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I considered Cleveland's textbook on the Modern Middle East a great source of history. After reading this book, I guarantee that you will better understand the present-day crisis in the Middle East than over ninety-five percent of the people in the United States.
Popular magazine articles that attempt to "explain" Islamic rage as the result of a "fear of modernity" or "jealousy of the west's freedoms" may as well bear a stamp proclaiming their authorship by the "Ministry of Propaganda." As an alternative, I recommend Professor Cleveland's textbook, which serves as a brief but remarkably thorough introduction to the history of this volatile part of the world.
No, the book does not cover Afghanistan or Pakistan, but clearly political currents in these nations are closely linked with what has transpired in Palestine, Iraq, Syria, Egypt, Lebanon, and the rest of the Middle East proper. At the heart of the current crisis is, of course, the Israeli-Palestinian condundrum, and here the author's explanations and analyses are clear, balanced, and incisive. His discussions of the evolution of Saddam Hussein's Iraq and the background *and consequences* of the 1991 Gulf War are also invaluable. In his recounting of the Iranian revolution, Cleveland offers a fascinating analysis of the apparent Islamicist rejection of "modernity," showing that those in the Middle East who reject the West do not crave a return to the ancient past, but instead wish to follow a modernization pathway that is guided by indigenous cultural principles, including the precepts of Islam.
Perhaps most impressive, however, is what Cleveland has to say toward the end of the book regarding the dangers of an overly intrusive and domineering presence in the Islamic Middle East by the lone remaining planetary superpower, the U.S. He does not prophesy the recent terrorism that has afflicted this country, but he does criticize the U.S. for policies that seem to rely more upon aerial bombardment than careful diplomacy. The application of Cleveland's conclusions to a reevaluation of the likely long-term consequences of "America's new war" is not a comforting process, but it's one that perhaps more Americans need to undertake.
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Bill Meacham, alias "Wild Bill" Meacham, began his year long tour in Vietnam assigned to the 17th Assault Helicopter Company at Long Binh. Even before he sat in a cockpit for his in-country orientation, he was tapped to be the investigating officer for a gunship incident deep within the jungles of III Corps. The distasteful job led Bill to realize that Vietnam was truly a dangerous place and he was knee deep in "reality."
The very first month with the 17th, Tet of 68 erupted everywhere across Vietnam. Bill came face to face with NVA, in the wire, all-around the 17th compound for a bit of nighttime excitement. Never one to sit idly by and let himself be killed, Bill took the aggressor group under fire, killing almost a squad as they raced across the 17th's compound. The onslaught was finally halted and the story of Tet 68 became one of slaughter for the enemy. However, the US media never really saw it that way. Bill Meacham couldn't believe he was knee keep in ground combat. He was supposed to be a helicopter pilot!
The nick name "Wild Bill" was not yet coined for William Meacham as the 17th Assault Helicopter Company was uprooted and shipped to I Corps. There they would join and be re-designated, Bravo Company of the 101st Airmobile Division's 101st Aviation Battalion. Still proudly know as the "Kingsmen", the unit faced new challenges and threats within the mountains and weather of North I Corps. And, for the next year Bill and his buddy W.T.Grant would slowly but surely be consumed by the "meat grinder" as they experienced days and days of the same old thing....bad weather, NVA and long, long hours of flying.
It didn't take "Wild Bill" Meacham long to realize that he was best suited to working closely with the LRP teams of the 101st Div. He and W.T. Grant made many good friends and comrades with the LRP's as they concentrated completely on the tricky and specialized work of the LRP units. Their flying skills were quickly recognized by the LRP's as "just what the doctor ordered" and they were assigned almost exclusively to fly for the them. Together Bill, W. T. and the LRP leaders formulated many techniques which proved to be most effective in getting the job done, yet keeping everyone as safe as possible, under hazardous conditions. Higher HQ's basically left them alone to performed their missions almost in their own world. That is not to say they had it easy, just that they were very good at the job. No one within the LRP leadership wanted anyone else...they were the best!!
"Lest We Forget" is a book that will keep you on the edge of your seat. Throughout the book, William Meacham allows the reader to "tune in" on the radios and tactical frequencies to hear the tension and terror from the LRP's on the ground. He also lets the reader hear the commo between he and his wingman, Grant. You will "feel" the sweat dripping from inside his helmet as it burns his eyes. Your gloves will become wet as he hoists LRP team members out of the jungle with a 120' long rope, called a McGuire Rig. You will ride to the hot PZ to extract the "whispering" LRP teams as NVA watch and fire from a tree line only yards away. Yet, most will be extracted safely! "Wild Bill" Meacham will live to fly another day! What a ride! What a book! What a story!
Tom Payne
VHPA
Sec/Treas.
