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OK- turn to chapter 12...
and there is no information on what to do with a metal fire.
Before anyone tries welding mag engine blocks or wheels or anything they should know that if the part catches fire spraying a normal ABC fire extinguisher will not put it out, that it burns hot enoutgh to cause steel to catch fire, and that spraying water on it can cause an explosion as the fire can be hot enough to split water into hydrogen and Oxygen. This is not mentioned in the book. There are many more cases of the information you need shunted aside for personal anecdotes of the authors or the pages and pages of poor-quality filler photos that show off everything the author has ever worked on.
Don't buy it.
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So why read a relatively obscure history about a relatively obscure king? Aside from the obvious (it's Shakespeare, stupid), it is a wonderful piece of writing - intense, lyrical, and subtle. Richard II is morally ambiguous, initially an arrogant, callous figure who heeds no warnings against his behavior. Of course, his behavior, which includes seizing the property of nobles without regard for their heirs, leads to his downfall. Nothing in his character or behavior inspires his subjects so he has no passionate defenders when one of the wronged heirs leads a rebellion to depose Richard II. But Richard now becomes a much more sympathetic figure -especially in the scene where he confronts the usurper, Richard acknowledges his mistakes, but eloquently wonders what happens when the wronged subjects can depose the leader when they are wronged. What then of the monarchy, what then of England?
On top of the profound political musings, you get some extraordinarily lyrical Shakespeare (and that is truly extraordinary). Most well known may be the description of England that was used in the airline commercial a few years back... "This royal throne of kings, this sceptred isle, ..."
If you like Shakespeare and haven't read this play, you've missed a gem.
Shakespeare masterfully manipulates our feelings and attitude toward Richard II and Bolingbroke. We initially watch Richard II try to reconcile differences between two apparently loyal subjects each challenging the other's loyalty to the king. He seemingly reluctantly approves a trial by combat. But a month later, only minutes before combat begins, he banishes both form England. We begin to question Richard's motivation.
Richard's subsequent behavior, especially his illegal seizure of Bolingbroke's land and title, persuades us that his overthrow is justified. But as King Richard's position declines, a more kingly, more contemplative ruler emerges. He faces overthrow and eventual death with dignity and courage. Meanwhile we see Bolingbroke, now Henry IV, beset with unease, uncertainty, and eventually guilt for his action.
Shakespeare also leaves us in in a state of uncertainty. What is the role of a subject? What are the limits of passive obedience? How do we reconcile the overthrow of an incompetent ruler with the divine right of kings? Will Henry IV, his children, or England itself suffer retribution?
Richard II has elements of a tragedy, but is fundamentally a historical play. I was late coming to Shakespeare's English histories and despite my familiarity with many of his works I found myself somewhat disoriented. I did not appreciate the complex relationships between the aristocratic families, nor what had happened before. Fortunately I was rescued by Peter Saccio, the author of "Shakespeare's English Kings". Saccio's delightful book explores how Shakespeare's imagination and actual history are intertwined.
I hope you enjoy Richard II as much as I have. It is the gateway to Henry IV (Parts 1 and 2) and Henry V, all exceptional plays.
Capstick chooses to concentrate on the "legend," eschewing any research, preferring to simply cite from Meinertzhagn's own diaries at length rather then take the time to provide any corroborating documentations. This is a shame since it is left to to the reader to decide what part of the tale is true and what is not--no small task given that Meinertzhagen destroyed a large portion of his diaries in 1942, which raises the possibility of revisionism on his part in the later years of his life. Not to mention the remarks in his diaries regarding T.E. Lawrence which have been ably refuted by historians, nor the recent news that at least one of his major ornithological "discoveries" was in fact a fraud on his part.
Capstick clearly was unable to organize information in any sensible manner, and his editor (if there actually was any), certainly didn't bother to help. For example, tacked onto the end of a lengthy paragraph about Meinertzhagen's dislike for other races is the only mention of his first marriage!
No, instead Capstick presents a rambling accounting the juiciest of events from the diaries, detracting from these by interjecting his own barely coherent diatribes against "greens" as well as numerous instances of the "I know just how Dick felt, I too..." variety. Clearly Capstick has an almost hero-worship of his subject, and thus totally waffles around Meinertzhagen's clearly racist views and blood lust. On page 220 he states as much: "This complex man's psychological makeup is not the point of this book. His glorious adventures and cunning bravery are." This is all well and fine except that his subject's "adventures" including loads of killing, including an Indian for mishandling his horse.
Meinertzhagen's life was certainly fascinating, but I'd suggest waiting to read about it in a competently researched and written biography, not in this homage.