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Sirius ends up seeing the full range of human life, from bad to good, and more. He is also not a true dog, and finds himself not only alienated from human beings who cannot accept him fully (with a handful of exceptions), but other dogs who are like cretins to him especially his "lovers" (as the book puts it). Despite having difficulty speaking and writing (he devises ways to get around that), Sirius has an advantage over other dogs through his intelligence, and over humans in his hearing, sense of smell etc. What we get is not only a satire on English life during WWII, but an almost autistic view of the world, seeing everything but not able to integrate oneself into it.
Of course some of the writing is dated, and Stapledon at times takes a very colonial view of the Welsh and their language (Sirius is originally brought up on a Welsh farm by English academics). Some of the style is very dry and typical of the period (for example when Sirius spots a holy roller farmboy pleasuring himself, Stapledon calls it "something unspeakable". Fortunately Victorian hangovers like these are not common).
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This well-written and well-researched book is sorely needed in today's U.S. military. To all those blinded by the technologies involved in transforming the U.S. military, or the so-called "revolution in military affairs," this book should serve as a 'reality check.' Poole repeatedly shows how the Western over-reliance on ordnance and technological superiority was effectively countered by adversaries who recognized the West's strengths and consciously decided to focus on small unit tactics and training.
Poole's message (some may call it a warning) is clear: the West will never live up to its military potential (or up to its over-inflated militarily superior opinion of itself) if it continues to ignore pursuing the tactical excellence needed to complement its unquestioned technological superiority. The real transformation or revolution in military affairs should be the paradigm shift to ensuring that our individuals and small units are as tactically proficient as they are technologically advanced.
This book can help all Western military decision-makers think differently about warfighting and can help save lives on the battlefield.
"The first casualty of war is the truth," he says, and he proceeds to dispel the idea that America won every single tactical engagement in its three major wars in Asia. Lessons that could have been learned by examining Asian tactics were washed over in the need to protect American morale.
Poole argues convincingly that the Japanese, Koreans and Vietnamese were holders of great tactical and strategic insight, every bit the equal of our own. Many times, we claimed victory when the evidence for those victories was lacking. The Asian he argues could be a model for American small unit tactics.
Poole's thesis, in his own words is simple "The soldier of the future must be a phantom --remaining invisible in the defense, on patrol, and during the assault -- or he will be dead. Those that do the fighting are the ones best qualified to refine these techniques. Western military organizations seldom see their role as one of disseminating lessons learned from lower ranks."
Poole fears America's obsession with firepower, stand off weapons and the admiration for high command curtail the option for self-directed learning at the small unit level.
I admire Poole's work. Poole's train of thought seems to mirror those of his mentor, Colonel Michael Duncan Wyly (co-author of William S. Lind's Maneuver Warfare Handbook.) Colonel Wyly in many ways presented similar information in his tenure as the head of the Marine Corps Amphibious Warfare School. Here are Col. Wyly's thoughts on his inclusion of Korean/Chinese tactics into his curriculum:
"I study the Korean War ... because the problems of the 50's have not yet been played out. It was in Korea that we see a very low-tech army doing quite well against the highest tech army (including the Marines) in the world. Even now, I am not comfortable with how either the Army or Marine Corps have faced up to preparing their "warriors." Our adversaries in the Far East had to be warriors; that is, they had to apply the art of war because they had no other option. I am neither holding them (North Korean, Chinese, and North Vietnamese) to be the premier soldiers in the world, nor am I condemning technology. I am simply pointing out that for years we neglected the essence of good tactics. Even though we have the best technology in the world, there is nothing wrong about having the best tactics as well."
Colonel Wyly's calm, even-tempered lectures on tactics form the nucleus of Poole's work.
In Phantom Soldier he continuous his effort to explain the right way to fight - this time with more clarity and easy-to-read style. I find the way he mixes the old, and still true, theories of war fighting with real world examples to be most helpful.
Every person slightest interested in learning the ways of war is probably familiar with Sun-Tzu, but in this book the author also introduces us to some of the less know Asian theorists like Sun Bin. For the uninitiated "The Art of War" by Sun-Wu (or Sun-Zi) seams to be the reference work to read, but the truth is that "The Art of War" is only one in the ancient collection "Seven books of war". A less well-known work, the Liu Tao, or Six Strategies for War, was also highly regarded by rulers of ancient China. The six strategies (Civil, Military, Dragon, Tiger, Leopard, and Hound) each deal with a different subject and corresponding plan for success.
