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The play has the first of Shakespeare's many brave, resourceful and cross-dressing heroines, Julia.
Shakespeare always used his fools and clowns well to make serious statements about life and love, and to expose the folly of the nobles. Two Gentlemen of Verona has two very fine comic scenes featuring Launce. In one, he lists the qualities of a milk maid he has fallen in love with and helps us to see that love is blind and relative. In another, he describes the difficulties he has delivering a pet dog to Silvia on his master, Proteus', behalf in a way that will keep you merry on many a cold winter's evening.
The story also has one of the fastest plot resolutions you will ever find in a play. Blink, and the play is over. This nifty sleight of hand is Shakespeare's way of showing that when you get noble emotions and character flowing together, things go smoothly and naturally.
The overall theme of the play develops around the relative conflicts that lust, love, friendship, and forgiveness can create and overcome. Proteus is a man who seems literally crazed by his attraction to Silvia so that he loses all of his finer qualities. Yet even he can be redeemed, after almost doing a most foul act. The play is very optimistic in that way.
I particularly enjoy the plot device of having Proteus and Julia (pretending to be a page) playing in the roles of false suitors for others to serve their own interests. Fans of Othello will enjoy these foreshadowings of Iago.
The words themselves can be a bit bare at times, requiring good direction and acting to bring out the full conflict and story. For that reason, I strongly urge you to see the play performed first. If that is not possible, do listen to an audio recording as you read along. That will help round out the full atmosphere that Shakespeare was developing here.
After you finish Two Gentlemen of Verona, think about where you would honor friendship above love, where equal to love, and where below love. Is friendship less important than love? Or is friendship merely less intense? Can you experience both with the same person?
Enjoy close ties of mutual commitment . . . with all those you feel close to!
Angst Fans- especially those of Alicia's
the "Aerosmith Chick". For those of us
who LOVE Drooling over Alicia- and everything
she's in- you'll want to get this book to
add to your Collection. One very nice and
interesting tid bit of information is that
she- Alicia, now believes that her religion
is simply knowing herself and knowing who
the most important people in her life are-
As opposed to an organized religion. This
book features many pictures in Black and White
and none of which that are in color. One really
rare pict. that I have not seen before is featured in
this book- it is with Alicia and her brother
and two parents. I would have given this book
a Higher rating if there were some color pictures
in it- and not just Black and White ones.
All in all a good- read, but, Don't expect Alicia's
Life story, this is just a Bird's Eye view of it.
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Raymore and Rosalind strike sparks off each other from the moment they meet. He wants to marry her off as soon as he can; she wants to be allowed to retire to the country and remain unmarried, thus escaping the humiliation of being found wanting by Society. He's an autocrat who dislikes women intensely, and so he expects her to obey his every order. She resents being ordered around and defies him openly on several occasions.
And yet on one occasion when she goes too far and he tells her off in his study, temper turns to irrestible attraction and he kisses her senseless.
However, someone does apparently find Rosalind attractive enough to want to marry her. But why does Raymore resent her engagement so much? Why does he seem to want to prove that her fiance isn't good enough for her? Can he simply put her out of his mind - and can she put him out of hers?
This is an enjoyable romance, but at times it does become obvious that it's one of Balogh's earlier works. There is rather too much informality between characters, which wouldn't have happened and which isn't Balogh's style in her later work. She also gets a title wrong; Raymore's unmarried cousin is several times addressed as Lady Marsh instead of Lady Sylvia, the latter being an earl's daughter and the former the wife of Lord Marsh.
Raymore's development from a misogynistic, autocratic boor to a sensitive and caring lover was not very well developed either. He went from doubting Rosalind's virtue as a result of the kiss she shared with him to (apparently) assuming that she had to be completely virtuous after all, with no real articulation of this change in his attitude.
All in all, while I enjoyed this book, I'd rather re-read another Balogh, such as A Certain Magic or Tempting Harriet.
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The book is written as a series of letters to her beloved's son telling him about her great crime, in order to save him from making the same mistakes. I did admire the way she examined and analyzed her feelings, and how she could stand back and see how her actions didn't always coincide with her intentions. She just loved this guy passionately and she couldn't talk herself out of it, no matter how hard she tried. It got to be rather tedious though, after a while, and I wished she could just get over it and get on with her life.
All the melodrama in the book comes in the last thirty pages, which is such a contrast to the mild, slow-paced rest of the book. It seemed very foreign to the first part, like the author felt she ought to throw in some action at long last. All in all, it was okay, but not great.