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The book Jurgen is from the same mold. Jurgen the pawnbroker moves from one of Cabell's stereotypical women to another. The book became well-known because of the godawful sex sequences, in which Cabell archly refers to Jurgen's sword, staff, or stick -- the resulting call for censorship made the book famous, but that doesn't mean it was Cabell's best. I thought The Silver Stallion and, in some respects, even The Cream of the Jest or The High Place to be better examples of Cabell's writing.
I would recommend that anyone who likes fantasy read at least one of Cabell's books, because he writes like no one else. This book had the usual Cabell wittiness and sardonic feel, so if it's the only one you can find, certainly try it.
Moments like this, simultaneously jaded and genuine, sentimental and cynical, are the most delightful parts of 'Jurgen: A Comedy of Justice.' Nominally the story of a medieval pawnbroker's quest to find his lost wife, 'Jurgen' becomes a bildungsroman in reverse as, on the way, its hero regains his youth and visits the lands of European myth, from Camelot to Cocaigne (the land of pleasure) -- each land shows Jurgen a way of life, and he rejects each in favor of his own sardonic stoicism, for he is, after all, a "monstrously clever fellow."
That phrase describes Cabell as much as it does Jurgen: the author is remarkably erudite, and, like a doting parent hiding easter eggs, drops in-jokes through the book on subjects as far-ranging as troubadour poetry and tantric sex. Cabell corresponded with Aleister Crowley in his day, and, in ours, is an influence on Neil Gaiman ('The Sandman,' 'Neverwhere,' etc.). The book itself caused quite a splash when it became the centerpiece of one of the biggest censorship trials of the early 20th century: something to do with Jurgen's very large *ahem* sword.
Social satire and an idiosyncratic cynicism in the guise of a scholarly romance-fantasy, 'Jurgen' is what would have happened if J.R.R. Tolkien and Dorothy Parker had gotten together to write a book.
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To say this is about a pioneer family moving west, or about a little girl who lived in the big woods, on the prairie, near a creek, on the shores of a lake, and in various structures including a sod house dug into the side of a hill - misses the point. These stories are about adventures and goodness and have successfully warmth the hearts of generations of all ages since they were written.
I recommend anyone of any age read Laura Ingalls Wilder's Little House Series. The best part of all is that the stories are based on her family and her life and capture the time and a spirit of those strong and determined folks who moved west in the 19th Century.
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Using access to documentation about and personalities surrounding Khruschev, Professor Taubman has written what will surely stand as the definitive Khruschev biography for a long time to come. Professor Taubman has vividly captured the essence of Khruschev-the insecure bombastic and idiosyncratic nature of this truly unique historical figure who owed both his rise as well as his fall to his love-hate relationship with Stalin, the man who he supported wholeheartedly and then denounced and debunked. The boo does a marvelous job of providing an insight into the truly ethnic Russian aspects of Khruschev's personality and behavior-his passions, his profanity, his impulsiveness-aspects that at once render him all too human in both genuinely sympathetic and concomitantly repulsive ways.
Khrushchev represents an intermediary between the cult-of-personality communism of Lenin and Stalin and the more corporate, politburo oriented communism of the Brezhnev/Andropov era. Professor Taubman also provides clear-cut and insightful analysis of Khrushchev's role in this area as well. Moreover, all of this is deftly presented within the context of the wider Soviet and international political events of the times.
Well written and very well paced for a genuinely scholarly historical work. This is one of the best biographies I have read in many, many years.
A brilliant effort.
Taubman begins with a quick summary of Khrushchev's childhood and quick rise in the Communist Party apparatus under Stalin. Seemingly unambitious, often to the point of evading promotion, Khrushchev thrived and survived during the worst of the Stalin era. After Stalin's death, Khrushchev adeptly asserted himself over supposedly stronger rivals to wield primary power by 1956.
Taubman doesn't give a complete, detailed account of Soviet domestic and foreign policy during the Khrushchev era, but concentrates instead on several key events: The Secret Speech, the Invasion of Hungary, and the Cuban Missile Crisis. There is also a fairly detailed account of Khrushchev's troubled and ambivalent relationship with artists and intellectuals, which reveals him at his worst, often devoid of elementary self-control.
Despite his blustering threats and personal vulgarity, Khrushchev was in many respects admirable and likeable, and it is hard to read of his ouster and lonely retirement without sympathy.
In Taubman's account Khrushchev suffered from an inferiority complex based on his lack of education and culture. I'd like to suggest an additional explanation for his intemperate behavior. I believe Taubman's biography shows Khrushchev as a basically decent man who wanted the party and government to which he'd dedicated his life to succeed. Not a cynical careerist like most of his colleagues, Khrushchev may have been stricken more by doubt about the system he represented than about his own capabilities.
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