In Phantom Soldier the Battle Arrays of Sun Bin are explained so they are applicable to modern units right now.
I don't agree with J R Dunn on his critic on John Poole's writing. J R Dunn referrers to him self as a military historian, if he really is this, he should know better than to confuse efforts that use history as example with absolute truths. I doubt that Mr. Dunn ever participated in a battle or even a fire-fight. If he had he would know that fighting is complex and very fluid, you cannot make science of art. What John Poole really does is to try and make use think the right way.
If a force with all its modern weapons, support, intelligence assets and the overall technological superiority would be able to adopt this way of thinking it would be unstoppable.
If you keep one eye on history and the other on the future - you will be blind on one eye.
If you keep two eyes on the future you will be blind on both.
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The book helps individuals uncover how they can make a difference and ovecome the fear and barriers that stop us putting this into practice.
For anybody struggling to break free from the chains of their current work read this book. It can change your life.
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The Arms of Krupp (out of print), and many others of the canon are seminal works with a devoted readership. Perhaps the right marketing opportunity simply has yet to strike. Making a movie (and a bad one at that) about Pearl Harbor popped even the questionable Gordon Prange back into prominence. Clearly, in these days when book publishers are conveniently tied into the entertainment world as a matter of corporate domain, the lonely vigil of the Manchester devotee must await the serendipity of Hollywood. Until then, Mr. Manchester I laud you with the words of one still in print:
"To me fair friend you can never be old,
For as you were when first your eye I eyed,
Such seems your beauty still."
He narrarates this true story detailing his youth in school, boy scouts, and support for his ball club, the Brooklyn Dodgers. However, life will soon change for young Art and his family as his father is illegally taken from them and interned at Ellis Island as a "Nazi criminal". This is just the beginning of the Jacob's family internment journey that takes them from Ellis Island, to the Crystal City Texas Internment Camp, then to Germany where Art spends his 13th birthday in the Hohenasperg prison.
I believe that his intention and motive for writing his story is NOT for compensation, revenge, or to denounce the United States. As I read his story, I felt his sincerity, compassion, and most importantly his intention to MAKE THE TRUTH KNOWN. Because of Art's story, The United States Government has an opportunity to acknowlege Art and other internees that wrongdoings to Americans of German decent did occur.
I recommend this hard to put down, well documented book to those who are interested in WWII history, post WWII Germany, internment life, as well as those interested in reading a boy's burning desire to overcome and succeed under any circumstance to come back to his "Country 'tis of thee".
Locating Mr. Jacobs' book in my library, I read a fascinating account of what the author and his family endured during World War II, and after the war with the expatriation and repatriation to Germany.
Interviewing Mr. Jacobs for my research paper, culminated in a better understanding of what our government did, and may do once again with Arab-Americans in the attempt to prevent future terrorism. It is tragic when a government does what it thinks right at the time, but then refuses to apologize for the injustices committed against its own citizens.
I recommend this book to every German-American, as well as all Americans who never learned the whole story during their formative education.
I believe this book should be an eye-opener. We need to be concerned that our government can give such power to one man such as Edward J. Ennis, that our military could treat even criminals the way this child was treated, and that most Americans still know nothing about the treatment of German Americans during World War II.
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Santa Calls is a book by William Joyce. Art is a boy who lives on a farm. Santa sends his family a box and they fly north in it. When they get there, Santa takes them for a ride. When they are riding, dark elves take Art's sister. Art gets her from the dark elves. Santa Calls is an awesome story. I liked the part when Art made a candy bomb of his own design. To find out this stuff buy Santa Calls.
By: Joey
Spunky Art Atchison, along with Spaulding his pal and Esther his little sister have a thrilling adventure after Santa calls them all North. They battle dark elves and evil queens with gee-whiz pluck (and a candy-bomb of Art's own design). But even THAT isn't the big hug in the book---it's the very end that makes this gem a keeper. Few read those two letters and go away untouched.
Every year several gooey Christmas books come out, both religious and secular, and very few are worth much. But years after purchasing this one, we still pull it out and comb the rich pictures for new details. Forget the "Ages 5-9" recommendation for this: "Santa Calls" is for everybody!
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The only thing I wish, is that there was a bigger showcase of pictures.