways.
The illustrations, done in watercolors (though not pale and washy), are a mixture of highly realistic details (the house and surroundings), and a comic style (the characters). Included are several wordless full-page spreads of George flying a toy airplane which on their own are worth the price of the book.
If you can, buy the new large format of the book (November 2000 edition). The illustrations are much larger and the colors are more brilliant. The illustrations were probably rephotographed since the original edition is back from 1987 or so. (...) The newest version has a brand new cover illustration recently done by William Joyce.
Well, enjoy this book and happy shrinking!
William Joyce, who will be most familiar to folks as the creator of Disney Channel's Rolie Polie Olie. George too has his own series now, on PBS, and a spanking new
reprint of his original adventure.
The story here is fairly basic : George, suddenly three inches small, follows the instructions his parents left behind in a note, to clean up the house and watch his little
brother (now a BIG little brother). Along the way he avoids an ornery house cat and rides in a toy plane. Our kids favorite page features George scrubbing dirty
dishes by skiing down them on a sponge.
As with Rolie Polie Olie though, the story is secondary to Mr. Joyce's remarkable artwork. In Olie he manages to combine Art Deco with Futurism; here it's all
throwback. George Shrinks looks like a really hip version of the Dick and Jane books. A story with a miniature hero kids can relate to and illustration interesting
enough to hold adult attention--what more can you ask?
GRADE : A
A boy named George wakes up one morning to find that he is only three inches tall. He also finds a note from his parents with a list of chores he must do (which becomes Joyce's unique way of telling the story--the parent's note is the actual text of the book). The story follows George as he heroically navigates through the now gigantic house, evades the hungry house cat, and completes all his chores in very creative ways.
The illustrations, done in watercolors (though not pale and washy), are a mixture of highly realistic details (the house and surroundings), and a comic style (the characters). Included are several wordless full-page spreads of George flying a toy airplane which on their own are worth the price of the book.
If you can, buy the new large format of the book (November 2000 edition). The illustrations are much larger and the colors are more brilliant. The illustrations were probably rephotographed since the original edition is back from 1987 or so.
Well, enjoy this book and happy shrinking!
More than just a dictionary, the strength of this lexicon is that it gives both specific meanings of words in context as well as a knowledge of the shadings of meaning that a word carries throughout the Bible. This moves the student from a general grasp of a thing to an attentiveness to the precise way God has made himself known--there is nothing quite like it.
As other reviewers have noted, this is probably not a good place for beginners hoping to do a word study to jump in. I'd recommend Vine's for that. I also recommend that those serious in the study of Biblical Greek use this book in conjunction with a Greek New Testament, Mr. Mounce's Grammar (his lexicon is handy too), and Zerwick's Grammatical Analysis. This broad group of tools should help keep you from falling pray to a single interpretive spin.
Don't let its size and price scare you off--this book is essential for the student of Biblical Greek.
There are two drawbacks. The first is price. This is an expensive volume, but perhaps that is to be expected. The second is that I noticed several examples of errata. No doubt these will be removed with each new printing.
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I have read many English versions ancient Greek texts, and this one has an excellent flow that is not acheived by mere translation. This book helped me to learn about the characters in the Greek myths and legends better than any other, in the sense that the stories are presented in a MEMORABLE way. Now I can read other texts with a real sense of knowing who everyone is.
The book is a quick and captivating read, could be done in one day. I thank the author for his outstanding job. He has acheived a book which compliments the myths of the Greeks, and other translations can compliment this book.
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This link is constantly being made throughout the story by Gayle, a girl who seems to lack any kind of regard towards anyone or anything except herself and three friends. The reader has a hard time connecting to her because she appears so self-centered which although common among young teenagers is hard to accept from a girl who seems older than her years as a result of her experiences. It is only through Gayle's interpretation of the world that one can see how vulnerable she is and realize that her lack in concern is directly related towards her age and development.
Gayle's lack of any type of emotion is clear from the beginning of the book when the reader discovers she is pregnant. To the reader it seems as though her regard to her situation is without concern. Her response to the abortion was more a sense of annoyance than any type of loss or even understanding about consequences. When the Doctor tries to offer some sympathy and encouragement during the procedure Gayle responded with, "Oh, Doc, it ain?t nothing to cry about."(Williams-Garcia. 8)
The inconsistency Gayle expresses shows how she can still easily be taken advantage. Throughout most of the book she tries contacting her boyfriend Troy with no success. Instead of realizing he has moved on she places the blame of his lack of response on everybody else but him. Yet the flight attendant on the plane causes Gayle to feel suspicious. "Gayle didn?t trust her. She was to nice." (Williams-Garcia. 21)
Although she seems experienced and often the reader forgets her age, comments Gayle makes throughout the book often expose how young and unexposed to the world she really is. While flying over New York, Gayle notices the landmarks like a wide-eyed child. "Jose! Look. There go that Freedom Lady and her torch. See! And those two giant buildings be on postcards. Look!"(Williams-Garcia. 22)
Upon meeting her relatives at the airport, Gayle refuses to show any emotion towards her cousin Constance. Although she is aware the 'insolent' response to her cousins 'sympatric look' causes Constance to feel rejected and reveals this by justifying her unfriendly behavior to herself. "How can I smile at you? Smiling means we know the same thing, and you don't even know what I'm feeling. Cootie still sore fore the abortion. Ears still ringing from the plane ride. Back fit to split wide open from playing the mule, but I?m s?posed to be grinning at you?"(Williams-Garcia. 27)
Many readers may have a hard time relating to this book. The main character seems shallow. Taking a closer look though shows depth to Gayle and allows a great deal of maturity and growth throughout the book.
The author deals with teen pregnancy, abortion, and religion in a well-written, well- balanced way. She makes sure that the "real deal" of these teen issues are portrayed, as well as offering a "there's still hope" message for the readers.
As a reading teacher, part of my job is to expose my students to well-written, exciting books they might not ordinarily find on their own, and I'm surely glad that this wonderful treasure has been found!
I think teenage girls will read this book, because they would think it's interesting because having a baby at a young age is not the way to be cool. It takes away a lot of your time and freedom. Gayle learns how to take responsibilities for her and her child.
Down South, Gayle learns that being on her own is hard. Being a full time mother is a hard job. She has to work to get her and Jose things that they need. Doing all this while taking care of Jose is hard because her mother is not there to help her, and she is learning her responsibilities quickly because her mother is not there to do everything any more.
I encourage you to read this book because you can learn a lot from this book.
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I read the whole thing cover to cover - it is just fascinating. The author writes in a very readable, extremely interesting style. I love having all the recipes for the meals mentioned throughout the Little House books and I *love* reading the history included in this cookbook. It adds such depth and perspective to our readings of the LIW books. [This book is as much a history text as it is a cookbook - and it does great justice to both genres!]
My daughter and I have made several of the recipes from the book so far and they have all been delicious, if not exactly health conscious. :) I haven't been able to bring myself to buy Lard, but we have delighted in making some of the same foods Laura ate. My daughter is learning a HUGE amount about history through these experiences.
Buying this book is the best money I've spent in years!
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Santa Calls is a book by William Joyce. Art is a boy who lives on a farm. Santa sends his family a box and they fly north in it. When they get there, Santa takes them for a ride. When they are riding, dark elves take Art's sister. Art gets her from the dark elves. Santa Calls is an awesome story. I liked the part when Art made a candy bomb of his own design. To find out this stuff buy Santa Calls.
By: Joey
Spunky Art Atchison, along with Spaulding his pal and Esther his little sister have a thrilling adventure after Santa calls them all North. They battle dark elves and evil queens with gee-whiz pluck (and a candy-bomb of Art's own design). But even THAT isn't the big hug in the book---it's the very end that makes this gem a keeper. Few read those two letters and go away untouched.
Every year several gooey Christmas books come out, both religious and secular, and very few are worth much. But years after purchasing this one, we still pull it out and comb the rich pictures for new details. Forget the "Ages 5-9" recommendation for this: "Santa Calls" is for everybody!
Ms Berkman has done all of the work required for historic fiction: she writes of everything from the laws of the time to the family linen. To this she has added an inspired imagination and outstanding writing.
The result is an excellent collection of linked stories -- it almost adds up to a novel about Shakespear. She has taken what little we know of these figures and constructed plausible, fascinating, three-dimensional women.
I would have entitled this review "Her Infinite Imagination," but someone has already used it.